2022-08-31

Yamashita Park and Minatomirai

Fujifilm X100V (23 mm)
ISO 160 for 1/160 sec. at ƒ/2.0
Provia/Standard film simulation

Cyclist Napping with His Dog

A bicyclist is taking a nap with his dog in the shade of trees in Yamashita Park, Yokohama, Japan.

In Japan at least, it’s good manners to take off your shoes or sandals when using a mat on the ground at a park or beach so as to not soil the top side of the sheet or blanket.

This is just one example of many people, including couples, office workers, tourists, young families, etc., all taking a break from the summer heat under the huge trees that stretch from one end of the park to the other.

Fujifilm X100V (23 mm)
ISO 160 for 1/420 sec. at ƒ/3.2
Velvia/Vivid film simulation

Small Fleet of Boats
(Yokohama, Japan)

The Port of Yokohama welcomes ships from the world over. These pilot boats carry pilots out to larger ships to help with safely steering ships in and out of berths, through hazardous conditions, and through boat traffic.

This shot was taken from the northern end of Yamashita Park, where visitors can enjoy views small piers for the coast guard, pilot boats, and views of cruise liners docked at the international terminal.

Fujifilm X100V (23 mm)
ISO 160 for 1/220 sec. at ƒ/2.5
Velvia/Vivid film simulation

93-Year-Old Osanbashi Kyodo Building
(Yokohama, Japan)

Built in April 1929, this building features eateries on the first floor with office space on the upper 2nd thru 5th floors.

This shot was taken from the Yamashita Rinko Line Promenade—an old elevated rail line converted to a pedestrian overpass.

The historic building was built right after the 1923 Great Kanto Earthquake, being one of the first “modern” structures designed to better withstand future earthquakes. Surprisingly, the building survived the WWII incendiary raid on Yokohama by 517 B-29s dropping 2,570 tons of bombs.

The exterior of the building seems to be deteriorating, thus the need for netting to prevent the tiles from falling off and hitting pedestrians below.

It would sadden me if they eventually tear down the building. I hope the owners can somehow preserve the building for future generations.

Fujifilm X100V (23 mm)
ISO 160 for 1/280 sec. at ƒ/2.5
Velvia/Vivid film simulation

Kanagawa Prefectural Office—The King

Built in 1928, the architect was influenced by the Art Deco architectural style that was popular in Europe in the early 20th century.

The other two major historical buildings in Yokohama are the Queen (Yokohama Customs Building), and the Jack (Yokohama Port Opening Memorial Hall). The legend varies, but sailors of old are said to have believed that if they were able to see all three towers of the King, Queen, and Jack when pulling into port, that their wish would come true. 

Fujifilm X100V (23 mm)
ISO 160 for 1/320 sec. at ƒ/2.8
Monochrome film simulation

Border Collie under Elevated Tracks

The Yamashita Rinko Line Promenade is a pedestrian overpass linking Yamashita Park to the south with the Minatomirai Waterfront District to the north on the shore of the Port of Yokohama.

The overpass was originally built as an elevated freight train line (Yamashita Rinko Line) in 1965. After only 21 years, the line ceased operations as trucks became the more economical means of moving cargo freight.

Fujifilm X100V (23 mm)
ISO 160 for 1/1500 sec. at ƒ/7.1
Classic Chrome film simulation

Cruise Ship and Terminal Pier

Shot of the Asuka II (max capacity: 872 passengers) docked at Osanbashi International Terminal Pier in Yokohama, Japan. The Asuka II sails out of the Port of Yokohama two or three times a week and makes port visits on the eastern coastline of Japan on three- and four-day cruises.

Fujifilm X100V (23 mm)
ISO 160 for 1/340 sec. at ƒ/2.8
Classic Chrome film simulation

Historical Customs House on Waterfront in Yokohama, Japan

Just left of the center is the historical Yokohama Customs Building, which was rebuilt in 1934 after the Great Kanto Earthquake of 1923.

Among the many various design elements used for this building, the dome was inspired by Islamic mosques, and much of the interior was inspired by Western-European Romanesque styles.

The domed customs building is affectionately known as the Queen. To the left of the Queen is a red brick building with a square shaped tower (Kanagawa Prefectural Office), which is known as the King.

