2023-12-19

Yokohamabashi Shopping Street in Yokohama

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/1/125 sec. at ƒ/5.6
Astia Soft film simulation

Approach to Famous Yokohamabashi Japanese Shopping Street in Yokohama, Japan for Street and Documentary Photography

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:19 on December 19, 2023

After a nearly 10-year gap, I rediscovered the Yokohamabashi shopping street, or 横浜橋商店街 (Yokohamabashi Shotengai), nestled a mere 4-minute stroll from Bandobashi Station on the Yokohama Municipal Blue Line subway. As it was decades ago, the shopping street feels like stepping into a living legacy that has withstood the test of time since the conclusion of World War II.

In this shot, I set my sights on encapsulating the essence of this shotengai signboard through the lens of my camera. The focal point? The glowing [よこはまばし] streetlight that proudly heralds the entrance to the shopping street.

Nightscapes are enchanting, and my admiration for the vibrant colors inherent in nocturnal street photography led me to experiment with a 5% diffusion filter on my lens. The result was a delicate halo cast around the brilliantly illuminated signboards, adding a touch of ethereal allure to the scene.

As I framed the shot, a family of foreigners strolled ahead of me. Intrigued, I couldn't help but wonder if they were on a quest for affordable holiday delights to adorn their Christmas tree. The shotengai, with its array of shops and festive ambiance, seemed like the perfect destination for such a quest.

For those interested in experiencing the charm of Yokohamabashi Shotengai firsthand, it's conveniently accessible with just a 4-minute walk from Exit 1A of Bandobashi Station on the Yokohama Municipal Subway Blue Line.

I worry whether or not this shotengai can survive into the future as a surprisingly high number of shops have closed their doors due to lack of an heir to take over and run the shop, which have been doing well being run by the same family over multiple generations right after the war.

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/4.0
Astia Soft film simulation

Ring of Nostalgia: Japan's Vanishing Pay Phones

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:20 on December 19, 2023

Four decades ago When I stepped foot in Japan, pay phones were an indispensable tool for daily communications on a par with the modern cell phone.

Securing a landline number demanded a hefty deposit of ¥75,000 (approximately $300 USD in 1984 or $522 USD in 2023).  Alternatively, I was able to bypass this substantial expense by relying on the widespread network of local pay phones and a pocketful of change or prepaid telephone cards.

Pay phones dotted the landscape of my neighborhood, from small shops and train stations to cafes, schools, a random street  corner, and even the high-speed bullet trains. 

Fast forward to today, where nearly every individual owns a cell phone, rendering the maintenance of pay phones and their networks a challenging proposition for Japan's primary service providers, NTT East and NTT West. In response to the changing norms of personal communications, the Ministry of Internal Affairs and Communications contemplated the reduction of mandatory minimum pay phone numbers in 2021. This was a shift from the previous requirements, such as one phone for every 500 sqm in urban areas and one phone for every one kilometer in rural areas.

Despite their dwindling usage in our digital age, the ever present prospect of natural disasters in Japan, particularly earthquakes, positions pay phones as vital communication lifelines. Cell phone networks typically fail to handle the surge of calls during such crises, underscoring the enduring significance of pay phones.

Explore further insights and detailed instructions on the various types of pay phones in Japan and how to use them. This information can be a lifesaver when your phone has no battery life or, heaven forbid, you find yourself needing to reach out to friends or family after a major disaster:


Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/60 sec. at ƒ/8.0
Astia Soft film simulation

Northern Entrance to Historic Yokohamabashi Shopping Street

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 19:32 on December 19, 2023

The Yokohamabashi Shopping District was my go-to spot for groceries and everyday items when I lived nearby several years  ago. 

From what I learned later, this shopping street has been the primary destination for many locals since pre-war times. As a local shopping hub, it's not only won the hearts of the locals but has also drawn in shoppers from far and wide.

Right after the war, volunteers got together and set up a market dealing in essential everyday products. That was just the start. The Yokohamabashi Shopping District Trade Association came into play, bringing stall owners together, boosting trade, and post-war, they kept at it, earning everyone's ongoing support and trust.

And here's the scoop on its location: a mere 4-minute walk from Bandobashi Station on the Blue Line of the Yokohama Municipal Subway.

Now, picture this: a 350-meter-long arcade decked out with about 130 shops. You've got your greengrocers, butchers, fishmongers, and delis – the whole shebang. It's not just a shopping gig; it's a shopping fiesta with a variety of affordable, quality items and an all-around friendly vibe.

But it's not just about shopping; taking a leisurely stroll through the district is a treat in itself. Check out the old-school mom-and-pop shops, each with its unique product displays, and the charming alleyways that exude a strong Showa-Era atmosphere. It's a blast just soaking it all in!

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/8.0
Astia Soft film simulation

Plums and Pipes: Unveiling the Unique Charms of Mukoyama Shoten in Yokohamabashi

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:33 on December 19, 2023

Step into the vibrant Yokohamabashi shopping district, and one of the first shops you'll encounter on your left is an establishment named Mukoyama Shoten, offering an quirky mix of tobacco and plum products.

Several years ago, the store underwent a renovation, transforming its appearance into a more modern and inviting space. Originally specializing in tobacco-related items, Mukoyama Shoten has expanded its inventory to include a totally unrelated selection of renowned plum (ume) and pickled plum (umeboshi) products, notably the Nanko-Ume.

Nanko-Ume, a distinctive plum variety, thrives in the historical region known as “Kishu,” encompassing present-day Wakayama Prefecture and southern Mie Prefecture. The coastal climate in this area is particularly conducive to the cultivation of these flavorful plums.

Beyond their unique origin, pickled plums (umeboshi) are served with vinaigrettes, salad dressings, noodles, sandwiches, and rice balls. A popular way to enjoy umeboshi is to pair them with rice, complemented by side dishes such as fish, meat, or vegetables like cucumbers and carrots.

For those inclined towards homemade drinks, buying unripened green plums in late spring or early summer opens up the possibility of crafting umeshu—a delightful fruity liqueur. Made by steeping unripened ume in distilled liquor with sugar, the steeping time is left to the brewer’s discretion. Many of the older parents of my Japanese friends, treasure personal umeshu recipes passed down through generations. These homemade concoctions are served warm in winter and served cold in the summer months.

Yokohamabashi, like many other shotengai shopping streets in Japan, boasts the charm of small mom-and-pop shops, each with its own quirky blend of products. The juxtaposition of tobacco items and plum specialties at Mukoyama Shoten exemplifies the unique character of these establishments, making a visit a fun exploration of diverse offerings.

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/8.0
Velvia/Vivid film simulation

Taiseido—A Small High-End Apparel Shop Since 1954

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:36 on December 19, 2023

Import Shop Taiseido specializes in retailing both Japanese and imported name-brand apparel and shoes, including rare and sought-after labels. While I don't consider myself a fashionista, the staff at Taiseido introduced me to a plethora of brands, some of which were familiar, such as The North Face, Moncler, Emporio Armani, Burberry, Dolce & Gabbana, and more. However, the real revelation for me was discovering that the unique and exclusive Japanese brands carried the same hefty  prices of their overseas counterparts! 😂

Established as a corporation in August 1954, Taiseido has been a staple at Yokohamabashi for over 69 years. Witnessing the store's transformation over the past several decades, the recent interior renovation caught my eye. The latest design is  characterized by a more open space and bright white tones, which offers a refreshing contrast to its previous darker and slightly dated appearance.

Nestled between a recently completed modern 10-story apartment building and a time-honored mom-and-pop grilled eel shop, the store reflects a delightful blend of the past and the present. This juxtaposition captures the quintessential charm of a Japanese shotengai, where the coexistence of the old and the new creates a unique and appealing atmosphere.

For foreigners seeking name-brand apparel and shoes in sizes that might be challenging to find elsewhere, Taiseido might be a potential one-stop destination—provided, of course, that your  budget allows for indulging in the world of high-end fashion. The shop claims to boast the best selection of numerous name brands in Kanagawa Prefecture, making it a must-visit for those with a penchant for distinctive and internationally renowned and high-end Japanese fashion.

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/8.0
Astia Soft film simulation

Edokko Shoten: Over 60 Years as Grilled Eel Masters

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:37 on December 19, 2023

Embark on a culinary journey at Edokko Shoten, an esteemed establishment boasting a legacy of over 60 years. Nestled in tradition, this hidden gem specializes in grilled eel, offering a small variety of flavors that transport diners to the heart of authentic Japanese cuisine.

At Edokko Shoten, the culinary experience extends beyond the exquisite kabyaki grilled eel. Complementing this specialty, the shop offers an array of side dishes perfect to accompany a bowl of white rice. Among these delights are candied herring, tamba black soybeans, dried sweet squid, dried sweetened river shrimp, and more, each carefully prepared with sweet soybean-based sauces.

To ensure the freshest possible grilled eel, the shop starts each day by acquiring live eels from Shizuoka Prefecture, preparing them from start to finish.

