2020-08-04

Mt. Fuji and Lake Motosu

Mt. Fuji and Lake Motosu
Pentax KP 18 mm ISO 100 for 1/400 sec. at ƒ/11
#lake #volcano #MoutFuji #MtFuji #LakeMotosu #Yamanashi #Japan
#湖 #火山 #本栖湖 #富士五湖 #富士山 #山梨県

Lake Motosu (本栖湖) is one of the Fuji Five Lakes located at the base of Mt. Fuji.  The lake is located in Yamanashi Prefecture, and is known for two things: 1)  the deepest of the Fuji Five Lakes and claims to have the clearest water compared to the other lakes; and 2) the view of the lake was photographed by Okada Koyo (1895-1972) in 1935, which was then the inspiration of the view of Mt. Fuji printed on the back of the 5,000-yen bill and the 1,000-yen bill.

When visiting the lake, the summer haze in the sky made it impossible to capture a tack-sharp composition of the lakeshore and Mt. Fuji. Landscape photography of this scene is best during autumn, winter, and spring when the air is dryer.

Access to the  lake is best if you drive due to the lack of public transportation that reaches this lake. Although it took me about 4 hours to drive through the night to reach the lake before sunrise, it is actually a two-hour drive from Tokyo if you take the expressway.

Google Maps: https://goo.gl/maps/QXMwVwbYVd2ct2oMA

Parking is free, but you had better arrive early to catch a spot!

Japanese Address: 〒409-3104 山梨県南巨摩郡身延町中ノ倉

English Address: Nakanokura, Minobu, Minamikoma District, Yamanashi 409-3104

From the parking lot near the public restrooms, you can find a trailhead that will take you on an easily accessible mountain trail that  leads to the Nakanokuratoge Observation Deck, which offers the best view of the lake and Mt. Fuji. The photo above was taken at this spot, where I was able to reach within an hour. The trail is not steep at all and is relatively smooth. The climb can  be made in sneakers if you don't have proper hiking boots.


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Pix4Japan by Iketani, Daisei is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Permissions beyond the scope of this license are available at Caubarrere Piché LLC.

2020-07-07

Chinatown

I haven't had the opportunity to go out into the wild for a photo shoot recently. However, while doing some business in downtown Yokohama, I took the long way home through Yokohama's Chinatown and the Osanbashi Pier.

Most of the shops in  Chinatown were closed--either because of COVID-19, because it was a Tuesday, or maybe a combination of both. I tried to get a few shots that might exemplify Chinatown with all of the colorful signs and hanging red lanterns. No matter where I went, however, there were so many cement power poles that totally detracted from the mood of a typical day in Chinatown. Maybe if there were more crowds, that would draw the viewer's attention away from the power poles and electric lines.

Not all was lost however. I came across a temple called Kantei-Byo (関帝廟). According information posted online by what seems to be a community or neighborhood association of Chinatown, the temple is dedicated to a famous general depicted in a Chinese historical novel who became an inspiration to Chinese immigrants arriving in Japan starting back in the late 1870s. The general was revered for his sense of loyalty, righteousness, and business skills--traits that held a special appeal to the new immigrants who must have struggled as they started building a community, starting new business, and making a new start for the lives of their families.

Kantei-Byo Temple is now a popular tourist destination  as well as a holy site where the local Chinese can have their  spiritual, social and cultural needs met.

Originally built in 1862, the temple was rebuilt after the Great Kanto Earthquake in 1923. It was rebuilt again after the fire bombing during WWII, and rebuilt one more time after a fire in 1981 that was caused by a lightning strike. Tragically, that temple had to be rebuilt a fourth time in 1986 after suffering from another fire that engulfed the structure.

No matter where you go in Chinatown, it's hard not to miss the various designs and postures of dragons.

As evening got darker, I was fortunate to come across one of many dragons on the roofline of Kantei-Byo Temple. From what I understand, dragons are a symbol of power, strength, and good luck for many people in East Asian cultures. They don't seem to hold the same persona of evil and wickedness as more commonly found in western literature or modern pop culture.