Fujifilm X100V (23 mm)
ISO 160 for 1/640 sec. at ƒ/4.5
Classic Chrome film simulation

Security Guard on Patrol

If you have ever taken a train in Japan, you might have witnessed “shisa-kosho” (指差呼称) or “shisa-kanko” (指差喚呼)--the act of “finger pointing and calling” (FPC) by station staff and train conductors. 

According to the Japanese Ministry of Health, Labour and Welfare, and the Institute of Electrical and Electronics Engineers, sashi-kosho (FPC) has shown to reduce human errors by as much as 85% in laboratory research by the Japanese Railway Technical Research Institute.

In this shot, I captured the moment the security guard pointed his finger and called out whatever it was he was checking. If you ever find yourself often forgetting something or overlooking something important or necessary, please try sashi-kosho next time!

Fujifilm X100V (23 mm)
ISO 160 for 1/950 sec. at ƒ/4.5
Classic Chrome film simulation

Yokohama Hammerhead

Constructed in 1914, this hammerhead crane was Japan’s first quay crane. Surrounded by the sea on three sides, the crane stands at the tip of Shinko Pier and was used to eliminate the timely and costly use of barges to load and discharge cargo.

Shinko Pier, built in 1859, was Japan’s first modern international trading port. The pier has undergone several upgrades over the years with the most recent work completed in 2019, which included a new international cruise ship terminal, a longer and deeper berth, a new luxury hotel, and a small public park built surrounding the hammerhead crane.

The Yokohama Hammerhead was fortunately saved from the scrapyard to become the newest addition to Yokohama’s skyline of prominent and historical landmarks that welcome visitors from around the world to Yokohama.

Fujifilm X100V (23 mm)
ISO 160 for 1/640 sec. at ƒ/4.0
Classic Chrome film simulation

Blue City Skyline

This shot of the Minatomirai waterfront district features Yokohama’s most well-known high-rise towers and hotel: Landmark Tower (left), Queen’s Tower A and B (center), The Yokohama Bay Hotel Tokyu (center-left), and the InterContinental Yokohama Grand hotel (right), which “evokes the image of a white sail against the blue sea.”

When overseas cruise ships visiting Japan arrive in the Port of Yokohama, this is the skyline passengers will see first as they disembark from the ship.

Fujifilm X100V (23 mm)
ISO 160 for 1/180 sec. at ƒ/2
Classic Chrome film simulation

Fujifilm X100V (23 mm)
ISO 1000 for 1/160 sec. at ƒ/11
Classic Chrome film simulation

Roomette Food Trailer

I love the retro look and Tiffany blue color of this lightweight travel trailer that has been converted into a food trailer selling beer and tacos. 

The trailer was located next to the upscale InterContinental Yokohama Pier 8 hotel on Shinko Pier in the Minatomirai waterfront district.

Most travel trailers or food trailers I have seen thus far in Japan tend to be those beautiful, shiny, stainless steel Airstreams. The model in this shot is a Japanese brand of travel trailer called the Roomette Short, which has been designed to have a compact shell to help navigate narrow Japanese streets with a spacious interior that is easily customizable for traveling or for use as a concession stand.

Unfortunately, travel trailers and RVs are exorbitantly expensive and some models require a driver’s license that allows towing or operation of a large vehicle. I have seen brands listed online imported from the U.S. and Germany that were more expensive than a house or condo!!

Fujifilm X100V (23 mm)
ISO 2000 for 1/160 sec. at ƒ/13
Classic Chrome film simulation

Classic Phone Booth

Years of battling sea spray from ocean breezes and typhoons, the lettering on this telephone booth could use a new coat of paint.  

Located behind the InterContinental Yokohama Grand hotel along the waterfront promenade, it seems to be an odd location to install a pay phone.

That said, I am always grateful when I find a pay phone and try to make a mental note of its location. Soon after the Great East Japan Earthquake of March 11, 2011, my cell phone was immediately useless! Cell phone towers and carrier systems were overwhelmed with the sudden onslaught of cell phone calls causing the whole structure to collapse.

Fortunately, pay phones, which use land lines, were unaffected by the earthquake and allowed me to contact family, friends, and colleagues soon after the quake to confirm their safety, deliver requests for  emergency supplies, confirm work schedules, etc. These “outdated” pay phones were indeed a lifesaver!