The term “kabayaki” refers to the method of grilling, a popular technique for cooking seafood. The eel undergoes a careful process—it is gutted, boned, and butterflied before being marinated in a mixture of soy sauce, sake, sugar, and other seasonings, culminating in the flavorful grilled dish that is dearly loved in Japan.

Dating back to the Edo period (1603—1868), kabayaki eels were a staple in Japanese cuisine, known for their affordability and widespread popularity. In modern times, due to dwindling eel populations, kabayaki has become a more expensive delicacy, often enjoyed as a luxurious treat.

For those seeking an authentic Japanese dining experience, Edokko offers a selection of 4 kabayaki eel dishes, with prices ranging from ¥1,500 to ¥2,400 ($11 to $17 USD). Additionally, the menu features tantalizing side dishes, elevating your simple lunch or dinner into a slightly luxurious meal with the unmistakable taste of Japan.

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/6.4
Provia/Standard film simulation

Tachinomidokoro Maimeri: A No-Frills Standing Bar Serving Takoyaki in Japan

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:42 on December 19, 2023

Tachinomidokoro Maimeri, despite its signage emphasizing takoyaki (octopus dumplings), is actually a no-frills standing bar that serves beer, whiskey, nihonshu (Japanese sake), and shochu (distilled spirits made from grains or vegetables), along with non-alcoholic drinks, accompanied by takoyaki and other small side dishes.

This establishment, like many others in Japan, caters to those seeking a quick drink and affordable side dishes in a communal setting.

Originating from the Edo Period (1603-1867) in Tokyo's Kanda district, standing bars were initially operated in front of liquor stores. Today, places like Maimeri, often located near train stations and in working-class neighborhoods, preserve the tradition of offering a space for salarymen to unwind after a hard day's work.

Maimeri stands out in that it focuses on selling ready-made takoyaki in the afternoon that customers can take home and enjoy with their lunch or as a quick snack, a popular street food.

While the aging demographic of standing bar patrons is noticeable, the allure lies in the accessibility of these establishments. Affordability and proximity attract individuals of varying ages, backgrounds, and professions, providing an opportunity to experience the history and atmosphere of the local area.

However, enjoying a standing bar comes with its own set of manners. It's advisable to visit alone or with a friend, leaving ample space for others. Attempting to gather in large groups may overcrowd the place, disrupting the communal experience these bars offer.

Whether you're a local or a visitor, experiencing a standing bar like Maimeri provides a unique glimpse into Japan's culture and social dynamics. So, next time you find yourself near one, step in, savor the affordable drinks and snacks, and try to make a new acquaintance in the process.
 
Fujifilm X100V with 5% diffusion filter
ISO 1000 for 1/125 sec. at ƒ/6.4
Provia/Standard film simulation

 Yokohamabashi's Produce Tapestry: Chinese Influence and Japanese Traditions

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:47 on December 19, 2023

Numerous produce shops grace the entirety of the Yokohamabashi Shotengai shopping arcade. Through the years, a distinct pattern has emerged – the proprietors of these shops predominantly fall into two categories: Japanese or Chinese.

Japanese-run establishments specialize in high-end or bespoke produce cultivated in Japan. Their prices reflect not only the superior quality of the items but also the elevated level of customer interaction and the overall presentation of the shop. These pricier fruits aren't intended for personal consumption but rather as opulent gifts, boasting near-perfect shapes, enticing aromas, exquisite flavors, and impeccable textures.

In contrast, Chinese-run shops prioritize cost-cutting measures by procuring produce in bulk, often sourced from both domestic and predominantly overseas growers. The experience of shopping at these more affordable stores carries a distinct ambiance, but the silver lining is the opportunity to provide substantial savings for your family's food budget.

The Tsunokami Produce Shop, featured in this photo, stood out to me with its large traditional Japanese curtain adorned with red and white stripes and the words "daiuridashi," which translates to "big sale." Interestingly, the shop has been hanging this banner daily for over 7 years, despite not actually having a big sale. However, for first-time visitors, the low prices compared to typical supermarket prices might come as a pleasant surprise.

What caught my eye at this shop wasn't the low prices, but the large red and white banner, known as "kohaku-maku" (紅白幕) in Japanese. Kohaku-maku is a traditional decorative fabric panel with vertical red and white stripes. The term "kohaku" derives from "ko," meaning "red," and "haku," meaning "white." The Japanese have long considered this kohaku pattern a symbol of happiness. Specifically, red symbolizes peace and prosperity, while white represents spiritual and physical purity.

I have seen kohaku-maku hanging on the wall or in the background of formal occasions such as graduation ceremonies, groundbreaking ceremonies, new store openings, wedding ceremonies, and New Year’s parties. Additionally, I have seen the banner used at less formal occasions like outdoor tea ceremonies, local summer festivals, and local cherry blossom viewing parties to demarcate or decorate a space.

Fujifilm X100V with 5% diffusion filter
ISO 800 for 1/125 sec. at ƒ/6.4
Astia/Soft film simulation

From Orchard to Arcade: Unveiling the Legacy of Fruit Tokunaga

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:49 on December 19, 2023

The Fruit Tokunaga shop, in operation for over 75 years, stands as a classic example of Japanese fruit stores renowned for their premium quality offerings, often chosen and wrapped with care for gifting purposes.

At the store's entrance, more budget-friendly fruits are available, though slightly pricier than those at nearby supermarkets or Chinese-run produce shops just a few doors down.

Venture towards the back of the shop, and you'll find the true gems showcased in a display case. Not immediately visible in the photo, these treasures include cantaloupes priced at ¥5,500 each (approximately $39 to $50 USD, depending on the exchange rate).

Specializing in seasonal fruits cultivated in Japan through contracts with carefully selected local farmers, the shop's motto, "Face to Face," underscores the owner's commitment to quality. The emphasis on face-to-face interactions with independent growers ensures a meticulous chain of quality control, guaranteeing that bespoke fruits become delectable gifts.

When purchasing fruit as a gift, customers can request separate gift wrapping for either refrigerated or room temperature storage.

Meet the shop's owner, Mr. Hirotaka Tokunaga (pictured on the right, wearing glasses), a local celebrity in the Yokohama Shotengai shopping arcade. 

Apart from successfully running his family business for decades, he is an avid design and photography hobbyist. Mr. Tokunaga generously volunteers his time and talents, creating flags, banners, promotional materials, and posters for the shotengai association members.

These creations are strategically placed throughout the shopping arcade, serving to announce upcoming festivals, convey public service announcements, and promote special events scheduled throughout the arcade.

Fujifilm X100V with 5% diffusion filter
ISO 1250 for 1/125 sec. at ƒ/6.4
Astia/Soft film simulation

Chiyoda Sushi: Bridging Tradition and Accessibility in Every Bite

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 17:50 on December 19, 2023

Chiyoda Sushi is a chain store that strives to make sushi more accessible to the masses by offering lower prices while ensuring freshness and quality.

The particular shop situated in the Yokohama Shotengai shopping arcade is one of the many establishments that have been operating in the arcade for decades, reflecting its popularity among the locals. It seamlessly fits into the local shotengai, where most businesses cater to the needs of the working class.

The origins of Chiyoda Sushi can be traced back to 1959 when they began sourcing fresh fish directly from wholesalers at the historic Tsukiji Fish Market in Tokyo. They would then prepare sushi to be consumed onsite, near the fish market.

In the post-war era, sushi had transformed into a luxury food. Chiyoda's mission was to provide a means of making Edomae sushi available to the masses at affordable prices, similar to how it was during the Edo period (1603-1868).

Edomae sushi was the fast food of Edo (modern-day Tokyo) during that period, focusing on using fish easily and quickly acquired at the local fish markets on Tokyo Bay to ensure freshness. Popular fish included tuna, bonito, halibut, sea eel, shellfish, and others. Some of the fish were cured with salt, vinegar, or soy sauce to add complementary flavoring and to help preserve the fish due to a lack of refrigeration. The fish were served with rice mixed with vinegar, providing complementary flavor to the rice and aiding in its preservation as well.

Today, Chiyoda Sushi remains a popular destination for locals, foreign residents, and tourists alike. The shop exclusively sells take-out Edomae sushi for later enjoyment at home, a departure from more traditional high-end sushi shops where prices can be as eye-watering as the flavors and service.

Fujifilm X100V with 5% diffusion filter
ISO 2000 for 1/125 sec. at ƒ/6.4
Astia/Soft film simulation

Traditional Japanese Fishing Fleet Flags

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:11 on December 19, 2023

The Sanwa Fisheries shop caught my eye with its pronounced use of traditional Japanese fishing fleet flags called tairyo-bata (大漁旗) or tairyo-ki in Japanese. These flags were traditionally flown off the coast to inform people waiting at the port in advance that there was a lot of work to be done to unload the big catch of fish, allowing them to prepare accordingly. The colorful designs made the flags easy to identify before the fishing boat reached the port.

These days, ship owners commission local craftsmen working in small ateliers to create uniquely original flags, hoping that their fishing operations will be blessed with abundant catches for many years to come.

