2025-08-27

Shōwa Vintage

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Traces of the Shōwa Era in Everyday Life

ふだんの暮らしが語る昭和の面影


While visiting the “Flowers for Lena” florist in Hokuto, Yamanashi Prefecture, I wandered around the shop’s grounds and came across these old items dating back to pre-war Japan during the early Shōwa Period (1926–1989).

The indigo item on the left is an old burlap sack once used as packaging for a type of fertilizer called S-san Fertilizer (エスサン肥料・Esusan hiryō). The vertical characters on the far left read the name of the manufacturer, Ajinomoto Co., Ltd. (味の素株式会社・Ajinomoto Kabushikigaisha), which is the same international conglomerate known today for its frozen food products, seasonings, and sports nutrition items. Ajinomoto developed S-san Fertilizer as a byproduct of its amino acid production process and began selling it to rice farmers in 1936.

In the center stands a weathered, light-blue, insulated wooden box that once held popsicles sold during summer months at beach stalls and festivals from around 1948 onward.

The red characters on the upper left read “eisei” (衞生・“hygienic”), while those on the upper right read “bimi” (美味・“delicious”). Across the center is written “aisu kyandī” (アイスキャンディー・“popsicle”). Unfortunately, I couldn’t determine the origin of the company logo printed at the top center.

For context, adding “eisei” (healthy or hygenic) and “bimi” (delicious or tasty) on the exterior of the box can be roughly translated as “Safe and Delicious Popsicles,” a promotional slogan for the popsicles--a refreshing treat that first started being sold in Japan during the early Showa period before the war.

Together, the phrases “eisei” and “bimi” roughly translate to “Safe and Delicious Popsicles”, likely serving as a promotional slogan. The inclusion of the word “hygienic” reflects the historical context of postwar Japan, when food safety and hygiene standards were still developing. This emphasis on cleanliness may have been a reaction to a tragic 1936 incident in which 25 people, including many children, died after eating salmonella-contaminated popsicles.

When it comes to vintage daily goods, I’m somewhat relieved that I don’t have the spare funds to collect them as much as I’d like. Otherwise, I’m sure I’d fall victim to a hoarder’s instinct and soon need to rent storage space for all the fascinating “junk” I’d bring home. For now, a photograph and a bit of research will have to satisfy my curiosity.

For this shot, I used Fujifilm’s Classic Negative film simulation, modeled after Fujicolor Superia 100 from the 1980s. Its subtly muted tones evoke a nostalgic, vintage feel that complements the earthy colors of the ground and the woven baskets, which is perfect for these relics from 60 to 70 years ago.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・15:25
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 160 for 1/280 sec. at ƒ/2.2
  • Classic Negative film simulation

Links to sources for a deeper dive and Google Maps:


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© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
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Zinnia elegans

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Zinnia Blooms at Flowers for Lena: A Florist’s Handcrafted Beauty in Hokuto, Yamanashi
山梨県北杜市「フラワーズ・フォー・レナ」に咲くジニアの花々


Flowers for Lena, a florist located at the southern foot of the Yatsugatake Mountains in Hokuto, Yamanashi Prefecture, Japan, stands out for selling both fresh and dried flowers that are 100% cultivated by the owners from planting and nurturing to harvesting and sales.

The staff I spoke with explained that the shop takes special care to avoid chemical fertilizers and minimize the use of pesticides. Around forty varieties of flowers are grown each year in open-air fields from June to October, without relying on greenhouses, which in Japan are typically aluminum frames wrapped in layers of lots of ugly plastic.

Flowers that make it all the way to harvest are displayed at the storefront, even in the summer months. This is possible thanks to the region’s cooler highland climate, unlike in urban centers where fresh flowers must be refrigerated to prevent wilting.

When I visited, the florist had recently opened a new building beside the old shop. The new space features a black wood stove that reminded me of the one my family had when I was a boy. It also houses a gift shop selling goods and clothing primarily for  gardening with simple, down-to-earth designs, like straw hats, woven carry bags, cotton scarves, and aprons for both the kitchen and the garden.

The new building also includes a café and restaurant, which I unfortunately didn’t have time to visit. A quick glance at the menu showed sweets and drinks made from locally sourced ingredients. I’m always happy to see small proprietors collaborating with other local businesses rather than depending too heavily on imported materials. It’s a wonderful way to keep money circulating within the community so that neighbors can thrive together.

I learned that “Flowers for Lena” began operating in 1984, which was just one year before I arrived in Japan. I was pleasantly surprised to discover that they’ve managed to flourish in such a remote area for more than forty years.