Although pay phone operators are likely losing money by maintaining their systems, I hope local governments can work out an arrangement where my taxes can help subsidize continued maintenance of pay phones since they are a vital lifeline in disaster-prone Japan. Besides disasters, I can still see senior citizens and young school children regularly using pay phones at train stations since not everyone needs or wants a cell phone. 

Fujifilm X100V (23 mm)
ISO 3200 for 1/105 sec. at ƒ/13
Classic Chrome film simulation

Handpan Player in Park

While walking my dog along the waterfront, I was drawn to this lady playing a handpan near Rinko Park in the Minatomirai waterfront district of Yokohama. I have seen violinists, saxophone players, and several other musicians practicing in this park before, which is most likely because there are no residential properties next to the park.

Unlike street performers who tend to have speakers and a small donation box, individuals who are just practicing are a joy to listen to as they tend to be in the “zone” and seem to be  thoroughly enjoying the instrument they’re playing.

I have no idea if this artist was playing the handpan well or not, but I can say that the melody was quite soothing and a joy to listen to, and complemented the cool ocean breeze coming ashore offering added relief to this hot summer day. 

Fujifilm X100V (23 mm)
ISO 2500 for 1/160 sec. at ƒ/13
Classic Chrome film simulation

Apartment Towers & Hotel Skyline

Rinko Park offers lots of open space and shaded spaces as well making it a popular destination for locals and tourists alike. From the middle of the park, we can see the beautiful architecture of The Kahala Hotel & Resort Yokohama and Yokohama Bay Court Club Hotel & Spa Resort. 

Inspiration for the exterior wave-like designs of the three structures is the famous woodblock print “Under the Wave off Kanagawa” (Kanagawa oki nami ura), also known as “The Great Wave,” from the series “Thirty-six Views of Mount Fuji” (Fugaku sanjūrokkei) by the renowned Katsushika Hokusai ca. 1830–32.

Fujifilm X100V (23 mm)
ISO 1250 for 1/160 sec. at ƒ/13
Classic Chrome film simulation

City Park at Dusk

Looking south from the center of Rinko Park, you can see the top floors of Yokohama’s tallest high-rise apartment building, The Tower Yokohama Kitanaka. The tower is a 58-story building with 1,176 condos with upper-floor prices rising as high as 800 million yen (approx. $5.6 million USD). I am always amazed how engineers are able to build such tall structures in such an earthquake-prone country as Japan. 

Closer to the park, however, is the gorgeous InterContinental Yokohama Grand. This luxury hotel is one of the more famous landmarks of Yokohama’s waterfront district with its unique exterior that resembles a yacht sail billowing in the wind.

Fujifilm X100V (23 mm)
ISO 320 for 1/160 sec. at ƒ/2
Velvia/Vivid film simulation

Fujifilm X100V (23 mm)
ISO 3200 for 1/105 sec. at ƒ/13
Velvia/Vivid film simulation

Blue Hour on the Waterfront

Two shots of The Kahala Hotel & Resort Yokohama where guests on the upper floors have panoramic views of the Port of Yokohama. The hotel has the appearance of three structures, but is actually two hotels in one: The Kahala Hotel & Resort Yokohama, which is for the general public, and the Yokohama Bay Court Club Hotel & Spa Resort, which is a members-only resort hotel.

The wave-like exterior compliments the yacht-sail design of the InterContinental Yokohama Grand, which is located about 600 meters south (approx. 1,969 ft.). The glass facade presents   photographers with beautiful subject to shoot as light reflecting off of the building changes colors throughout the day.

Fujifilm X100V (23 mm)
ISO 3200 for 1/80 sec. at ƒ/2
Velvia/Vivid film simulation

Folding Screens of Glass and Steel

The Fuji Xerox R&D Square is a 20-story office building with enough space for 4,500 employees. The whole structure is elliptical in shape and features a glass exterior that mimics traditional Japanese folding screens that create a wonderful mixture of varying tones of reflected light. 

The jagged edges of the exterior design also helps break up the flow of air along the building’s exterior surface, which helps weaken the sudden gusts of downdrafts and vortices that hit pedestrians on the city streets below.

