Canopy of Ancient Junipers

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Canopy of the Ancient Ones: Divine Junipers of Cape Osezaki・大瀬崎のビャクシン樹林：日本国の天然記念物

A trio of centuries-old juniper trees (Juniperus chinensis) called out to me with their weather-worn canopy of branches and  limbs stretching into the sea-spray-laden sky. Among the roughly 130 trees huddled together at the tip of Cape Ose in Shizuoka Prefecture, these three seemed to be the tallest I came across. Sitting so close to the ocean shore—just 2.5 meters above sea level—I am in awe of how these majestic conifers have survived over 1,500 years of typhoons and the occasional tsunami.

Cape Ose is a place where nature's resilience is written in the twisted trunks and gnarled branches that seem to reach out to the sea. The junipers, with their sprawling limbs and ancient presence, feel like guardians watching over the coastline. It's astonishing to think that these trees have quietly endured, bending with the wind but never breaking.

In 1932, the Japanese government recognized the unique significance of this forest, designating it a National Special Natural Monument. This protection has allowed the grove to remain untouched by development, preserving its natural beauty for generations to come. Walking among these grand sentinels, I couldn’t help but feel a profound sense of gratitude for the foresight of conservationists who understood the importance of safeguarding such a rare living legacy.

Before the governmental designation, these ancient trees were already considered sacred by the local villagers. Centuries ago, they built a Shinto shrine nearby (Ose Shrine) to honor the god of the sea, believed to be embodied by one of the largest and oldest trees in the forest, which is a testament to the reverence these trees inspire.

Standing beneath their sprawling branches, I found myself imagining all they had witnessed; how many storms they had braved; and how many generations had passed beneath their shadows. The junipers of Cape Ose are more than just trees; they are living chronicles of endurance and grace against the constant roar of the sea.

If you ever find yourself along the shores of Suruga Bay in Shizuoka, take the time to walk among these ancient ones. Listen closely. You might just hear their story, carried softly on the ocean breeze.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・11:29
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 58 mm ISO 100 for 1/160 sec. at ƒ/6.3

Google Maps links + list of references for a deeper dive:

• https://www.pix4japan.com/blog/20250319-junipers

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Divine Juniper

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• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・11:18
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 400 for 1/160 sec. at ƒ/6.3

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Revered Grove of Divine Junipers at Cape Osezaki
大瀬崎のビャクシン樹林：夫婦ビャクシンの発見

At the end of Cape Ose lies a revered grove of approximately 130 juniper trees, which is the northernmost natural old-growth juniper forest in Japan. This rare and small colony of naturally growing junipers is particularly unique in the Japanese archipelago.

Among these towering, centuries-old trees, some are estimated to be over 1,500 years old. Recognizing its significance, the Japanese government designated the forest a Natural Monument in 1932, naming it the Osezaki Juniper Forest. Since then, it has been protected not just as a biological rarity, but as a spiritual sanctuary.

The species, Juniperus chinensis—commonly known outside Japan as Chinese juniper—belongs to the cypress family (Cupressaceae). While found throughout Korea and central China, this conifer is native to Japan, thriving in coastal regions on the islands of Honshu, Shikoku, and Kyushu. Adapted to rocky shores and strong winds, these trees often develop dramatically twisted trunks and limbs, which add to their visual and spiritual allure.

One tree in particular caught my attention: a towering pair known as the Husband and Wife Juniper (夫婦ビャクシン・Meoto Byakushin). Two trunks, born from the same root, stretch upward in quiet union. Around them, a braided shimenawa straw rope wraps gently, marking them as sacred in the Shinto tradition. These conifers are divine trees (御神木・Goshinboku) believed to house the presence of spirits or deities.

Standing before these trees, I couldn’t help but feel a quiet reverence. Their age of over fifteen centuries renders them almost beyond my comprehension. They've witnessed the rise and fall of empires; survived the movement of earthquakes, tsunamis, and typhoons; and have been a focus of worship and prayers by generations of local villagers, local fishermen, and countless travelers.

Google Maps links + list of references for a deeper dive:

https://www.pix4japan.com/blog/20250319-juniper

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• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・11:18
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 400 for 1/250 sec. at ƒ/3.5

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• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・11:24
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 34 mm ISO 400 for 1/200 sec. at ƒ/4

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• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・11:29
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 63 mm ISO 400 for 1/200 sec. at ƒ/4.5

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Cape Ose

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Tranquil Coastline under a Brooding Sky

大瀬崎の穏やかな海岸線

A serene view of Cape Osezaki’s rocky shoreline, where deep green coastal forests meet the calm, turquoise waters of Suruga Bay. The overcast sky and distant hills add dramatic contrast, highlighting the natural beauty and quiet isolation of this rural Japanese peninsula in Shizuoka Prefecture.