Ceramic Chinese Dragon on Roof of Chinese Temple in Chinatown
Pentax KP 88 mm ISO 100 for 0.8 sec. at ƒ/5.6
Portfolio:

The eastern entry to Yokohama Chinatown is called the Sunrise Gate and “protects” Chinatown from east. The primary color associated with this gate is blue as its guardian deity is the Azure Dragon. This dragon is also depicted as the god of spring and prosperity, is the guardian deity for the east, and is always colored in tones of blue.

Eastern Gate to Yokohama Chinatown
Pentax KP 36 mm ISO 100 for 15.0 sec. at ƒ/18
#gate #guardian #deity #Chinese #Chinatown #Yokohama #Japan
#門 #中華街東門 #朝陽門 #中華街 #横浜
Portfolio:

The shot above was taken at an angle from the right. The best position for taking a shot with a tripod would have put me right in the middle of a street with somewhat heavy traffic. Another and maybe better option would have been to back up to the park that is about two blocks away and position a telephoto lens on the tripod and just patiently wait for a moment with no traffic crossing 3 different intersections. This kind of shot might be achieved at 2:00 or 3:00 a.m. when most of the city is asleep. 

Only two shots were semi-presentable during this mini photo shoot. I would like to come back again and try some other shot with more people or maybe  after a rain storm at night when the ground is reflecting more light.  

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Pix4Japan by Daisei Iketani is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Based on a work at https://pix4japan.blogspot.com.
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Hanabiyori Park

Today's photo shoot took place at Hana-Biyori Botanical Park located in the city of Inagi, which is a part of the Tokyo metropolis. The park was originally scheduled to open to great fanfare back in January or February of this year, but due to the pandemic, the opening was delayed until June after the Japanese government rescinded the request for all residents to stay home as much as possible and avoid unnecessary outings where one might run the risk of coming into contact with other people. 

Hana-Biyori is run by the same company that operates Yomiuri Land, an amusement park located right next to the park. However, entrance fees and access to the botanical park are separate from the amusement park. 

The headline attraction at the park is a digital light show that incorporates digital art, laser lights, and blended with actual flower plants situated on the walls, floor, and hanging from the ceiling in a spacious hall that is more like a spacious greenhouse. The hall includes small shops, space for flower related workshops, a very nice Starbucks cafe, a huge fish aquarium, and numerous flowering vines hanging from the ceiling over the patrons' tables. 

Since this is private park, I was not able to bring my dog. I was a bit bummed that I wasn't able to bring her, but at the same time, my hands and mind were freed to explore the park more carefully in hopes of finding some nice compositions. Whenever I take her to locations where there are other people, she tends to attract the oohs and aahs of passersby, which can be a little distracting if your are trying to focus on a composition. Regardless, I am more than happy to express my appreciation to her fans and let them give her a tummy rub--which she loves!

Admission to the park isn't expensive at ¥1,200 (approximately €10.00 or $12.00). Parking comes to about ¥600 per hour (approximately €5.00 or $6.00). 

To be honest, I found the park to be a little quirky. There wasn't a clear overall theme for the grounds outside. I think the primary attraction is the digital/flower show, which was interesting but not really my cup of tea. If I were serious about learning more about growing plants or flowers, I think that attending one of the workshops would be a very interesting and useful experience. Clearly, though, the park is more of a tourist attraction than a botanical park. I would normally imagine a botanical park or garden to be more of an extension of an educational or research organization whose primary mission is to preserve and share knowledge related botanical life, answer some mysteries associated with plants, and promote conservation of plant life in general. Regardless, I was excited to start walking the grounds and start taking some pictures.

My first stop in the garden revealed a patch of grass with a statue dropped right in the middle without much context. I had to go online to learn that it was a statue of Budai, a semi-historical Chinese monk from the 10th century who is always depicted as laughing with a protruding pot belly. Budai is said to be a harbinger of abundance and good health in the tradition of Chinese Buddhism. In the tradition of Japanese Zen Buddhism, however, Budai is referred to as Hotei and seems to be referred to as a God of Peace. Regardless, I couldn't help smile at such a happy looking character.