Flags may include the name of the boat, the name of the local fish market or fishing port, the name of the fisherman’s coop, etc. Additionally, the flag will almost always feature the characters “大漁” promptly shown, announcing a large fish catch (大漁=tairyo; lit. big+catch), as well as other elements and motifs that bring good fortune, such as a golden sea bream, Japanese crane, a tortoise shell, Mount Fuji, a rising sun, and auspicious plant symbols including pine, bamboo, plum blossoms, and more.

The flags are typically handcrafted by skilled artisans who have been using techniques and methods handed down for generations. Some artisans working today have been making flags for more than 300 years, covering a span of 16 generations.

If you visit your local fishing port, there is a good chance you can sign up for a workshop and try your hand at making tairyo-bata, taught by the same artisans who service the local fishermen.

The use of these beautiful flags has extended to eye-catching decorations in Japanese izakaya pubs, fishing markets, and the fish section of fresh fish retailers. Some artisans have recently started accepting commissions for flags to be used for special occasions such as births, marriages, and store openings. Tairyo-bata make great family keepsakes while communicating a sense of hope for the future, for both the recipient and the artisans wishing to preserve their traditional craft.

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/6.4
Astia/Soft film simulation

Traditional Japanese Noodle Restaurant

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:21 on December 19, 2023

Iroha, a charming mom-and-pop soba restaurant with roots tracing back to the Meiji era (1868-1912), has a rich culinary legacy. The time-honored recipes for their delectable soba noodle broth have been passed down through generations and are still used today.

Nestled in a quaint space, this establishment, now managed by an elderly couple and their son, is renowned not only for its soba but also for its tantalizing tempura and seasonal vegetables sourced from Shizuoka Prefecture. Originating from Niigata Prefecture, the couple even adds their hometown's maitake mushrooms into the menu.

With a capacity for just 20 diners, the intimate setting of handwritten menu items tacked onto the interior walls adds to the authentic atmosphere. A noteworthy touch is the display of excess seasonal vegetables for sale outside the shop, a thoughtful approach to minimizing food waste.

The entrance is adorned with a captivating noren (flag-like curtains hung at the entrance of many different kinds of Japanese shops), its deep indigo hue standing out against a backdrop of handwritten notes and advertisements, creating a lively announcement board. A closer look at the photo reveals the owner's wife's talent for crafting soft plush dolls, displayed with notes inviting passersby to freely take one home.

For those unfamiliar with handwritten Japanese, the exterior and interior walls showcase the menu items, while a convenient standard menu with photos inside the shop allows patrons to point to their desired dishes. Iroha is not just a dining experience; it's a heartfelt journey through time and tradition, a testament to the enduring passion of its proprietors.

Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/125 sec. at ƒ/6.4
Velvia/Vivid film simulation

Yokohamabashi Shotengai: A Resilient Hub in Changing Times

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:23 on December 19, 2023

Shotengai, the quintessential Japanese shopping street of mom-and-pop retailers found in towns and cities, are deeply rooted in local communities. Often run by multi-generational families, these shops provide daily necessities, services, and actively participate in community events like festivals.

However, since the 1990s, shotengai across Japan have faced a decline due to competition from supermarkets, malls, department stores, and online shopping. Despite these challenges, Yokohamabashi shotengai in Minami Ward, Yokohama, has stood  resilient.

Pre-World War II, it was the heart of the community, offering a diverse range of household goods and food. Post-war, it rebuilt itself from ashes, focusing on food and daily necessities during the post-war reconstruction period. Over time, it evolved to include boutiques, produce and fish markets, clinics, cafes, bars, restaurants, specialty shops, and much more.

In the 1960s, Yokohamabashi installed a roof and restricted vehicular traffic for safer foot and bicycle flow. In 2013, the roof was refurbished, enhancing the shopping experience even on rainy and windy days.

Today, spanning 350 meters with 135 shops, Yokohamabashi shotengai faces challenges as elderly owners retire, leading to closures. Despite this, I cherish the hope of continuing to visit for years to come, enjoying shopping, conversing with elderly shopkeepers, capturing street photography, and partaking in seasonal festivals.

Fujifilm X100V with 5% diffusion filter
ISO 160 for 1.0 sec. at ƒ/6.4
Astia/Soft film simulation

Discovering Tsukasa: A Quaint Hideaway in Yokohamabashi's Back Streets

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:40 on December 19, 2023

Venturing into the dark, narrow alleys branching off from the brightly lit main drag of Yokohamabashi Shotengai shopping street, I discovered a quaint bar and eatery named “Tsukasa.”

The establishment, run by an elderly woman, served homemade dishes and drinks to customers engrossed in the sports news broadcast from a tiny TV perched atop a refrigerator in the corner behind the kitchen counter.

Inebriated salarymen in business suits and equally red-faced blue-collar workers, still in their factory uniforms, laughed loudly and became vocally excited about the baseball news emanating from the small screen.

This shop, absent from Google Maps with zero online reviews, barely seems to exist in the modern world. The only way to discover it is through word of mouth or by stumbling upon it while meandering through the back alleys branching off from Yokohamabashi Shotengai’s brightly lit main street.

As mentioned in previous posts, I appreciate the wide variety of noren curtains, particularly those with charming, traditional designs that hint at the owner's character, the establishment's vibe, and sometimes reveal a shop’s heritage.

I love the understated noren of this shop with its classic indigo blue called “ai” (藍) in Japanese. This indigo, made from the leaves of the Japanese indigo plant, was initially used by aristocrats and samurai. It can now be found adding color to everything from kimonos, blue jeans, linen, and of course, noren curtains.

The young bamboo plant motifs in the noren blend well with the real potted bamboo plant positioned just below it.

The storefront sign indicates “Sapporo” (the type of beer served at the shop) and, from top to bottom, right to left, reads “家庭料理・katei ryōri,” which means homemade cooking, and “つかさ・Tsukasa,” likely the owner’s name. Next time I visit, I hope to remember to ask about the origin of the name!

Fujifilm X100V with 5% diffusion filter
ISO 160 for 1.0 sec. at ƒ/5.6
Astia/Soft film simulation

A Mama-san's Oasis: A Warm Glow in Yokohama's Nightlife

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:46 on December 19, 2023

The warm glow of the rusty orange paper lantern (提灯・chochin), adorned with the signage “居酒屋・izakaya” (Japanese pub), hangs and casts its soft radiance on the similarly colored rusty brown exterior of the pub/tavern. This sight immediately captured my attention, standing in stark contrast to the vibrant Yokohamabashi shotengai street visible at the end of the alley.

While you might feel a bit hesitant to step into this tavern due to its lack of reviews, location on a dark alleyway, absence of a website, and minimal presence on Google Maps, I urge you not to hesitate. A delightful surprise awaits you upon entering, where you'll be warmly greeted by the sweet, elderly Mama-san who runs the well-kept and clean pub.

The establishment is a unique blend, functioning both as an izakaya, offering a diverse range of foods that go well with Japanese liqueurs, and as a bar for those seeking a purely drink-centric experience.

Once inside, you'll find a long, narrow space divided by a counter with seven seats. As soon as you step in, the regulars are eager to strike up a conversation (in Japanese), creating an easygoing atmosphere to connect with your new drinking buddies. (Non-alcoholic drinks are also available.)

While the food may lean towards the pricey side, every dish is lovingly home-cooked by the Mama-san and boasts a delicious flavor. Notably, the prices for the sashimi (sliced raw fish) are competitive with other local taverns and sashimi restaurants.

Personally, I plan to return with my camera on a quieter day, hoping to capture the charm of the interior and perhaps gain the Mama-san's trust to photograph both the shop and her in action.

Fujifilm X100V with 5% diffusion filter
ISO 160 for 1.0 sec. at ƒ/5.6
Astia/Soft film simulation

Relaxed and easy-going atmosphere at Pii. 

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:48 on December 19, 2023

Right across the alleyway from a Japanese tavern called 'Wa' is a small Thai restaurant named 'Pii.'"

Right across the alleyway from a Japanese tavern called “Wa” is a small Thai restaurant named "Pii.” Although the green signboard says it’s a curry restaurant, it's actually a Thai restaurant.

The restaurant seems to be well known among the locals for its authentic flavors and popular 600-yen lunch, which is less than $5.00 USD.

Upon peeking inside, it transported me to the late Showa era, reminiscent of old teahouses or coffee shops from the 1970s to 1989.

Unlike a typical Japanese restaurant where the staff yell out a healthy “Iraishamasse” (Welcome!), and quickly take you to your seat with a menu, the husband running this shop barely noticed my presence as he focused on a sports game on the TV while his wife was busy in the open kitchen.

Perhaps the Thai culture promotes a more relaxed and easy-going atmosphere compared to the typical Japanese setting. I felt like I was popping in for a meal at an old friend’s or relative’s house! LOL! 

The Yokohamabashi shotengai shopping street and the small narrow dark alleys leading off from the main drag have a visible presence of Koreans, Chinese, Thai, Filipino, Indians, and few other foreigners whose language I wasn’t able to identify.