In the left mid-ground lies the Osezaki Juniper Forest, an ancient grove of around 130 naturally growing juniper trees—some believed to be over 1,000 years old. This is one of the rarest and most ecologically unique forests of its kind in Japan.

On clear days, this vantage point offers a breathtaking view of Mt. Fuji rising above Suruga Bay. Remote coastal fishing villages, centuries-old trees, and the iconic snow-capped peak make for one of my favorite seascape scenarios. Alas, capturing a clear view of Mt. Fuji can be elusive, often requiring multiple visits and patience. It is this pursuit that is part of the magic—and a welcome escape from the relentless pace of my daily grind in the concrete jungle of Tokyo’s metropolis.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・10:54
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 63 mm ISO 100 for 1/125 sec. at ƒ/11

Google Maps links + list of references for a deeper dive:

• https://www.pix4japan.com/blog/20250319-osezaki

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Ose-jinja Torii

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Mossy Torii and Stone Guardians on Tranquil Cape Ose
松風が吹き抜ける中、佇む大瀬神社の鳥居と苔むす狛犬

A serene view of a traditional Shinto shrine entrance in Japan, framed by a weathered stone gate (鳥居・torii) and flanked by moss-covered lion-dog statues (狛犬・komainu). Stone lanterns (石灯籠・ishi-doro), a sacred straw rope (注連縄・shimenawa), and engraved kanji stone tablets emphasize the cultural and spiritual significance of this sacred site. Nestled among dense Japanese pine trees (松・matsu) and rugged stone pathways, the setting captures the peaceful atmosphere and enduring traditions of Japanese spirituality and architecture.

On the evergreen bush to the left, you can see paper fortunes (御神籤・omikuji) tied to its branches. These fortunes reveal one’s luck for the near future. If you draw a good fortune, it's customary to keep it and take it home. However, if the fortune is bad, you can leave it at the shrine by tying it to a designated rack or a sacred tree or bush (as seen in this photo). The belief is that shrine staff will later burn the bad fortunes, and the shrine’s deity will purify or exorcise the misfortune on your behalf.

Ose Shrine may not be well known outside the bounds of the local fishing village, but that is precisely what draws me to it. It embodies the essence of a truly local shrine—quietly cherished by generations of villagers. While I still appreciate the grandeur and historical significance of major shrines, there's something uniquely heartfelt and grounded in visiting a place created for and by the local community. The experience feels more intimate, and the connection to the spiritual presence more immediate.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・10:40
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 100 for 1/160 sec. at ƒ/3.5

Google Maps links + list of references for a deeper dive:

• https://www.pix4japan.com/blog/20250319-carving

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Ose Shrine

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Intricate Carvings and Enduring Traditions of Ose Shrine
精巧な彫刻が施された大瀬神社の本殿

According to traditional stories passed down through generations, the shrine was founded in 684. However, no surviving records confirm the exact year of its establishment.

Today, the shrine enshrines Hikitajikara-no-Mikoto (引手力命), a guardian deity of the sea. For centuries, fishermen navigating the formidable depths of Suruga Bay have worshipped here, holding annual festivals to pray for bountiful catches and safety at sea.

The upper woodwork beneath the eaves showcases exquisite craftsmanship. Among the carvings are two long-nosed, semi-divine figures known as yamabushi tengu (山仏師天狗), a warrior wielding swords and a folding fan, and delicately rendered trees—resembling pine or juniper—alongside a bird figure that, to my eye, may represent a phoenix.

The yamabushi tengu, often seen in carvings at both Shinto shrines and Buddhist temples, are long-nosed supernatural beings said to inhabit mountains. They typically have wings, enabling them to fly, and are believed to possess magical powers used for both benevolent and malevolent purposes.

Historically, tengu were regarded as demonic figures and enemies of Buddhism—an interpretation that echoes their origin in Chinese folklore, where they were considered inauspicious omens. One theory suggests tengu were believed to be reincarnated Buddhist priests who had succumbed to pride and arrogance.

Beginning in the Edo period (1603–1868), the image of the tengu began to soften. They transformed from fearsome bird-like monsters into more human-like beings with long noses. Over time, some communities came to revere tengu as protectors capable of preventing disasters such as forest fires, and as enforcers of humility, punishing those who displayed excessive pride.