Statue at Flower Park
Pentax KP 135 mm ISO 2000 for 1/200 sec. at ƒ/9
#HanaBiyori #park #statue #Budai #Hotei #Japan
#布袋の像 #フラワーパーク #よみうりランド #稲城市

Walking to the greenhouse to watch the digital/flower art show, I came across two types of sunflowers that caught my attention. As you can see in my blog post from July 25, 2017 (Sunflowers Sagami River), my concept of sunflowers has been prejudiced to very tall flower that have huge brownish disks in the center, and have bright, solid yellow petals. However, the sunflowers I saw at Hana-Biyori were only knee-high, had very small diameter disks, and the petals were more orange with either brown or red tones on the portions closer to the disk.

Based on the short height, the darker shade of the disks, and based on similar flowers I was able to identify online, my best guess is that the first set of flowers that I saw were Suntastic Yellow sunflowers. 

Suntastic Yellow
Pentax KP 115 mm ISO 400 for 1/640 sec. at ƒ/5.6
#sunflower #SuntasticYellow #flowers #HanaBiyoriPark #Japan
#ヒマワリ #サンタスティックイエロー #よみうりランド #稲城市

The second set of sunflowers I came across were also unusual--but my new favorite type of sunflowers! Again, based on the size, height, and based on similarly looking flowers that I found  online, I think the second set of flowers are called Firecracker or Ring of Fire. Furthermore, both names of flowers go by the same genus and species: Helianthus annuus.

The Firecracker name might be British English since this name was often used on sites originating from the U.K., whereas the Ring of Fire name might be American English since this name was often used by companies selling seeds in the States.

Firecracker
Pentax KP 135 mm ISO 1250 for 1/640 sec. at ƒ/6.3
#sunflower #Firecrakcer #flowers #HanaBiyoriPark #Japan
#ヒマワリ #ファイアークラッカー #よみうりランド #稲城市

The park also has an area called the Sacred Forest where they have acquired Higiri-Mon Gate, which is an historical piece of architecture that was once a part of the Kyoto Imperial Palace until the 17th century before the shogun moved the emperor to Edo Castle in modern-day Tokyo. The well-preserved gate has been reassembled for use at the park and leads to other major attractions including a Statue of Myoken Bodhisattva (a Buddhist deity revered as the deification of the North Star in Japanese Buddhism), a statue of Avalokitesvara (a Bodhisattva who embodies the compassion of all Buddhas), and a pagoda that is said to house ashes and hair of Buddha.

Higiri-Mon Gate
Pentax KP 31 mm ISO 6400 for 1/160 sec. at ƒ/16
#gate #HigiriMon #JapaneseArchitecture #HanaBiyori #Japan
#門 #聖門 #よみうりランド #稲城市

The other structures housing the statues were very interesting and I wanted to learn more about their origin and history. Unfortunately, I didn't post any photos of the structures because the park is actually kind of small forcing everything in the Sacred Forest to be packed closer together making it a bit difficult (for me at least) to get the kind of composition that afforded them the degree of significance I would ideally like to convey in such a photo.

Almost all of the shots I tried to take included fences, power lines, or a background that conflicted with subject of the shot. I wouldn't mind coming back and trying to take the shots again on a rainy day or maybe on a foggy day. Such "bad" weather is great for creating a composition that allows greater focus on the subject while making it easier reduce the impact of distracting objects in the scene. Fog is especially wonderful when I want to disappear a whole building, power lines, train tracks, overhead highways, garish signs, etc. 

One might ask why I don't just "erase" such distractions in Photoshop. Unfortunately, I do not have that kind of skill set yet. Until then, I would much rather get the shot in camera as opposed to spending hours at my desk in post processing. 