For this shot of zinnia flowers (Zinnia elegans), I chose the Classic Negative film simulation, based on Fujifilm’s Fujicolor Superia 100 from the 1980s. I love the vintage film vibe, which  pairs beautifully with the earthy tones of the flowers. The simulation adds a smooth contrast between deep shadows and gently muted colors, creating a nostalgic yet natural look.

Even in a changing world, places like this shop remind me that the most enduring creations often come from steady hands and a genuine love for the land.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・15:24
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 640 for 1/250 sec. at ƒ/2
  • Classic Negative film simulation

Links to sources for a deeper dive and Google Maps:


Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
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Succulent Rosettes

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Red-Tipped Houseleeks at Moegi Village of Kiyosato Highlands

「萌木の村」に咲く赤い縁取りの「クモの巣万年草」


Moegi Village (萌木の村・Moegi-no-Mura) is a charming tourist destination in Hokuto, Yamanashi Prefecture. Nestled on the Kiyosato Highlands at an altitude of about 1,200 meters (3,937 ft), the area enjoys a refreshing alpine climate on the southeastern slopes of the Yatsugatake Mountains.

Located roughly three hours west of Tokyo by car or train, the village features a delightful mix of restaurants, cafes, a hotel, a brewery, and even a merry-go-round beside a music box museum. What’s more, scattered among blossoming flower gardens are gift shops, garden supply stores, and an art and craft studio for a total of 26 shops adding to the quaint, leisurely atmosphere.

After lunch, my border collie and I took a slow, relaxed walk through the village. Along the way, I came across a cluster of succulents (Sempervivum pittonii), also known as houseleeks (according to The Royal Horticultural Society). They were growing atop a stone wall separating the village grounds from a nearby cemetery. The overcast sky provided gentle, diffused light, which is ideal for photography where you normally want to avoid harsh highlights and deep shadows.

Seeing these plants stirred an old memory. I vaguely recall my mother growing similar ones in our backyard when I was just a wee lad. Although I cannot remember if we called them houseleeks, too.

In this shot, I was drawn to the red-tipped green rosettes of the flowers, which inspired me to use Fujifilm’s Velvia film simulation. This particular film was known for its vivid saturation and rich tones, especially in reds and greens. Velvia perfectly captured the vibrancy that first caught my eye.

As I recently started editing the photo, I couldn’t help but smile when realizing how a small mountain village and a humble cluster of houseleeks could so effortlessly bridge my past and present through a single frame.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・14:47
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 160 for 1/950 sec. at ƒ/2
  • Velvia/Vivid film simulation

Links to sources for a deeper dive and Google Maps:

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© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
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2025-08-26

Take-Akari

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Bamboo Lanterns of Japan・竹灯りの灯す夜


Bamboo lights (竹灯り・take-akari) or bamboo lanterns (竹灯籠・take-chōchin) have been used as lighting since ancient times in Japan to illuminate footpaths and routes leading to castle keeps, Buddhist temples, Shinto shrines, and public spaces during festivals.

In earlier times, candles placed inside carved and decorated bamboo shafts served as the primary source of light. Today, modern interpretations often use battery-powered LED lights to reduce the risk of fire. It’s even possible to purchase commercially manufactured bamboo lanterns with protective coatings for long-term preservation and built-in lighting systems that plug into wall outlets that are ideal for interior lighting and décor.

Over the past two decades, several towns and smaller cities, especially those with historical ties to castles, have begun sponsoring large-scale bamboo light festivals. These events aim to attract visitors and revitalize local economies through the warmth and artistry of bamboo illuminations.

Some castle towns, temples, and shrines also host workshops where participants can design and create their own bamboo lanterns by drilling patterns into pre-cut bamboo shafts. The finished pieces can be taken home as souvenirs or presented as gifts. Many of these workshops use bamboo harvested from overgrown groves that need thinning for ecological health, thus turning what might otherwise be waste into art that connects people with nature and tradition.

Among the many festivals I’ve come across, two that stand out are the Taketa Bamboo Lantern Festival in Oita Prefecture and the Mizuakari Bamboo Lantern Festival in Kumamoto Prefecture, both held in historic castle towns that glow with thousands of softly lit bamboo lights each autumn.

As I captured photos of the gentle glow of the bamboo lanterns flickering against the dark background, I was thankful that someone took the time to combine simple materials and ancient traditions to illuminate the local urbanscape adding a touch of quiet beauty and warmth.