The small groups of other foreigners creates a multicultural ambiance in the local neighborhood where various Asians seem to work in harmony with each other to meet the needs of the local community.

Fujifilm X100V with 5% diffusion filter
ISO 160 for 1.0 sec. at ƒ/10
Astia/Soft film simulation

Savoring Korean Tradition: Exploring Yokohama's Kimchi Haven

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 18:52 on December 19, 2023

The Yokohamabashi Shotengai, a bustling covered shopping street, boasts around nine Korean shops specializing in kimchi—a traditional Korean banchan crafted from salted and fermented vegetables, typically featuring napa cabbage or Korean radish.

While most kimchi vendors draw in crowds on the main drag, Namusanya Kimuchi stands apart, tucked away in a small, narrow shop facing a dimly lit alley. The store showcases its delectable array of kimchi in a large refrigerated glass display, each variant boasting tantalizing colors and a delightful aroma of spices. Additionally, they offer popular Korean instant ramen brands at the storefront, creating a perfect pairing with their signature kimchi.

Despite the subtly lit surroundings, Namusanya Kimuchi earns a plethora of four-star reviews. Numerous housewives rave about the shop, expressing their appreciation for the affordable bulk quantities of kimchi available at reasonable prices. These patrons commend the store for staying true to the traditional recipe, capturing the homemade essence reminiscent of the flavors crafted by aunties and grannies back in Korea.

As a kimchi lover myself, the temptation to purchase a bag was strong. However, with expensive camera gear in tow, I hesitated, unwilling to risk even the slightest chance of a kimchi leak compromising my equipment.

Intriguingly, the shop's owner, Shin-san, a third-generation Korean proprietor, revealed in a local interview that the establishment has been a thriving mom-and-pop shop for over 40 years. According to Shin-san, the enduring success is attributed to the authenticity of their kimchi, a cherished taste that resonates with local Koreans seeking a nostalgic flavor of home. 

She shares that their most popular kimchi variant undergoes a meticulous preparation process, taking a day to create and fermenting for 2 to 3 months until it achieves the distinctive flavor and aroma that has made the shop a local favorite.

She claims their long and enduring success is based on the authentic taste of their kimchi, which is close and dear to the hearts of local Koreans looking for a taste of home.

Explore other kimchi shops at Yokohamabashi Shotengai:

1. 南山家キムチ(Namusany Kimchi): 
2. 美味キムチ (Bimi kimchi):
3. オモニの味 ()Omoni-no-Aji):
4. 福美 (Fukumi):
5. 実家 惣菜店 (Jikka sōzai-ten):
6. 木浦食品 (Kiura shokuhin):

References for further reading:
Fujifilm X100V with 5% diffusion filter
ISO 1600 for 1/250 sec. at ƒ/2.0
Astia/Soft film simulation

Kei Truck at Yokohama's Children Fire Prevention Event

Location: Yokohamabashi, Minami Ward, Yokohama, Japan
Timestamp: 19:07 on December 19, 2023

Odori-Koen is a long, narrow park subdivided into several sections, including the Water Plaza and Stone Plaza. This grassy, tree-dotted space is home to numerous sculptures by renowned artists like Henry Moore. Stretching approximately 1.18 km (3,883.26 ft) in length, the park spans above the subway line between Kannai Station and Bandobashi Station in Yokohama, Japan.

Near the southwestern end of the park, close to Bandobashi Station, lies the Yokohamabashi Shotengai (covered shopping street). Adjacent to the shotengai's entrance, within Odori-Koen park, I encountered a small group of volunteer firefighters concluding an event aimed at promoting public awareness of fire prevention and firefighting activities for children.

In the photo, a kei truck, a compact Japanese vehicle converted into a small fire truck, caught my eye. Specifically designed to navigate the narrow streets still present in urban neighborhoods throughout Japan, these vehicles play a crucial role in firefighting efforts.

Kei trucks belong to an ultra-small class of Japanese vehicles that must meet specific criteria:

Maximum length: 3.4 m (134 in)
Maximum width: 1.48 m (58 in)
Maximum height: 2.0 m (79 in)
Maximum engine displacement: 660 cc (40.26 cubic inches)
Maximum weight: 700 kg (1,500 lb)

The primary purpose of these converted kei trucks is to easily access fires on narrow streets, a common occurrence in urban neighborhoods developed before modern zoning laws ensured wider streets for emergency vehicles.

During my conversation with the leading volunteer firefighter hosting the event, I discovered that Yokohama city had requested the event to provide children with hands-on experience with the fire truck, basic instructions on using fire extinguishers and firefighting safety gear, and fundamental fire prevention measures. This event occurs about 3 or 4 times a year for several consecutive days.

In the shot, a placard reads “ちびっこ消防士,” translating to “Kiddy Firefighter,” underscoring the child-focused nature of the event. Silver helmets and coats, available in various sizes, allow elementary school children to try them on and pose for photos with the firefighters.

Odori-Koen is spacious enough to host multiple events simultaneously. Throughout the year, the park hosts various events, art shows, flea markets, and community festivals. If you find yourself in Yokohama’s Kannai district, be sure to explore Odori-Koen – you might chance upon a delightful event to enjoy.

References:
Fujifilm X100V with 5% diffusion filter
ISO 1600 for 1/60 sec. at ƒ/8.0
Provia/Standard film simulation

Revitalizing Odori-Koen Park: Yokohama's Winter Art Exhibition

Location: Odori-Koen Park, Naka Ward, Yokohama, Japan
Timestamp: 17:29 on December 19, 2023

After spending several hours capturing street photography at the Yokohamabashi Shotengai shopping arcade, I made my way to Bandobashi Station through Odori-Koen Park near the shopping arcade entrance. To my delight, the path to the station was lined with 30 beautiful traditional Japanese paintings. These artworks had been enlarged and reproduced onto large acrylic panels, which were backlit and mounted on wooden frames.

This exhibition features paintings from Yuzawa in Akita Prefecture. The paintings are actually a part of Yuzawa’s annual Tanabata Picture Lantern Festival that is held every summer in August. The festival dates back to over 300 years and typically features over 100 woodblock-like paintings. 

The exhibition here in Yokohama showcases 30 of the paintings used in Yuzawa’s festival. The paintings are modern creations using both modern techniques and traditional techniques and are based on Edo period woodblock prints (浮世絵・ukiyo-e) portraying bijinga (美人画), a genre of paintings depicting the beauty of women's appearance, manners, and customs from as far back as the 8th century, but more closely associated with bijinga paintings that had gained widespread popularity among the masses during the 17th and 19th centuries.

The exhibition staff shared that this event was part of a promotional initiative supported by both the city of Yuzawa in Akita Prefecture and the Eastern Yokohama Revitalization Association—a local civic group in Yokohama dedicated to revitalizing the neighborhood by optimizing the abundant space in Odori-Koen Park.

Expressing their hopes for the event to become an annual December feature, one of the staff mentioned that they aim to bring warmth and light to what would otherwise be a dark and cold winter evening in the park while simultaneously promoting exciting cultural events and local delicacies of Yuzawa.

Having frequented Odori-Koen park for many years, I had always sensed that its potential was not fully realized, considering its vast open space and proximity to Yokohama's historic Kannai district. Apparently, this sentiment was shared by many local residents and shop owners who recently formed the revitalization association to enhance the quality of life and economy of the neighborhood by leveraging the park as a valuable resource.

References:

2023-11-15

Koyodai Observatory, Yamanashi Prefecture

Pentax K-1 II + DFA 28-105mm F3.5-5.6 + ND Filter
58 mm ISO 100 for 30.0 sec. at ƒ/9.0

Scarf of Soft Clouds Enveloping Mt. Fuji

Location: Koyodai Observatory Terrace, Narusawa Village, Yamanashi Prefecture, Japan
Timestamp: 14:42 on November 15, 2023

At an elevation of 1,167.8 m, a breathtaking sight of Mt. Fuji unfolds from the rooftop/terrace of the Koyodai Observatory in Yamanashi Prefecture when gazing southward.

I reached this vantage point with a 30-minute hike from the lower parking lot near the trailhead, allowing me to ascend to the summit amidst the captivating autumn foliage, the aroma of the mountains, and the melodic calls of birds.

For those seeking a less adventurous approach, especially if accompanied by children or elderly family members, driving up the narrow dirt road to the second parking lot adjacent to the observatory is an option. However, I observed several vehicles having to reverse down the road to accommodate descending traffic.

The Koyodai Observatory (紅葉台展望レストハウス) is, in fact, a concrete rest house constructed over 50 years ago by Mr. Imoto Miura (85), a local farmer. Mr. Miura envisioned that such a location would attract visitors seeking to appreciate the breathtaking view from Koyodai. The rest house, managed by Mr. Miura and his wife Yoko, boasts a souvenir shop and a simple restaurant on the first floor. Access to the rooftop terrace (observatory) is available for a nominal fee of 300 yen per person. Visitors receive a hand-drawn map detailing the names of the mountains and lakes visible from the terrace.