After leaving the Sacred Forest, I headed back to entrance of park to go home. Along the way, I came across a few large ceramic bowls that were placed on the ground and filled with cut sunflowers and various shades of white, green, blue, and violet hydrangea petals floating on water. The water below the flowers and water dripping off of the petals was riveting. A larger size of the photo below can be viewed online here: pix4japan.picfair.com.

Water Bowl with Flower Petals
Pentax KP 48 mm ISO 800 for 1/250 sec. at ƒ/4.5
#sunflower #hydrangea #waterbowl #HanaBiyori #botanicalpark #Japan
#ヒマワリ #紫陽花 #よみうりランド #ハナビヨリ #植物園 #稲城市

I have seen similar flower arrangements before but not in such a great density. The water bowl of flowers was the perfect ending to my photo shoot since June is still in the middle of Japan's rainy season, which is also the peak viewing season for enjoying hydrangeas. 

If you plan on visiting this park, I'd recommend visiting in the fall or spring when there is a greater abundance of blossoms and color.

Location at Google Maps:
Japanese Address: 
  • 〒206-8725 東京都稲城市矢野口4015-1
English Address:
  • 4015-1 Yanokuchi, Inagi-shi, Tokyo 206-8725
Access:
  • 10-minute walk from Keio Yomiuri-Land Station or you can take the free shuttle bus. 
Website available in five languages:
Gear Used on the Photo Shoot:
  1. Camera: Pentax KP Body and Lens Kit
  2. Standard zoom lens: smc Pentax-DA 18-135mm F3.5-5.6 ED AL[IF] DC WR
  3. Telephoto zoom lens: HD Pentax-DA 55-300mm F4.5-6.3 ED PLM WR RE
  4. Tripod: Manfrotto MT190CXPRO4 (carbon fiber legs with quick locking clamps) 
  5. Ball head: Manfrotto Cloud XPRO
*Any links to Amazon are affiliated links, which means if you choose to purchase an item that I may get a small commission that has no bearing on your purchase price whatsoever.

Creative Commons License
Pix4Japan by Iketani, Daisei is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Permissions beyond the scope of this license are available at Caubarrere Piché LLC.

2020-06-30

Cape Kannonzaki

Arrived at Cape Kannonzaki on the shores of Tokyo Bay at about 4:30 a.m., just a few minutes after sunrise. Due to the incoming storm, the horizon was hazy while dark clouds loomed overhead letting in occasional slivers of sunlight. 

Primary features of the coastline consist of rock formations jutting out into the ocean along the coast angled at about 30 degrees--a result of the stratum from the deep sea floor that was eventually pushed up and out of the water approximately 500,000 years ago.

Numerous fishing boats were going up and down the coast close to shore pulling in their catch as tanker ships and container ships were slowly sailing into and out of Tokyo Bay. 

Most of the coastline is rocky with most of the stone having smooth top surfaces resulting from constant erosion. In fact, you have to be careful not to slip even if the stone is dry. 

My primary goal for this photo shoot was to compose a landscape shot with the lighthouse that sits upon a ridge at the end of the park that covers the whole cape. However, fallen rocks and a mudslide from a super typhoon from last year had yet to be cleared. Plans may have been in place to have the trail to the lighthouse cleared by spring, but with the onslaught of the pandemic, sightseeing spot repairs are not an immediate priority of the prefecture who is responsible for this park's maintenance.

Many crows were flying in from the nearby woodland and catching fish or other sea life that had washed ashore. My border collie could not resist the opportunity to race after them in either a game of chase or a futile attempt at  herding. Arriving so early in the morning ensures there are no other people on the beach or in the park at all. My dog and I had the whole place to ourselves!

My favorite feature of the landscape was the moss covered rocks. The color of the moss reminds me of the fresh, young leaves on trees at the start of spring. The moss is able to retain that same type of luminance throughout most of the year.

I hope to come back to this shore again once access to the lighthouse has been complete.