Fujifilm X100V (23 mm)
ISO 500 for 1/160 sec. at ƒ/2
Classic Negative film simulation

Fujifilm X100V (23 mm)
ISO 1600 for 1/160 sec. at ƒ/2
Astia/Soft film simulation

Reflections at Dusk

The Kahala Hotel & Resort Yokohama is one of the newest buildings to grace the Yokohama waterfront skyline. Although I have zero interest in staying at the hotel, I love the architecture of this hotel and especially love how the glass facade and sharp angles create interesting reflections of neighboring high-rise buildings.

Of course, shooting during the blue hour under a clear sky puts on a show of colors and shades covering the spectrum of blue from azure to cool black. 

Fujifilm X100V (23 mm)
ISO 800 for 1/160 sec. at ƒ/2
Velvia/Vivid film simulation

Alley of High-Rise Towers 

At the end of this alley of high-rise condos sits the tallest building in Yokohama and 2nd tallest in Japan. The 73-story Yokohama Landmark Tower rises 296.3 m (972 ft) above the city skyline and is a popular subject for photographers and tourists alike.
 
Fujifilm X100V (23 mm)
ISO 3200 for 1/125 sec. at ƒ/2
Astia/Soft film simulation

Hamamirai Walk is a pedestrian overpass connecting commuters from Yokohama Station to the Nissan Global Headquarters building (Yokohama, Japan). If you pixel peep, you can see all the workers leaving the office headed back to the station while looking at their smartphones!😅

The bridge crosses over Katabira River, which stretches for about 17 km (approx. 11 miles) from the Yokohama suburbs and empties in Tokyo Bay. The water is relatively clean, popular for paddle boarding, and features several stretches lined with cherry trees! 

Fujifilm X100V (23 mm)
ISO 3200 for 1/80 sec. at ƒ/2
Astia/Soft film simulation

Speeding Around the Curve

The train on the right is a Keikyu Line commuter train arriving at Yokohama Station from the suburbs. The outbound train on the left is a Toei-Asakusa Line train running on Keikyu Line headed for the suburbs from Tokyo via Yokohama during the evening rush hour.

Keikyu Line trains are typically red with white stripes, and run all the way from the Miura Peninsula to the heart of Tokyo at the Shinagawa Terminus covering a distance of 66.9 km (43.43 miles) 

Established in 1895, the Keikyu Line is one of the major lines transporting commuters to Yokohama, Kawasaki, and Tokyo for work and school. The train carries approx. 1.12 million passengers daily and can operate at a max speed of 120 kmh (75 mph) on some stretches.

My favorite part of this line is the elevated tracks between Yokohama and Tokyo, where the train winds back and forth between high-rise buildings close to the tracks, and passes by several old Buddhist temples and their large cemeteries. I got motion sickness the first time I rode this train, but quickly got used to it during my daily commute to Tokyo many years ago.


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2022-08-02

Utsukushigara-Kogen Highlands


Visit the Utsukushigahara-Kogen Highlands in Nagano Prefecture, Japan, with me and my border collie as we escape the concrete jungle for bright, blue skies broken by brief blankets of fog that envelop the grassy highlands featuring grazing cows, rocky cliffs, wide expanses of grassy pastures, and a beautiful sunset at a comfortable altitude of 2,000 meters!

The Utsukushigahara-Kogen Highlands (美ヶ原高原) are located 238 km northwest of central Tokyo. Depending on traffic conditions, it is typically a 3.5-hour drive via the following highways:
  • Shuto Expressway → Chūō Expressway → Route 20 → Route 142 → Venus Line
Primary parking lot:

Utsukushigaharanagawa Choei Parking Lot
美ヶ原長和町営駐車場 

Summer Ragwort
Pentax K-1 II + D FA 28-105mm F3.5-5.6
105 mm ISO 100 for 1/250 sec. at ƒ/5.6

Summer ragwort or leopardplant (Ligularia dentata) is a flower native to Japan and China, which seems to be a favorite of the many dragonflies buzzing around the highlands of Utsukushigahara in Nagano Prefecture, Japan.

Grassy Highland
Pentax K-1 II + D FA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/100 sec. at ƒ/13

The highlands of Utsukushigahara in Nagano Prefecture, Japan, rise to an elevation of 2,034 m (approx. 6,673 ft), offering a panoramic view of grazing pastures, the Northern Alps, and on a clear day, Mt. Fuji.