Upon payment and reaching the rooftop, the peak was partially concealed by gently drifting clouds, creating an ethereal scene. After patiently waiting for a couple of hours, I managed to capture a photograph where the clouds resembled a soft, white, fluffy scarf caught on the right side of the peak, fluttering to the left in the wind.

This unique shot was made possible through a combination of luck, patience, and a 30-second exposure using an ND1000 filter, providing a 10-stop reduction in light. The filter was stacked in front of a circular polarizer.

At the base of the peak, a landscape unfolds with numerous tree groves, farms, factories, houses, and expansive natural forests, creating a picturesque panorama in early November as the autumnal foliage reaches its peak color.

Visit the Pix4Japan blog for Google Maps links and helpful references for further reading (https://www.pix4japan.com/blog/20231115-koyodai).

Pentax K-1 II + DFA 28-105mm F3.5-5.6
45 mm ISO 100 for 1/250 sec. at ƒ/11

Autumn's Tapestry with an Azure Canopy over Distant Peaks 

Location: Koyodai Observatory Terrace, Narusawa Village, Yamanashi Prefecture, Japan
Timestamp: 15:11 on November 15, 2023

Enduring chilly temperatures, I patiently waited for the dispersal of the cloud cover. Finally, nature relented, revealing a breathtaking spectacle as sunbeams streamed through the parting clouds, casting a warm glow upon the peaks of Mt. Ryugadake and Mt. Kenashi. If you look closely, you can see  sunlight reflecting off the surface of Lake Mototsu, situated to the right of the two small summits.

To capture this view, you need to gaze southwest from the rooftop terrace of the Koyodai Observatory in Yamanashi Prefecture.

For those planning to embark on a journey to this location, I've detailed access points such as the nearest bus stops and the two primary parking lots in my latest blog post, accessible here: https://www.pix4japan.com/blog/20231115-koyodai.

In addition to practical information, I delve into the quaint history of the observatory in a quick two-minute read, and for those craving a deeper understanding, I've included links to all my source materials. Join me in exploring the beauty and history that converge at Koyodai Observatory.

Pentax K-1 II + DFA 28-105mm F3.5-5.6
105 mm ISO 100 for 1/80 sec. at ƒ/10

Golden Accents on Mountain Ridges: Kagikake Mountain Range and Aokigahara Forest

Location: Koyodai Observatory Terrace, Narusawa Village, Yamanashi Prefecture, Japan
Timestamp: 15:17 on November 15, 2023

After a chilly and cloud-covered morning and afternoon, the thick clouds gradually retreated into the horizon, revealing a lovely scene as the warm early evening sunlight cast dark shadows and enveloped the landscape in a golden hue.

This shot was taken looking west from the Koyodai rooftop terrace, where after the clouds dispersed, the Kagikake mountain range came into full view with its foothills leading down into the enchanting Aokigahara Forest plain.

A 7 km (4.35 mi) foot trail, known as the Kagikake Pass (1,589 m/5,213 ft), winds along the ridge of the Kagikake Mountain range stretching from the southwest peak of Mt. Odake to the northern peak of Mt. Onigatake. Additionally, there are two trails from the pass that  trace the ridges of the foothills down to the Aokigahara Forest plain.

The Kagikake Pass is particularly enchanting from late October through mid to late November when the autumn foliage is at its peak, transforming the landscape into a vibrant tapestry of reds, oranges, and yellows. Moreover, during clear skies, the Kagikake Pass offers unobstructed, grand views of the majestic Mt. Fuji to the south, adding another layer of awe to the already stunning landscape.

Nearest Access:

Take the Fujikyu Line to Kawaguchiko Station, and take the bus  to Koyodai-Mae bus stop. From there it is a 20- or 30-minute walk along a dirt road to the peak.

Get off the Chuo Expressway at the Kawaguchiko Interchange and take Route 139 towards Lake Motosuko for about 15 minutes.

Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 100 for 1/30 sec. at ƒ/11

Momiji Autumnal Leaves & Mt. Fuji

Location: Koyodai Observatory Terrace, Narusawa Village, Yamanashi Prefecture, Japan
Timestamp: 15:58 on November 15, 2023

Using the Pentax “Pixel Shift Resolution II” feature, I captured four full-resolution photos of this scene from the 2nd floor landing at the Koyodai-Tenbodai Rest House. These shots, processed in-camera, synthesize the 4 shots into a single, super-high-resolution composite image. This not only enhances the resolving power but also eliminates false color, reduces high-sensitivity noise, and significantly improves overall image quality.

Positioning your tripod in the left corner of the landing on the 2nd flat of stairs provides an unobtrusive vantage point for capturing the breathtaking scene. The Japanese maple tree visible from the second floor of the Koyodai Observatory Terrace adds a captivating foreground element, complementing the vibrant autumn colors in the lower mid-ground of the scene.

For more in-depth information on the history of the Koyodai-Tenbodai Rest House, optimal parking locations, and nearby bus stops, check out my blog post. I hope to guide you through planning a visit to this off-the-beaten-path site, offering a serene experience away from the typical tourist crowds: 

Copyright Notice for All Images:
© 2023 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com for prints and licensed download options.



2023-10-25

Edo-Tokyo Open Air Architectural Museum


Pentax K-1 II + DFA 28-105mm F3.5-5.6
73 mm ISO 100 for 1/15 sec. at ƒ/11

Steam Locomotive and Passenger Car

Location: Koganei Park, Koganei, Tokyo
Timestamp: 12:33 on October 25, 2023

I came across this static display of an old steam locomotive and passenger car along my way to visit the Edo-Tokyo Open Air Architectural Museum (江戸東京たてもの園).

After some digging around on the web, I learned that the C57 steam locomotive and Suhafu-32 passenger car have been on display at Koganei Park since 1975, fulfilling the wishes of local residents.

I also learned that between 1937 and 1947, over two hundred Class C57 steam locomotives were built and  put into service until 1975. Presently, thirty-two C57 locomotives are on display at  various locations across Japan. Additionally, two locomotives have been restored and are now operational for special leisure lines and events.

The Suhafu-32 (スハフ32) passenger cars were utilized nationwide from the late 1930s through the 1950s. The designation is as follows:

ス/su=steel car weighing between 37.5 and 42.5 tons
ハ/ha=third class passenger cabin
フ/fu=passenger car equipped with a conductor cabin


Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 400 for 1/400 sec. at ƒ/8.0

Pentax K-1 II + DFA 28-105mm F3.5-5.6
37 mm ISO 400 for 1/200 sec. at ƒ/8.0

Preserved Pre-Modern Era Japanese House

Location: Edo-Tokyo Open Air Architectural Museum, Koganei, Tokyo
Timestamp: 13:06 on October 25, 2023

The Okawa House was originally built in 1925 in the residential neighborhood Den’enchofu located in the western part of Ota Ward  in southern Tokyo, Japan. The house was moved approximately 23 km to its current location in the Edo-Tokyo Open Air Architectural Museum.

In my photo, you can see a wheelchair access ramp that was added after relocating the house to the museum, which is the only major modification absent from the original design.

Studying old photographs of the house and its surroundings, the museum attempted to replicate the original landscaping as well, a touch that adds authenticity to the house's historical charm. Nowadays, such landscaping is incredibly expensive due to the soaring cost of land in Tokyo.

The house is an example of Western-style architecture that was a rarity in Japan during the early 20th century. Visiting the house offered me a unique opportunity to step back in time and experience a style of housing from an era when Tokyo's land was more affordable and less congested.

The house's design was part of a 1912 development project initiated by developer Eiichi Shibusawa (渋沢 栄一), who was  inspired by the "Garden City" concept proposed in England during that period.

Architect Michio Mii (三井 道男) designed the house for Sakae Okawa (大川 栄), who was a civil engineer at the Ministry of Railways.

The single-story wooden building features a central living room, surrounded by an entrance hall, dining room, bedrooms, study, and a pergola. In its early days, the house accommodated a family of five, comprising the parents, two children, and a maid.

During the Taisho Period (1912 to 1926), Japanese homes typically had multi-use rooms with concealed kitchens at the back. The Okawa House, with its innovative layout of rooms surrounding the central living space, was considered to be groundbreaking.

According to an article published by Tokyo Trip, the house deviated from the traditional housing of extended families living together with inter-generational shared sleeping arrangements, which was believed to reinforce feudal social structures where patriarchs were allowed to surveil family members.

The concept of the Okawa House was to foster a more modern, family-oriented type of housing to promote the nuclear family, to elevate a woman's role (compared to the Taisho Period), and to provide privacy—a revolutionary idea in Japan at that time.

Not only did the house survive the firebombing raids on Tokyo during WWII, it was still in use as late as 1993—nearly a decade after I arrived in Japan. I am so glad the house was not abandoned or turned into a heaping pile of refuse to make room for a parking lot! 


Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 400 for 1/320 sec. at ƒ/8.0

Pentax K-1 II + DFA 28-105mm F3.5-5.6
34 mm ISO 800 for 1/100 sec. at ƒ/9.0

Preserved Pre-Modern Era Photo Studio

Location: Edo-Tokyo Open Air Architectural Museum, Koganei, Tokyo
Timestamp: 13:11 and 13:19 on October 25, 2023

The Great Kanto Earthquake of 1923 wreaked havoc upon central Tokyo, causing the collapse of buildings and, tragically, igniting fires. In its aftermath, Tokyo embarked on an ambitious journey to rebuild the city, employing modern city planning techniques that encompassed a grid-pattern network of streets, parks, electric power lines, natural gas lines, waterworks, and sewage lines.

However, the costs associated with this modernization and urban planning surpassed the national budget, leading to a significant reduction in the scale of these developments, which were then limited to only a few specific areas of Tokyo. The Tokiwadai neighborhood was among the fortunate areas selected for city planning, resulting in the construction of modern architectural structures.

Erected in 1937 within the Tokiwadai residential neighborhood of Itabashi Ward, Tokyo, near the former Musashi-Tokiwa Station (now Tokiwadai Station) on the Tobu-Tojo Line, the Tokiwadai Photo Studio stands as a rare example to the vision that architects and city planners held for Tokyo's rebirth.

The building's first floor housed the owner's private residence, featuring a bathroom, kitchen, three bedrooms, an office, lavatory, and a small study.

On the second floor, there was an office/workspace and a spacious photo studio. This studio boasted a sloped ceiling, allowing the installation of large frosted glass windows on the northern side of the building. This architectural choice ensured ample soft lighting, a characteristic feature of early 20th-century photo studios, owing to the absence of modern lighting equipment at the time.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
31 mm ISO 400 for 1/360 sec. at ƒ/8.0

Restored 1950s Tokyo City Bus

Location: Edo-Tokyo Open Air Architectural Museum, Koganei, Tokyo
Timestamp: 13:12 on October 25, 2023

Nestled within the Edo-Tokyo Open-Air Architectural Museum lies a fascinating piece of history—a meticulously restored vintage bus, the TS11 model, built by Isuzu Motors after the war from 1952. As you explore the museum, you'll come across this relic, which I feel is just one testament of many to Japan's post-war resilience and innovation.

The bus in my photo is actually part of a personal collection that is on loan to the Tokyo Metropolitan Government for use at the museum. This is why when you receive your printed English guide at the museum, there will be no reference or information available regarding the bus. Please read on to learn some interesting facts and history!

The TS11 model, with its 4WD capability, played a small but influential role in post-war Japan. Its sturdy design allowed it to navigate even the most challenging terrains, including mountainous and snowy regions. In 1957, a similar bus was entrusted with the honor to transport the Emperor and Empress to Mt. Fuji for a climb to the summit, a testament to the  reliability and trustworthiness of the bus.

Fast forward to the present day, vintage buses, like the TS11, are experiencing a revival, thanks to the efforts of rural bus operators. Newspaper articles from The Asahi Shimbun and The Mainichi highlight labor shortage struggles faced by bus operators who have turned to restoring old buses as a way to promote not only ridership from tourists on weekends and national holidays, but also to attract bus enthusiasts (bus spotters, bus otaku, etc.) as possible new hires at their companies.

The charm of these buses transcends generations, captivating both the young and old in Japan and even tourists from overseas who have become familiar with the retro design of these old buses from novels, anime, and manga. 

If you examine my photo closely, you'll notice a replica of an old license plate near the radiator grill. Above the front window, you can also see the bus route number “47” (四七) and the route destination “Ueno-Hirokoji” (上野広小路), which is a subway station on the Tokyo Metro Ginza Line, in Taito Ward, Tokyo.

Unlike modern buses designed for maximum passenger capacity, these vintage buses, with engines positioned in front of the driver, offer several advantages: better engine cooling efficiencies, easier access for maintenance and repairs, reduced vibration and noise for passengers, and increased safety for drivers in frontal collisions.

Preserving these vintage buses not only honors Japan's history but I think they can help enrich the present and the future, connecting young and old through shared memories and appreciation for cool design and innovative engineering.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
45 mm ISO 800 for 1/50 sec. at ƒ/9.0

1960s Portable Sony TV was a Hit with Showa Emperor and Frank Sinatra!

Location: Edo-Tokyo Open Air Architectural Museum, Koganei, Tokyo
Timestamp: 13:28 on October 25, 2023

Sony unveiled its 5-inch portable TV, the Micro-TV (Model #TV5-303), to the world on April 17, 1962, and it hit the U.S. market with a bang on October 4th of the same year. The grand launch took place at Sony’s state-of-the-art New York showroom on Manhattan’s 5th Avenue, with over 400 guests, including the esteemed Consul General of New York.

This incredibly compact micro-television, available in silver and black versions, became an instant sensation. Demand soared to unprecedented levels, leaving Sony struggling to keep pace. Despite shipping sets by sea straight from the assembly line, the company couldn’t meet the eager market's needs. 

With rival manufacturers hot on their heels, Sony took a bold step by chartering a Pan American airliner to expedite the TVs to the U.S., capitalizing on the momentum they had generated. 

It wasn't only six months later in early 1963 that Hayakawa Electric introduced similar portable televisions to the U.S. market, trailing behind Sony's groundbreaking Micro-TV.

During a factory tour in March 1962, the Showa Emperor and Empress of Japan received an exclusive preview of the Micro-TV. Sony's co-founders, Akio Morita and Masaru Ibuka, went to great lengths, requesting Their Imperial Majesties to maintain strict confidentiality regarding the yet-to-be-announced Micro-TV. 

This act of secrecy mirrors the practices of today's tech giants like Google and Apple. However, this request sparked controversy, leading to sensational headlines in Japan's major weeklies, including articles with headlines such as "Emperor is Hushed Up!" These weekly publications (週刊誌), often regarded more as politically provocative tabloids than bastions of high journalistic standards, may have inadvertently amplified the buzz surrounding the Micro-TV.

Adding to the Micro-TV's allure was a surprise admirer – the legendary Frank Sinatra. After being given a sneak peek in April 1962, Sinatra was so captivated by the TV5-303 that he expressed a desire to take one back to the States. Acknowledging the limitations of the Japanese model in picking up U.S. channels, Morita pledged to deliver a U.S. spec model to Sinatra as soon as they were available. 

True to his word, Morita personally delivered the television to Sinatra at Paramount Pictures in October, the day after the sets went on sale, fulfilling his promise and cementing the Micro-TV's status as a technological marvel of its time.


    Pentax K-1 II + DFA 28-105mm F3.5-5.6
80 mm ISO 800 for 1/20 sec. at ƒ/9.0

1950s Black Japanese Desktop Telephone: NTT Model 4

Location: Edo-Tokyo Open Air Architectural Museum, Koganei, Tokyo
Timestamp: 13:29 on October 25, 2023

Work to establish Japan's first telegraph line began on October 23, 1869, connecting Yokohama and Tokyo. Interestingly, this initiative came 14 years after Alexander Graham Bell invented the telephone. Japan's telecommunication journey progressed further when the first rotary dial telephone, an all-black model, was introduced in 1933. This design was based on the renowned American industrial designer Henry Dreyfuss's "Type 302 Desk Telephone."

Amidst Japan's post-war rebuilding efforts, a pivotal development for domestic telecommunications took place in 1950. The Nippon Telegraph and Telephone Corporation (NTT) unveiled the Model No. 4 Automatic Desktop Phone, Japan’s first domestically designed and manufactured desktop telephone. According to NTT, this new model played a significant role in fostering social connections during Japan's postwar reconstruction period.

Notably, my photograph captures the NTT Model 4, showcasing its smaller and more compact casing compared to Dreyfuss's "Type 302" model. According to one of Japan’s major players in the telecommunications market, KDDI, the new design of the NTT Model 4 not only boasted superior call quality, but was also considered cutting-edge for its time.

The Model 4 was available exclusively in black, and became a staple in Japanese offices during its production years from 1950 to 1964. This end of this 14-year period coincided with the introduction of NTT's Model 600 desktop phone in 1964, marking another milestone in Japan's telecommunications history.

For enthusiasts and curious minds, the NTT Model 4 that I photographed can be viewed at the "House of Kunio Maekawa" within the Edo-Tokyo Open Air Architectural Museum in Tokyo.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 800 for 1/200 sec. at ƒ/9.0

House of Georg de Lalande (1910)

Location: Edo-Tokyo Open Air Architectural Museum, Koganei, Tokyo
Timestamp: 13:50 on October 25, 2023

Constructed in 1910, the residence of Georg de Lalande was built  in Shinanomachi, Shinjuku Ward, Tokyo. Lalande, a skilled German architect, expanded the original building into an impressive 3-story house. His architectural expertise extended to Japan's key port cities such as Yokohama, Tokyo, Kyoto, Osaka, Kobe, and even Korea. Lalande was renowned for his adept use of Jugendstil architecture, a distinctive style within the Art Nouveau movement that flourished during the late 19th and early 20th centuries.