These intricate carvings and enduring traditions are more than artistic expressions, they embody centuries of spiritual devotion and cultural storytelling that help explain the natural world. Whether you’re interested in mythology, Japanese history, or religious architecture, many Shinto shrine offer a captivating window into Japan’s spiritual and artistic legacy. 

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・10:31
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 800 for 1/160 sec. at ƒ/5.6

Google Maps links + list of references:

https://www.pix4japan.com/blog/20250319-carvings

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Shishi and Baku

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Mythical Protectors: Shishi and Baku Carvings of Ose Shrine

神話の守り神「獅子」と「獏」：大瀬神社の美しい木鼻彫刻

One of the things I love most about certain Shinto shrines is their raw, unadorned beauty. Instead of being hidden beneath layers of paint or lacquer, the natural grain of the wood is left exposed, allowing the craftsmanship to speak for itself. Ose Shrine (大瀬神社・Ose-jinja), tucked away in a remote fishing village, is a perfect example of this timeless aesthetic.

A few notes regarding this shot of the shrine, for those of us who have wondered about various shrine features:

Shimenawa (注連縄)

This is the straw rope hanging from a beam at the front of the shrine, marking a sacred or pure space. Shimenawa can also be seen tied to torii gates, wrapped around sacred trees, or placed near sacred rocks and other sites on shrine grounds.

Shishi (獅子)

This lion-like, left-facing creature sits under the eaves of the shrine roof. Shishi are common architectural decorations, often depicted with their mouths open, and are believed to ward off evil spirits.

Baku (獏)

One of the more fascinating decorative elements found at shrines and temples, the baku is originally based on the tapir. Over time, baku carvings evolved to resemble an elephant's face, nose, and tusks, combined with a tiger's paws. This design became widespread in Japan between the 17th and 19th centuries. In Japanese mythology, the baku is revered for devouring nightmares and offering protection against evil.

Along with dragons, images and sculptures of baku and shishi are frequently placed under the eaves of Buddhist temples and Shinto shrines as protective symbols and decorative elements.

Exploring the history of Ose Shrine proved more challenging than researching shrines located closer to major commercial or residential areas. From what I could discover, the shrine’s origins are rooted in legendary myths passed down through generations.

Local villagers recount that Cape Ose (大瀬崎・Osezaki) was once a small island formed by an upheaval of the seafloor during the 684 Hakuho earthquake. At the same time, a similar-sized landmass sank into the sea in what is now Kochi Prefecture, approximately 532 kilometers (330 miles) to the south.

Villagers believed that the gods removed the land from the south and made it reappear offshore. Over time, ocean currents from Suruga Bay carried rocks and sand, connecting the mainland to the small island and forming what is now Cape Ose.

Consequently, Ose Shrine was built to enshrine the guardian god of the sea: Hikitajikara-no-Mikoto (引手力命). For centuries, pilgrims — especially fishermen — have worshipped at this shrine, praying for bountiful catches and safety at sea.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・10:29
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 58 mm ISO 800 for 1/160 sec. at ƒ/5.6

Google Maps links + list of reference for a deeper dive: 

1. https://www.pix4japan.com/blog/20250319-carvings

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Wakishoji Partition

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The Warrior and the Waves: Symbolic Carvings of Ose Shrine
大瀬崎の大瀬神社：脇障子に刻まれた波、花、そして勇ましい武士

Many small Shinto shrines feature verandas that wrap around the left, front, and right sides of the worship hall. These verandas typically do not extend to the back, so a decorative partition—resembling an artfully adorned folding screen—is installed at the rear ends of the veranda.

This partition, known as a wakishōji (脇障子), serves a dual purpose: it prevents visitors from accidentally stepping off the veranda, where there are no stairs, and it subtly restricts access to the back of the main worship hall (haiden 拝殿), beyond which lies the honden (本殿)—the central structure housing the shrine's sacred object of worship.

Whether large or small, many shrines incorporate uniquely hand-carved wakishōji, often depicting scenes from myth, revered historical or religious figures, or local legends passed down among villagers. Each carving is a quiet but eloquent expression of regional identity and artistic tradition.

In the photo above, the panel features a warrior—likely a samurai—gripping a bow in his left hand. His right arm is drawn back, and a single arrow is slung over his shoulder, the feathered end poking up from behind. Behind him, stylized waves crash dramatically at his feet, while flowering trees bloom above, lending a vivid, almost theatrical atmosphere to the carving.