Depending on traffic, it is only a 4-hour drive from Tokyo via the Chuo Expressway. Free parking is available at the entrance to the highlands and includes a small cafe, restrooms, lodging, and EV charging points.

Winding Country Road
Pentax K-1 II + D FA 28-105mm F3.5-5.6
95 mm ISO 100 for 1/100 sec. at ƒ/13

From the parking lot of the michi-no-eki (roadside station) rest facility, visitors can stroll along this winding country road and enjoy watching dairy cows lazily graze, take in panoramic views of the grassy highlands, and on a clear day enjoy views of the Northern Alps in the distance.

This road is mostly flat and is only 2.4 kilometers long (1.5 miles) and meanders its way up to the Ougatou Hotel at the summit of the plateau. The aforementioned michi-no-eki is 2,000 meters (6,562 feet) above sea level making it the highest roadside station in Japan.

Mountain Ridges and Summer Clouds
Pentax K-1 II + D FA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/50 sec. at ƒ/13

This south-westerly view from the edge of the Utsukushigahara-Kogen highlands in Nagano Prefecture Japan, which rises high above the Iriyamabe Mountains (mid-ground) where further beyond, we can see the Chuo Alps in the far distance.

At 2,000-plus meters above sea level, the Utsukushigahara Highlands catch the flow of cooler breezes flowing up the sides of surrounding cliffs and slopes bringing fresh, cool air, and occasional low-flying clouds that scuttle across the landscape bringing suddenly cold temperatures and a refreshing mist of fine water droplets.

Rocky Cliffs Overlooking Mountain Ranges
Pentax K-1 II + D FA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/80 sec. at ƒ/11

South-westerly view from some rocky cliffs of Utsukushigahara-Kogen highlands in Nagano Prefecture, Japan. This shot includes the Iriyamabe mountains in the foreground, the city of Matsumoto in the mid-ground, and the lower (southern) region of the Northern Alps on the horizon. 

The city of Matsumoto  (mid-ground) in Nagano Prefecture is a sister city to: Salt Lake City, Utah, U.S.A. (1958); Grindelwald, Canton of Bern, Switzerland (1972); and Kathmandu, Nepal (1989).

Rocky Outcrop & Summer Sky
Pentax K-1 II + D FA 28-105mm F3.5-5.6
53 mm ISO 100 for 1/125 sec. at ƒ/11

South-easterly view from some rocky cliffs of Utsukushigahara-Kogen Highlands in Nagano Prefecture, Japan. This shot includes the Yatsu-Gatake Chushin-Kogen mountains in the mid-ground and the upper (northern) region of the Southern Alps on the horizon. 

Soothing Mountain Mist
Pentax K-1 II + D FA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/250 sec. at ƒ/3.5

At over 2.000 meters (6,562 feet) above sea level, the Utsukushigahara Highlands can become enveloped with low-flying clouds creating a moody atmosphere. On a hot summer day, the mist brings instant relief to the summer sun.

These highlands are easily accessible from Tokyo via the Chuo Expressway and the Venus Line highway. Free parking is available at the michi-no-eki (roadside station) rest facility.

Layers of Mountains and Light
Pentax K-1 II + D FA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/250 sec. at ƒ/3.5

This shot was taken at an altitude of 2,025 meters (6,644 feet) looking north of the Utsukushigahara Highlands (Nagano Pref., Japan). The majority of nearby mountains rise up to about 1,600 or 1,700 meters giving visitors to the highlands a bird’s eye view of the landscape.

Lone Windblown Tree
Pentax K-1 II + D FA 28-105mm F3.5-5.6
88 mm ISO 100 for 1/160 sec. at ƒ/6.3

The Utsukushigahara Highlands in Nagano Prefecture, Japan, rise to an altitude of over 2,000 meters (approx. 6,562 ft) where winters are harsh with deep snow, and summers with strong, bright, sunny skies followed by sudden walls of dense fog as the stratus clouds are forced up and over the mountain top.

This lone, windblown tree, among many others on the plateau have all been pruned and groomed by westerly winds with such a  constant force that the very few trees that can grow are all leaning to the east.