Over the years, the house changed hands several times and eventually became the possession of Mishima Kaiun (三島 海雲) in 1956. Kaiun was the brilliant mind behind the widely beloved lactic acid beverage "Calpis," a drink that continues to enjoy popularity to this day. Following Kaiun's passing, his company, Mishima Foods Industry Co., Ltd. (三島食品工業株式会社), utilized the house as office space until 1999.

In 2013, the house underwent meticulous disassembly and subsequent reassembly at the museum. Notable features of its exterior include a mansard roof crafted from slate and clapboard-adorned exterior walls. The interior refurbishment drew inspiration from vintage photographs, aiming to recreate the ambiance of the early Taisho Era (1912 to 1926) when de Lalande resided there. Stepping inside, the various interior elements transported me to the sophisticated charm of a classical hotel in Europe or New York City.

On April 20, 2013, the "Cafe Musashino Sabo," a coffee and tea shop, opened on the first floor, making excellent use of the Art Nouveau interior. I was able to relish the experience of sipping coffee in what felt like the elegant tea room of a luxurious hotel in historic Europe. 


Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 400 for 1/25 sec. at ƒ/11

Home of Japanese Mitsui Baron Family (1910~1996)

Location: Edo-Tokyo Open Air Architectural Museum, Tokyo
Timestamp: 13:55 on October 25, 2023

This residence, once belonging to Hachiroemon Takami, the head of the ten Mitsui clans renowned for their legacy in modern Japanese history through the Mitsui Zaibatsu--one of several large family-controlled vertical monopolies of industrial and financial conglomerates in Japan dating from the Edo Period unit the end of WWII.

Originally situated on an expansive site in Tokyo’s Nishi-Azabu neighborhood of Minato Ward, this mansion had served as the family’s main residence since 1906. Tragically, it fell victim to a devastating fire during the war, leading to the construction of a new main residence in Azabu-cho of Minato Ward in 1952. Azabu-cho is known today as Roppongi—the opulent district boasting world-class art museums, Michelin-starred restaurants, and luxurious shopping destinations.

The guest room and dining room, both dating back to 1897 in Kyoto, were painstakingly relocated after the Second World War. Additionally, a storehouse originating from 1874 was meticulously restored to its original condition. To reconstruct this historical mansion, a myriad of materials, including building components, stones, and plants, were sourced from Mitsui baron family-related facilities in Aburanokoji in Kyoto, Oiso in Kanagawa Prefecture, and Setagaya and Minato Wards in Tokyo.

Despite its reduced size compared to the original 1906 structure in Imai-cho (Roppongi), the residence still resonates with the power and grandeur of the Mitsui Baron family during the prosperous era of the zaibatsu, evident in its interior and furnishings.

Architecturally, the residence follows a mid-corridor style floor plan. Living spaces, including the guest room and dining room, are situated on the southern side of the mid-corridor, while service spaces such as an office, kitchen, and serving room occupy the northern side. This design seamlessly blends Japanese and Western lifestyles, featuring elements like rugs laid out on tatami mats and chairs and tables.

In 1996, the residence underwent a meticulous restoration process before being relocated to the Edo-Tokyo Architectural Museum in Koganei, Tokyo, where it stands today as a symbol of cultural fusion and the enduring legacy of the Mitsui family in Japanese history.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 200 for 1/125 sec. at ƒ/5.0

Mausoleum of Shogun’s Wife from 1652

Location: Edo-Tokyo Open Air Architectural Museum, Tokyo
Timestamp: 14:40 on October 25, 2023

The former Jisho-in Otamaya mausoleum (旧自証院霊屋) stands as a testament to Japanese history and architectural craftsmanship. Erected in 1652, this beautiful structure was commissioned by Princess Chiyo, the wife of Mitsumoto Tokugawa, a prominent feudal lord of the Owari Domain. It was built to honor her deceased mother, Ofuri-no-Kata, who was the wife of the third shogun, Iemitsu Tokugawa.

Originally situated within the temple grounds of Jishōji Temple in the Tomihisacho district of Shinjuku Ward, Edo (modern-day Tokyo), the mausoleum was constructed by the same skilled craftsmen who were responsible for building the opulent mausoleum of Ieyasu Tokugawa in Nikko, commonly known as Toshogu Shrine. Ieyasu Tokugawa was the founder of the Tokugawa Shogunate, which ruled Japan for over 250 years until 1868.

In 1955, the mausoleum, which had fallen into disrepair, was acquired by Seibu Railway Co., Ltd. where they then relocated it to the grounds of the Akasaka Prince Hotel in central Tokyo. Four decades later, in 1995, it found its permanent home at the Edo-Tokyo Open Air Architectural Museum. During the relocation process, both the exterior and interior were meticulously restored to their original grandeur.

This small edifice is a remarkable architectural masterpiece, adorned with vibrant wood carvings and ornate metal embellishments throughout. Not only does it represent the pinnacle of architectural technology from the early Edo period (1603 to 1868), but it also provides a glimpse into the influence and prestige of the Tokugawa family.

Today, the former Jisho-in Otamaya Mausoleum is preserved at the Edo Tokyo Open Air Museum. It holds a unique distinction as one of the few structures in Tokyo that remained unscathed during the bombings of World War II.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
37 mm ISO 200 for 1/125 sec. at ƒ/11

Billboard/Signboard Architecture in Tokyo from Late 1920s

Location: Edo-Tokyo Open Air Architectural Museum, Tokyo
Timestamp: 15:28 on October 25, 2023

The East Zone of the Edo-Tokyo Open Air Architectural Museum in Tokyo is dedicated to preserving a slice of local urban life from the early days of the Showa Period (1926-1989). This area showcases a variety of shops, a public bath, a bar, and other shops that were readily found in a typical Japanese urban neighborhood during that era.

I was most impressed with how preservation efforts went beyond the exteriors; to include meticulously recreated interiors, featuring original cabinets, desks, counters, and even products sold during that time. I was pleasantly surprised to see tools, receipts, handwritten notes, and other small relics, which helped to provide me with an authentic glimpse into the past within these preserved/restored buildings.

On the left side of my shot, there's Takei Sanshodo stationery store (武居三省堂) built in 1927. A striking feature is its signage: 堂省三. Unlike contemporary Japanese signs written left-to-right, this shop's name is read right-to-left, following the pre-war norm.

Nowadays, horizontal writing is almost always read left-to-right. However, there are still some cases where the use of right-to-left order can be seen, such as on the sides of commercial vehicles displaying a company’s name or brand. This way, the text is often written from the front to the rear on both sides of the vehicle. 

I’ve also seen right-to-left writing on the signs of some food stalls when attending local festivals. There are even a few gates at temples or shrines where the wording is read right-to-left. I’ve also seen signage or ads where designers used right-to-left writing for artistic effect or to add a touch of nostalgia to the flier or signage.

In the center of the photo stands Hanaichi Florist (花市生花店), which was also constructed in 1927. This shop exemplifies "kanban-kenchiku" (看板建築), where buildings had a typical wooden-style residence (home/tenanted) behind the storefront but featured flat, modern facades to attract passersby on the street side of the building. My dictionaries translate 看板建築 as “billboard architecture” or “signboard architecture” although I am not sure if this is proper English, of even if such a style of architecture can be found outside of Japanese old-style urban neighborhoods. 

After spending hours searching online, I could not find a real-world example of so-called billboard/signboard architecture outside of Japan. Yes, there are shops with signboards on the facade, but is the portion of the building behind the storefront being used as living quarters of the owner and/or tenanted spaces? Would love to find examples of kanban-kenchiku used in countries outside of Japan. Another hurdle to finding similar overseas examples might be the simple fact that billboard/signboard architecture is not really English!

On the right side of my photo is the Maruni Shoten Kitchenware Store (丸二商店・荒物屋), which was built around the 1930s. This shop illustrates how owners would create a distinct retail space in front of the living quarters on both sides facing the street.

The materials I could see being used on the facades of all three kanban-kenchiku buildings in my photo varied from mortar grafted in patterns of Greek temples with impressive classical pillars and gables. Some designs incorporated Art Nouveau decorations with copper plating and boards, which, although shiny when new, developed a patina over the decades. Some of the buildings even showed the remnants of damage caused by gunfire from the guns of soldiers/militia/police on the streets of Tokyo, or from the blasts, shrapnel, or debris caused by the intense  firebombing raids over Tokyo during WWII.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
28 mm ISO 3200 for 1/125 sec. at ƒ/7.1

Kodakara-yu Public Bathhouse (1929)

Location: Edo-Tokyo Open Air Architectural Museum, Tokyo
Timestamp: 15:41 on October 25, 2023

Japanese bathing culture is a rich tapestry woven with two main threads: the communal experience of sento and the natural wonders of onsen. 

Sento, the traditional public bathhouses, offer an oasis of relaxation in urban areas, welcoming patrons to cleanse themselves, unwind, and foster connections with neighbors. 

Onsen, on the other hand, harness the healing properties of natural hot spring waters, nestled in serene landscapes often associated with resorts and ryokan. 