Location: Google Maps

Gear used in the photo shoot:

4. Tripod: Manfrotto MT190CXPRO4 (carbon fiber legs with quick locking clamps) 
5. Ball head: Manfrotto Cloud XPRO
6. Circular polarizer: Polarpro Quartzline CP

*Any links to Amazon are affiliated links, which means if you choose to purchase an item that I may get a small commission that has no bearing on your purchase price whatsoever.

Mossy Shoreline
Kannonzaki Park offers a small beach and rocky coastline with unusual rock formations jutting out of the ocean.
Pentax KP 28 mm ISO 100 for 1.3 sec. at ƒ/14
#KannonzakiPark #beach #coastline #seascape #Yokosuka #Japan
#海岸 #海岸地方 #海の景色 #横須賀市 #観音崎公園
Licensing & prints: pix4japan.myportfolio.com.

Rocky Coast Landforms
This sandstone-like rock was once part of a stratum that formed on a deep sea floor millions of years ago, only reaching the surface about 500,000 years ago at an approx. 30-degree angle. This one stone reminds me of the sandstone cliffs of the southwestern U.S. 
Pentax KP 28 mm ISO 100 for 1/6 sec. at ƒ/9.0
#KannonzakiPark #beach #coastline #seascape #Yokosuka #Japan
#海岸 #海岸地方 #海の景色 #横須賀市 #観音崎公園
Licensing & prints: pix4japan.myportfolio.com.

Border Collie on Cape Kannonzaki Coastline
Taking a rest on the cool, wet rocks after chasing crows for an hour after sunrise as they tried to scavenge for food along the coast.
Pentax KP 18 mm ISO 100 for 1/6 sec. at ƒ/11
#dog #pet #bordercollie #CapeKannonzaki #seascape #Japan
#犬 #愛犬 #ボーダーコリー #横須賀市 #観音崎公園
Licensing & prints: pix4japan.myportfolio.com.

Lighthouse on Cape Kannonzaki
Couldn't get any closer shots since the steps to the lighthouse got damaged by last year's super typhoon.  
Pentax KP 300 mm ISO 100 for 1/8 sec. at ƒ/20
#lighthouse #coastline #CapeKannonzaki #seascape #Japan
#灯台 #海岸 #海岸地方 #海の景色 #横須賀市 #観音崎公園
Licensing & prints: pix4japan.myportfolio.com.

Lighthouse on Cape Kannonzaki
Originally built with bricks in 1869, the Cape Kannonzaki Lighthouse Japan’s first ever lighthouse. However, it was destroyed by an earthquake in 1922. Rebuilt using steel and concrete in the spring of 1923, it was cracked and damaged by the Great Kanto Earthquake in September of the same year. The current version was restored in 1925 and has thus far endured for the past 95 years.
Pentax KP 260 mm ISO 100 for 1/8 sec. at ƒ/20
#lighthouse #coastline #CapeKannonzaki #seascape #Japan
#灯台 #海岸 #海岸地方 #海の景色 #横須賀市 #観音崎公園
Licensing & prints: pix4japan.myportfolio.com.

Break in Clouds
Long exposure of the sun breaking through the clouds over Tokyo Bay as viewed from Cape Kannonzaki.
Pentax KP 24 mm ISO 100 for 58 sec. at ƒ/18
#seascape #cloudy #coastline #seaside #Kannonzaki #TokyoBay #Japan
#海の景色 #曇 #海岸沿い #海岸地方 #沿岸 #海岸 #観音崎 #東京湾 #三浦半島
Licensing & prints: pix4japan.myportfolio.com.

Moss & Tanker Ship
Considering how much tanker traffic sails into Tokyo Bay, the coastline of Cape Kannonzaki seems quite clean. There were no signs of oil or pollutants along the shore that would normally kill off the moss that lives on these rock formations.
Pentax KP 68 mm ISO 100 for 1/8 sec. at ƒ/18
#KannonzakiPark #beach #coastline #seascape #Yokosuka #Japan
#海岸 #海岸地方 #海の景色 #横須賀市 #観音崎公園
Licensing & prints: pix4japan.myportfolio.com.