I took this shot using the roadside fence to draw the viewer’s  eye into the scene and used a shallow depth of field to direct the eye back to the tree where the focal plane lies.

Border Collie and Grazing Cows
Pentax K-1 II + D FA 28-105mm F3.5-5.6
37 mm ISO 100 for 1/160 sec. at ƒ/6.3

This shot was taken about an hour before sunset, which bathed the entire plateau in warm, soft light, and was taken just before stratus clouds blowing in from the west hit the Utsukushigahara Highlands (Nagano Pref., Japan, at approx. 2,000 m/6,562 ft) and enveloped the highlands in a cool mist.

In hindsight, my shutter speed should have been a bit faster and then compensated for that with a higher ISO.

Grazing on the Mountaintops
Pentax K-1 II + D FA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/200 sec. at ƒ/4.5

Watching the dairy cows casually grazing, seemingly free of any stress or threats, was incredibly soothing and relaxing to watch. This scene brought back memories of young cows grazing in the pasture south of our milk barn when I was a wee lad.

The constant formations of stratus clouds struggling to gain enough momentum to swoop over the plateau created an exciting backdrop to this scene of serenity.    

I took this shot using a tripod  since I was losing light. Although the cows were only moving every so slightly, I probably should have chosen a  slightly higher shutter speed. 

Surviving Grove of Trees
Pentax K-1 II + D FA 28-105mm F3.5-5.6
58 mm ISO 100 for 1/160 sec. at ƒ/5.6

Heading back down to the parking lot, I noticed this small grove of small trees that have apparently survived more than a several winters here where snow becomes too deep for livestock to survive, let alone saplings.

These hardy trees may have offered some shelter to each other that allowed them survive the winters and ripping winds.

Silhouette of Grazing Cattle & TV Antennae
Pentax K-1 II + D FA 28-105mm F3.5-5.6
63 mm ISO 200 for 1/160 sec. at ƒ/5.6

The contrast of lush green grounds, and huge billowing clouds caught my eye for this scene. I especially like the silhouette of grazing cattle perfectly standing on the ridge. The modern TV, radio, weather, and cell phone antennas poking slightly above the clouds in the upper-left of the scene posed a nice contrast with grazing cattle on the ridge. 

The golden hour skies with constantly moving clouds forced me to raise the ISO to 200, and slightly lower shutter speed to 1/160  sec. to catch the motion of the clouds and cattle on the ridge. I would have preferred an ƒ-stop of 8, 11, or 16 to catch more of the scene in focus. But then I  worried  that the  resulting slower shutter speed would have introduced less sharpness and the higher ISO would have introduced more noise.

It’s hard to say if I took the shot correctly from a technical standpoint. However, on small screens, I think the image is satisfactory. However, I wouldn’t include this shot in my portfolio or in a printed edition.

Golden Hour on Plateau
Pentax K-1 II + D FA 28-105mm F3.5-5.6
31 mm ISO 200 for 1/160 sec. at ƒ/11

Looking north, the setting sun has cast a warm glow across the plateau through the breaks in the clouds.

Towering Antenna Overlords
Pentax K-1 II + D FA 28-105mm
105 mm ISO 200 for 1/200 sec. at ƒ/7.1

Towering Antenna Overlords
Pentax K-1 II + D FA 28-105mm
88 mm ISO 200 for 1/15 sec. at ƒ/11

In these shots, the rising clouds settled back down around the highest point of the plateau completely obscuring from view the antennae maintenance staff buildings, and the hotel that sits next to the antennae.

Without any context, the towering steel and aluminum towers appeared to me as the pointed tips of exotic high-rise skyscrapers poking out above the clouds. These cold, man-made, utilitarian structures stand in stark contrast with the gentle, wide-open natural landscape that flows across the scene like a mighty wave of greenery only to be broken at the edges by the specks of grazing cattle far off in the distance.

Japanese Black Wagyu Cow
Pentax K-1 II + D FA 28-105mm F3.5-5.6
105 mm ISO 200 for 1/10 sec. at ƒ/13

This shot was taken during golden hour just as the sun was setting behind me. Most of the cows on this plateau are Holstein and Jersey heifers raised for dairy farms, while a small number of Japanese black wagyu cattle are raised for beef.