  • Location: Tsuzuki Ward, Yokohama, Japan
  • Timestamp: 2025-08-26・21:13
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 640 for 1/250 sec. at ƒ/2
  • Astia Soft film simulation

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Summer Motif

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Japanese Summer Festival Decorations at Southwood, Yokohama
提灯と風車と狐面、夏のささやき


The Southwood shopping mall, located near the south exit of Center-Minami Station on the Yokohama Municipal Subway Blue Line, is a modern commercial complex that beautifully blends sustainability with Japanese architectural tradition.

Southwood is Japan’s first large-scale wooden commercial facility, featuring extensive use of domestic lumber in its construction. The developer notes that compared to reinforced concrete buildings, the structure reduces CO₂ emissions by approximately 1,400 tons over 50 years of use, making it an environmentally friendly building designed to minimize its impact on the environment.

In front of the building lies a wooden deck furnished with benches made from the same laminated wood used in the mall’s architecture. The deck area is regularly decorated with traditional Japanese motifs that change with the seasons and local festivals.

In my photos, you can see paper lanterns, known as chōchin (提灯), which literally means “bucket light.” Traditionally, these lanterns were made by stretching paper over a split bamboo frame, allowing them to fold flat when not in use. Before electricity, they were carried at night to light the way. Today, chōchin are commonly seen outside Japanese-style pubs, at Shinto shrines during festivals, and as summer decorations at schools, shopping streets, and malls across Japan.

Also hanging from the display are colorful pinwheels, known as kazaguruma (風車), which were once handmade from origami paper. They evoke nostalgic memories of childhood where I remember running to make them spin in the breeze, which is an innocent joy still shared by children worldwide. When the summer wind sets them turning, we can both see and feel a brief sense of coolness and relief from the hot and humid air.

We can also see black and white masks of a fox, or kitsune-men (狐面). The kitsune fox holds an important place in Japanese mythology. It is said that kitsune served as a messenger and companion of Inari, the Shinto deity of agriculture, who blesses rice fields and ensures bountiful harvests. 

Before the rice harvest, summer festivals were traditionally held to welcome the mountain kami (deity), who would descend from the mountains to the paddies riding a horse guided by a fox. The origin of the kitsune stretches back thousands of years, with roots in Hindu, Chinese, and Japanese mythology. The earliest written reference to kitsune in Japan dates to the 11th century.

Today, the kitsune mask is a familiar sight not only at traditional summer festivals but also in urban celebrations and modern Japanese pop culture from pop art and manga to anime where it continues to captivate people, including many children overseas who recognize it instantly from some anime and manga.

I’m glad I had my camera with me on my way home from work on this particular evening. The soft glow of the summer lights at the Southwood summer display helped me momentarily forget the fatigue of a long day at the office, reminding me how small, beautiful moments can brighten even an ordinary commute.

  • Location: Tsuzuki Ward, Yokohama, Japan
  • Timestamp: 2025-08-26・21:11 & 21:12
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 3200 for 1/500 sec. at ƒ/2
  • Classic Chrome film simulation


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© 2011-2025 Pix4Japan. All rights reserved.
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2025-08-17

Peaceful Grazing

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Peaceful Grazing in the Japanese Highlands
日本の高原に広がる穏やかな放牧の風景


Located at the base of Mt. Aka (赤岳・Aka-dake), the tallest peak of the Yatsugatake Mountain Range in Yamanashi Prefecture, Whanau Stable is home to a number of horses, including retired racehorses. Visitors can take riding lessons or simply experience the joy of being around horses under the guidance of certified instructors.

The southern base of Mt. Aka forms a highland plateau, offering comfortable riding conditions throughout the long summer months. With its lush meadows, clean mountain water, and wide-open landscapes, the area has become a popular destination for several horseback riding clubs and stables.

I captured this photo of one of the Whanau Stable horses grazing peacefully while visiting a nearby bakery located at the eastern edge of the pasture. From there, you can enjoy panoramic views of the stable’s fields and the horses roaming freely under the summer sun.

Watching the horses graze beneath Mt. Aka made me appreciate the quiet charm of Yatsugatake’s highlands even more as a place where the scent of grass and cool mountain air helped me feel calm and grounded.

  • Location: Kiyosato, Yamanashi Pref., Japan
  • Timestamp: 2025/08/17・10:54
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 105 mm ISO 400 for 1/500 sec. at ƒ/5.6

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  • Location: Megane Bakery, Kiyosato, Yamanashi Pref., Japan
  • Timestamp: 2025/08/17・11:02
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 68 mm ISO 100 for 1/320 sec. at ƒ/5.6

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.