Going Home
We arrived at around 4:30 a.m., a few minutes before sunrise. Two hours later, it was time to go home. Dale-chan is looking in the direction of the car—maybe an indication that she is ready to go home or wants to drink some fresh water after playing in seawater all morning.
Pentax KP 100 mm ISO 400 for 1/80 sec. at ƒ/5.6
#dog #pet #bordercollie #seascape #CapeKannonzaki #Japan
#犬 #愛犬 #ボーダーコリー #観音崎公園 #横須賀市
Licensing & prints: pix4japan.myportfolio.com.

Creative Commons License
Pix4Japan by Iketani, Daisei is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Permissions beyond the scope of this license are available at Caubarrere Piché LLC.

2020-06-16

Mt. Banjirodake on Izu Peninsula

After a nearly 5-hour drive, we finally reached the trailhead to Mt. Banjirodake. One of the best things about this location is that there is a designated parking lot just for hikers--it is free, has clean restrooms, and has basins for washing mud off of your gear and shoes.

Mt. Banjirodake:

Designated Parking:

The trail started out very easy. After about an hour, the trail became steeper but not that challenging. The difficult part was that the trail had been severely eroded by rain. In some locations, you have to walk off the trail and find an alternate path to get back on the trail while climbing over huge boulders. I am sure it will take a long time and significant expense to get the trail back to its original condition.

Ascending the mountain, I didn't stop to take any photos. The climb up was to scout for compositions that I could shoot on the way down the mountain.

After reaching the peak, I was a bit disappointed. The view of the ocean was bleak and hazy. The sky was misty and no nice cloud cover. I might have been able to find some decent shots, but I was soaking wet with sweat which seemed to attract small flying insects (gnats? flies?) that made it impossible to stand still long enough to set up the tripod for some carefully composed shots. I don't recall being swarmed by so many insects at one time. They didn't bite or sting, but were incredibly maddening.

I gave up on spending the time needed to set up the tripod and focus on some carefully planned compositions. Rather, I took a run-and-gun approach with handheld shots while trying to avoid standing still long enough to be engulfed by the flying insects.

On the way down, we were able to finally escape the swarm of insects that were at the top of the mountain and finally had a chance to take out the tripod for some interesting shots while giving the dog and myself some rest. Although coming down the mountain was easier than climbing, I had to be very careful that I did not go too fast and injure my knees as I had to climb down some steep grades and hop off of big boulders blocking the trail.

Here are the few shots that I was able to take with so-so quality. I would like to go again in the fall when the air is dryer and maybe the fall leaves might add to more dramatic shots.

Beech Woods
Beech wood tree on peak of Mt. Banjirodake (at elevation of 1,299 m/4,262 ft). This peak is located on the Amagi Mountain Range, which is located on the Izu Peninsula in Shizuoka Prefecture (approx. a 3.5 hour drive southwest of Tokyo).
Pentax KP 31mm ISO 100 for 1/40 sec. at ƒ/4.5
#mountain #hiking #Banjirodake #trees #beechwood #Izu #Shizuoka #Japan
#山 #ハイキング # 万二郎岳 #木 #天城の秘境  #ブナの木  #伊豆半島 #静岡県
Licensing & prints: pix4japan.myportfolio.com.

Tired
We had driven all night and reached the trailhead at about 5:00 in the morning. Four hours later we reached the peak of Mt. Banjirodake. She seemed exhausted and quickly found a huge, cool  boulder to rest on while I was taking photos.
Pentax KP 135mm ISO 1600 for 1/200 sec. at ƒ/5.6
#dog #pet #bordercollie #MtBanjirodake #Shizuoka #Japan
#犬 #ワンちゃん #愛犬 #ボーダーコリー #万二郎岳 #伊豆半島 #静岡県
Licensing & prints: pix4japan.myportfolio.com.