In this article, we'll explore the nuances between these quintessentially Japanese experiences, delving into their cultural significance, cost, and unique offerings. Join me on this journey through the soothing waters of Japan's baths.

Sento: An Urban Oasis

Sento, the traditional public bathhouses, serve as urban sanctuaries, inviting patrons to cleanse their bodies, unwind, and foster connections with neighbors. 

Unlike onsen, sento typically utilize municipal water, heated and circulated for the patrons' comfort. The Kodakara-yu (子宝湯) public bathhouse, captured in the accompanying photo, stands as a testament to this cultural tradition, its origins dating back to 1929. 

On the men’s side of the sento, a captivating mural of Mt. Fuji graces the walls, enhancing the serene atmosphere.

Over the past four decades, I've frequented three or four sento whenever one was within walking distance of my flat. One vivid memory stands out: an owner explaining that although their bath used natural spring water, it required a slight boost in temperature through the addition of municipal water. This experience illuminated the subtle yet significant differences between sento and onsen.

There are some of you who might not be fully aware of the difference between the two major types of public baths in Japan. 

Sento, represented by the characters "銭湯," combine "coin/money/0.01 yen“ (銭) and "hot water" (湯), symbolizing facilities that utilize heated water and charge a fee. 

In contrast, onsen, denoted by "温泉," combine "warm" (温) and "spring or fountain" (泉), signifying baths fed by natural hot spring water piped into the pools. While the prevalence of sento has diminished with modern homes incorporating bathing facilities after the war, these communal retreats remain a important communal center of Japanese urban areas.

My initial visit to a sento in the 1980s cost a modest ¥250. Today, the typical fee has risen to around ¥520. Beyond the economical aspect, what makes sento truly special is the spaciousness they offer compared to the often cramped designs of household baths. 

This became acutely apparent when, in the ‘90s, I broke my arm during a Judo tournament. The sento provided a haven where I could maneuver comfortably without the risk of bumping my injury, unlike my tiny Japanese bath at home.

Beyond the physical comfort, sento offer a unique social space. Conversations sparked in the bath led to the formation of enduring bonds with my neighbors. Weekly rendezvous at the sento became a cherished ritual, an opportunity to unwind, discuss our weeks, and enjoy post-bath refreshments in the lobby, fostering a sense of community.

Discovering Onsen: Nature's Healing Retreats

Onsen, in contrast, tap into the healing properties of natural hot spring waters. Typically in picturesque landscapes or seascapes associated with resorts and ryokan, onsen provide a tranquil escape. These facilities often feature rotenburo (露天風呂) open-air baths, enhancing the experience. 

Onsen experiences are often intertwined with traditional Japanese inns, known as ryokan, primarily located in scenic resort areas. These areas could be nestled by the sea, such as the picturesque town of Atami in Shizuoka Prefecture, or tucked away deep within the serene mountains, like the renowned Hakone in Kanagawa Prefecture. 

In these retreats, onsen baths are a hallmark feature. While some onsen baths are exclusive, reserved solely for the ryokan's guests, others extend their warm waters to day visitors, allowing them to enjoy the soothing baths during specific hours without requiring an overnight stay.

The cost of indulging in the onsen experience at a ryokan, without the necessity of spending the night, varies widely. Depending on the location and facilities, visitors can expect to pay anywhere from ¥800 to as much as ¥3,000 for the privilege, particularly in regions like Kanagawa and Shizuoka Prefectures. These rates provide access to the tranquil ambiance and rejuvenating waters, allowing individuals to immerse themselves in the therapeutic embrace of the onsen without committing to an overnight stay.

One memorable winter evening on the shores of the Izu Peninsula stands out vividly in my memory. As I relaxed in the rotenburo overlooking the Pacific Ocean, snowflakes gently fell, creating a surreal ambiance—a blend of soothing warmth and nature's delicate touch, an experience I cherish to this day.

Whether you choose the communal charm of a sento or the natural allure of an onsen, I encourage you not to hesitate. Embrace this quintessential Japanese experience. Who knows, you might forge enduring friendships, especially within the welcoming embrace of a sento. Dive in and discover the warmth of Japan's baths and the connections they foster.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
53 mm ISO 400 for 1/125 sec. at ƒ/7.1

Tokyo Streetcar from 1962

Location: Edo-Tokyo Open Air Architectural Museum, Tokyo
Timestamp: 15:58 on October 25, 2023

The 7500 series streetcar was once a vital part of Tokyo’s tram lines, traversing three routes connecting Shibuya Station to Shinbashi Station, Shibuya Station to Hamacho-Nakanohashi Station, and Shibuya Station to Suda-cho Station (modern-day Kanda Station).

Originally operated by a two-man crew, a shift in 1972 saw a transition to a one-man crew, aligning with Tokyo's move towards expanding bus and subway networks, eventually leading to the scrapping of Carriage No. 7514 in 1977.

In 1999, recognition of the streetcar's historical significance led to a restoration of its interior and exterior, bringing it back to its original grandeur.

Placed in the Edo-Tokyo Open Air Architectural Museum, it became a captivating piece of Tokyo's past for all generations to enjoy.

According to a 2011 article posted by the Asahi Shinbun newspaper, the streetcar underwent work again to remove rust, and to add a fresh coat of paint, including the addition of the red stripe down the side of the body. Furthermore, a fresh coating of coal tar was applied to the interior’s floorboards, helping protect the wooden floorboards from rot.

Distinguishing features of the 7500 series include dual headlights and an illuminated signboard near the roofline, facilitating easy identification of destinations, especially during nighttime travels.

With 40 municipal streetcar lines and around 500 stops, the network's complexity was addressed by assigning each car a line number, prominently displayed between the headlights, a feature that was illuminated on the 7500 series.

The 7500 Series was constructed in 1962 by Niigata Iron Works, a company tracing its roots back to 1895. Unfortunately, the company, facing difficulties as streetcars were being phased out, filed for bankruptcy and was fully liquidated in 2007.

The decline of streetcars/trams continued between 1963 and 1972 as the Tokyo Metropolitan Bureau of Transportation refocused on expanding bus and subway modes of transportation. Fortunately, the Tokyo Sakura Tram (Toden Arakawa Line) is still in use on a route between Waseda Station and Minowabashi Station.

A glimpse inside the streetcar evoked nostalgia for me, reminiscent of trains I rode in the early 1980s. For example, I used to take the Sagami Line, which, at that time, still used diesel locomotives. The carriages were much like the 7500 Series streetcar, with wooden floorboards and the same type of ceiling-mounted fans that swiveled around in full 360-degree circles.

Compared to old streetcars and trains, modern transportation is more accessible, especially for non-Japanese speakers, who benefit from multilingual signage and announcements, and have access to maps on their phones in their native language.

Having lived in Japan at a time when I had to learn to read kanji and use paper maps to reach my destination helps me appreciate the modern conveniences we have today. However, if we could phase out some buses running on smokey diesel and revert to using streetcars or trams, I think I would enjoy my daily commute much more.


Pentax K-1 II + DFA 28-105mm F3.5-5.6
105 mm ISO 200 for 1/125 sec. at ƒ/7.1


Restored Tokyo Imperial Palace Bridge Lamp from 1888

Location: Edo-Tokyo Open Air Architectural Museum, Tokyo
Timestamp: 16:12 on October 25, 2023

Pentax K-1 II + DFA 28-105mm F3.5-5.6
105 mm ISO 200 for 1/125 sec. at ƒ/7.1

Captured in my image is an ornamental electric light, a stunning example of Baroque style, originally positioned at the main gate of the Imperial Palace in Chiyoda Ward, Tokyo, from the late 1880s to the mid-1890s.

These lights, one of six affixed to the parapets on each side of the stone bridge, served as the formal entrance to the Imperial Palace grounds. They were exclusively illuminated during the Emperor's departure for significant state occasions, official visits by state guests, or when ambassadors presented their credentials.

Manufactured in 1888 by Harkort, a German company that I had initially presumed to be artisans of Baroque street lamps, these lights have a deeper historical connection.

Harkort, primarily recognized for pioneering railway bridge construction and steel structures for growing rail traffic throughout parts of the world, played a pivotal role in modernizing Japan's railway lines.

While these exquisite vintage lamps are scattered across Japan, including at the Meiji Mura open-air museum in Aichi Prefecture and the Ueno campus of the Tokyo University of the Arts in Taito Ward, Tokyo, Harkort's impact in Japan extended far beyond ornamental lighting.

In reality, Harkort's influence in Japan was more profound in promoting the country's railway modernization. The company exported steel railway bridges to Japan for use on the Kyushu Railways in Kyushu and the Kobu Railways in Tokyo during the late 1880s.

A testament to their enduring legacy, a Harkort steel truss bridge still stands today on the Koishikawa-bashi Bridge near Suidobashi Station on the JR Chuo Line in Chiyoda Ward, Tokyo.



Copyright Notice for All Images:
© 2023 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com for prints and licensed download options.