This Japanese black wagyu cow is taking a break from a long day of grazing on the lush grass covering the highlands of Utsukushigahara in Nagano Prefecture.

Sun Setting on Plateau
Pentax K-1 II + D FA 28-105mm F3.5-5.6
95 mm ISO 100 for 0.6 sec. at ƒ/20

Looking west, the sun has dipped below the horizon lighting up the sky with reflections of warm, soothing tones. The wild mountain flowers in the foreground include lots of Japanese thistle (Cirsium japonicum), ladybells (Adenophora), and some wild strawberry.

This shot was intentionally underexposed to preserve the highlights with foreground shadows lifted in post processing.

Lone Tree on Grassy Plateau
Pentax K-1 II + D FA 28-105mm F3.5-5.6
88 mm ISO 100 for 3.0 sec. at ƒ/11

Gentle winds pushed the clouds up onto these highlands, suddenly vanishing distant mountain ranges and nearly disappearing the cows grazing on the hillside right behind this lone tree.

The sudden change in light, fog, soft breezes shaking the foliage, and condensation of dew on the front of the lens made it difficult to shoot sharp images with sufficient exposure. 

Fog Bell Tower at Sunset
Pentax K-1 II + D FA 28-105mm F3.5-5.6
105 mm ISO 100 for 4.0 sec. at ƒ/20

Due to the number of accidents involving hikers who became lost in the thick fog on the plateau, this 6-meter tower (approx. 20 feet) was originally built in 1954 with a bell at the top, which was runt to help guide climbers back to safety and away from the edges of the plateau where steep drop-offs pose a risk to life and limb.

The current structure was rebuilt in 1983 and now stands as a fond symbol of the Utsukushigohara-Kogen Highlands and is a popular photographic subject. After chatting with the person to the left of the tower, I learned he had recently purchased a new mirrorless camera and was shooting a time-lapse video of the setting sun with the tower as his main subject.

Below is a list of the equipment I took with me on this photo shoot.

Camera Gear:

DSLR
Pentax K-1 Mark II (K1-II)

Standard zoom lens
Pentax D FA 28-105mm f3.5-5.6ed DC WR HD Lens

Tripod
Manfrotto MT190CXPRO4 (carbon fiber legs with quick locking clamps)

Ball head
Manfrotto Cloud XPRO Series Ballhead BHQ2 with 200PL locking plate

Video Gear:

Mirrorless camera
Canon EOS M50

Ultra Wide Angle Zoom Lens
Canon EF-S 10-18 mm f/4.5-5.6

Adapter
Canon EF-EOSR Mount Adapter

Prime lens
SIGMA 16mm F1.4 DC DN | Contemporary C017 (Canon EF-M Mount, APS-C Size, Mirrorless Only)

CP filter
PolarPro 67mm QuartzLine Circular Polarizer Filter

Gimbal
Zhiyun Weebill-S

Microphone
RODE Road Wireless GO Wireless Microphone System WIGO

Filters & Filter Systems:

PolarPro QuartzLine ND 64 Filter - 67mm (ND64 6-stop reduction in light)

PolarPro QuartzLine ND1000 Filter - 67mm (ND1000 10-stop reduction in light)

PolarPro QuartzLine ND100k Filter - 67mm (ND100K 15-stop reduction in light)

PolarPro QuartzLine Circular Polarizer - 67mm

PolarPro Summit | Landscape Filter System Custom Kit (Core, Thread Plate, ND4-GR filter, ND8-GR filter, Circular Polarizer)

Pack:

F-stop Tilopa 50L Adventure and Travel Camera Backpack (Essentials Bundle: backpack, rain cover, internal camera unit)

F-stop Tripod Bag (large)

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Music Tracks Licensed for this video through Epidemic Sound. Visit this link to subscribe:


“Softly, Gently” composed by Jonatan Järpehag and performed by Epidemic Sound.
“Bookmarks” composed by Jakob Ahlbom and performed by Ever So Blue.
“Paradisio” composed by Niclas Gustavsson and performed by Sum Wave.

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References:

Utsukushi-ga-hara Open-Air Museum

Utsukushigahara Highlands Tourism Council

The Japan Alps Guide Center

Mapcarta

Wikipedia

Nagano Prefecture Industry and Labor Department Promotion Bureau

Fishing Chaos

Venus Line

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