Moss
This shot was taken at about 1,200 meters (3,937 ft) where you can see many species of moss creating new life from dead trees in an old growth forest that was spared the destruction of cedar tree plantations found at lower elevations.
Pentax KP 68mm ISO 800 for 1/200 sec. at ƒ/5.6
#moss #tree #oldgrowth #forest #MtBanjirodake #Izu #Shizuoka #Japan
#苔 #コケ #古い成長の木 #森 #万二郎岳 #伊豆半島 #静岡県
Licensing & prints: pix4japan.myportfolio.com.

Happy to Go Home
お二人(僕とワンちゃん)はとても最高でした!
Halfway down Mt. Banjirodake, she jumped up onto this boulder and waited for me to catch up with her. On the way up the mountain, we both kept about the same pace. But on the way down, I with my backpack full of gear and my careful navigation of muddy rocks on the trail were no match for a spry border collie!
Pentax KP 36 mm ISO 1600 for 1/60 sec. at ƒ/4.5
#dog #pet #bordercollie #MtBanjirodake #Shizuoka #Japan
#犬 #ワンちゃん #愛犬 #ボーダーコリー #万二郎岳 #伊豆半島 #静岡県
Licensing & prints: pix4japan.myportfolio.com.

Stewartia Monadelpha
On the climb down Mt. Banjirodake, came across a few very tall and unusual trees known as tall stewartia (Species: Stewartia monadelpha) that are native to the tropical mountain regions of Japan. The smooth, cinnamon colored trunks reach far above the canopy and stand in stark contrast to the surrounding cedar and beech woods.
Pentax KP 21mm ISO 400 for 1/50 sec. at ƒ/5.6
#stewartia #tree #oldgrowth #forest #MtBanjirodake #Izu #Shizuoka #Japan
#ヒメシャラ #姫沙羅 #古い成長の木 #森 #万二郎岳 #伊豆半島 #静岡県
Licensing & prints: pix4japan.myportfolio.com.

Stewartia Monadelpha
This is the second stewartia tree I discovered on the way down Mt. Banjirodake. Don't know how I missed this tree on the way up! Was probably too focused trying to secure sure footing on the washed out trail. Hope to visit another old growth forest if I can.
Pentax KP 48 mm ISO 1600 for 1/30 sec. at ƒ/8.0
#stewartia #tree #oldgrowth #forest #MtBanjirodake #Izu #Shizuoka #Japan
#ヒメシャラ #姫沙羅 #古い成長の木 #森 #万二郎岳 #伊豆半島 #静岡県
Licensing & prints: pix4japan.myportfolio.com.


Creative Commons License
Pix4Japan by Iketani, Daisei is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Permissions beyond the scope of this license are available at Caubarrere Piché LLC.

2020-06-09

Cape Kurosakinohana

Left home at around 1:30 in the morning in hopes of catching the sunrise at Cape Kurosakinohana (黒崎の鼻), which is located on the west coast of the Miura Peninsula about 2 hours 20 minutes from Nihonbashi, Tokyo (Google Maps link).

After parking the car at the parking lot that was closest to the cape, the dog and I walked about 30 minutes to reach the coastline. Fortunately, we arrived before sunrise and had a few minutes to scout the area for some compositions.

As expected, I had most of the coastline to myself! A few fishermen showed up after sunrise, but for the most part, it was just me and my dog!

This time of year, however, there is a haze that wipes out any hint of clear blue skies in the distant. From what I have read, Mt. Fuji can be seen clearly from here on a clear day. This was not one of those days.

Although the rocky coastline was very interesting from a geological history aspect, I had difficulty finding any clear leading lines I could use in a composition. I spent almost 3 hours taking various test shots and looking for interesting views.

While exploring the length of the coast, there were several Japanese kites (a kind or raptor called "tobi" in Japanese) flying close to the shore. They seemed to be taunting my dog into chasing them--which she promptly obliged! She had a blast running through the ocean waves, across the wet, cool sand, and over jagged rocks.

Although I wasn't able to take any "great" shots on this trip, I thoroughly enjoyed the sunrise and watching my dog get lots of exercise in trying to "herd" some beautiful raptors. I will come back in winter or after a typhoon in hopes of catching some clear skies or at least some dramatic clouds.

Sunrise
Shot taken at Cape Kurosakinohana, Japan, which is a small headland that juts out into the Pacific Ocean on the west coast of the Miura Peninsula located about 2 1/2 hours south of Tokyo.
Pentax KP 55mm ISO 100 for 1/200 sec. at ƒ/18
#sunrise #Miura #scenic #Japan
#日の出 #黒崎の鼻 #景勝地 #三浦半島 #海の風景
License & Prints: pix4japan.myportfolio.com.


Sea Dog
She had fun playing in the water and chasing after raptors called "tobi" (Japanese black kites). 
Pentax KP 21mm ISO 200 for 1/160 sec. at ƒ/7.1
#dog #pet #bordercollie #MiuraPeninsula #coast #Japan
#犬 #愛犬 #ボーダーコリー #三浦半島 #海の風景
License & Prints: pix4japan.myportfolio.com.

    Water Silk
Sulfur colored marine plant drying on coastal rocks at low tide. Initially thought was seaweed but actually might be a filamentous algae called water silk or mermaid's tresses. 
Pentax KP 18mm ISO 100 for 1/20 sec. at ƒ/14
#seaweed #algae #MiuraPeninsula #scenic #Japan
#海藻 #藻 #黒崎の鼻 #景勝地 #三浦半島 #海の風景
License & Prints: pix4japan.myportfolio.com.


Creative Commons License
Pix4Japan by Iketani, Daisei is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Permissions beyond the scope of this license are available at Caubarrere Piché LLC.

2020-06-02

Minami-Honmoku Pier

Tonight's photo shoot entailed visiting two different parks that have small hills where you can get high enough for a mostly unobstructed view of the bay. From street level, there are too many buildings and a huge double-decker raised expressway (highway) that blocks most of the view.

The first two shots required that I fix my tripod between a tall fence and thick tree trunk to catch the shot over the fence. Most of the shots were unusable due to slight motion of the tree caused by a light breeze. Only two shots were close to being sharp and in focus.

The third shot was a breeze to take since I planted the tripod on solid ground. Only drawback was that the bridge was so far away that I had to use a telephoto zoom lens maxed out at 300 mm.

My faithful dog was very patient with me as we scouted locations at around 1:00 or 2:00 in the morning.

It's great to visit these parks only a couple hours after midnight when there are absolutely no other people around. I can let my dog follow me around off her leash, which also frees up my hands for carrying gear. 

Will have to come back to this area during the daytime to catch some shots of the greenery in the future.

Container Pier and Oil Refinery
Two berths with oil refinery tanks and mega-gantry cranes make up the Minami-Honmoku Pier as seen from Honmoku Waterfront Park.
Pentax KP 40mm ISO 100 for 30.0 sec. at ƒ/11
#cranes #gantrycrane #containercrane #pier #smokestack #coolingtower #refinery #Japan
#クレーン #メガガントリークレーン #石油精製工場 煙突 #冷却塔 #横浜港

Container Pier and Oil Refinery
Two berths with oil refinery tanks and mega-gantry cranes make up the Minami-Honmoku Pier as seen from Honmoku Waterfront Park.
Pentax KP 40mm ISO 100 for 30.0 sec. at ƒ/13
#cranes #gantrycrane #containercrane #pier #smokestack #coolingtower #refinery #Japan
#クレーン #メガガントリークレーン #石油精製工場 煙突 #冷却塔 #横浜港

Long-Span Cable-Stayed Bridge
Yokohama Bay Bridge--gateway to the Port of Yokohama for ships sailing in from Tokyo Bay.
Pentax KP 300mm ISO 100 for 30.0 sec. at ƒ/14
#bridge #cablestayed #YokhamaPort #YokohamaBayBridge #Yokohama #Japan
#橋 #湾 #横浜港 #横浜ベイブリッジ #横浜


Creative Commons License
Pix4Japan by Iketani, Daisei is licensed under a
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Permissions beyond the scope of this license are available at Caubarrere Piché LLC.