I couldn’t definitively identify the type of blossoms depicted in the panel. A friend of mine—a professional landscape designer who once lived in Japan—suggested they may be stylized chrysanthemums. Chrysanthemums frequently appear in Japanese art, symbolizing royalty and featuring prominently in family crests. Given the rich history of the Izu Peninsula and Shizuoka Prefecture, and the stylistic tendencies of the period, it’s possible the blossoms were intended to represent the shrine’s elevated status—with the warrior standing as its fierce protector.

I'd love to return to this site during a local festival and speak with a shrine priest or village elder to learn more about the origins of the carving and the shrine’s deeper history.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・10:27
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 105 mm ISO 400 for 1/100 sec. at ƒ/5.6

Google Maps link + sources:

• https://www.pix4japan.com/blog/20250319-carvings

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Emaden Hall

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Emaden Hall: Home to Sacred Offerings of Suruga Bay’s Fishermen
大瀬神社の絵馬殿：漁師たちの奉納品が残る場所

Tucked along the shoreline of Cape Ose, Emaden Hall holds a quiet archive of faith and gratitude, and is part of the tranquil Ose Shrine complex, where local fishermen have long offered photos, paintings, and other tributes to the shrine’s deity. These heartfelt offerings are not only prayers for a bountiful catch, but more importantly, for safety while navigating the unpredictable waters of Suruga Bay.

This peaceful spot is just a 9-minute walk along the shoreline from the Ose Paid Parking Lot, about 171 km (106 miles) southwest of Tokyo—a manageable and rewarding day trip or overnight getaway.

While Cape Ose is perhaps better known as a diving hotspot, with guesthouses and diving schools dotting the area, there’s much more to discover beyond the waves.

For me, the draw was the spiritual and natural beauty of the cape: exploring the shrine grounds, delving into its history, and walking through the nearby Osezaki Juniper Forest. This ancient grove, home to around 130 naturally growing juniper trees, includes specimens thought to be over 1,000 years old. It’s one of the rarest forests of its kind in Japan, with a sense of stillness that lingered with me long after leaving.

Whether you're a diver, a history buff, or simply someone looking to experience a quieter side of Japan, I think Cape Ose is a destination worth the detour.

Location: Numazu, Shizuoka, Japan

Timestamp: 2025/03/19・10:18

Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP

28 mm ISO 800 for 1/200 sec. at ƒ/4.5

Google Maps link + sources:

https://www.pix4japan.com/blog/20250319-emaden

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Peeking Inside Emaden Hall: A Glimpse of Ose Shrine’s Sacred Legacy

大瀬神社・絵馬殿：地元漁師たちの願いと祈りが宿る場所

Peeking inside Emaden Hall of Ose Shrine, I discovered many items classically associated with Shinto shrines throughout the Japanese archipelago.

Within the hall, various offerings made by local fishermen to the shrine’s deity reflect their hopes for bountiful catches and safe journeys at sea. These offerings include hand-carved model fishing boats, wooden votive plaques (ema) depicting fishing scenes, handwritten prayers, photographs, paintings of fishing vessels, and even items taken directly from the boats. When launching a new vessel, it was tradition for a fisherman to donate a model of his boat to the shrine as a prayer for protection while at sea.

Since ancient times, fishermen have dedicated these handcrafted models and drawings to the shrine. These artworks, vividly portraying the lives and aspirations of seafaring communities, have been recognized as one of the 100 Best Historical and Cultural Properties of Japanese Fishing Villages.

Other visitors to the shrine, other than local fishermen, would often bring senjafuda (千社札): paper name tags inscribed in sumi ink using traditional Japanese calligraphy. Pilgrims would paste these slips onto hidden surfaces within the hall using a rice-based adhesive. The belief was that by leaving behind your name, you would continue to receive the shrine’s blessings long after departing.

Mounted on the wall are two striking tengu masks—one black, representing the karasu tengu (烏天狗) with its crow-like beak, and one red, representing the yamabushi tengu (山仏師天狗) with a human face and long nose. Tengu are mythological, shapeshifting mountain spirits. Once feared as mischievous or malevolent beings, over time they evolved into guardians of sacred places and guides for spiritual seekers.

I’m grateful to the local Osezaki community for preserving these cultural treasures, and for allowing visitors like myself to experience the wonder and stories behind each relic.

Location: Numazu, Shizuoka, Japan

Timestamp: 2025/03/19・10:18

Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP

48 mm ISO 1600 for 1/100 sec. at ƒ/4.5

Google Maps link + sources:

https://www.pix4japan.com/blog/20250319-emaden

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Ita Village

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Ita’s Rapeseed Field: A Scenic Gem on the Izu Peninsula
早春の伊田村に広がる、自然と人の営みが織りなす美しい風景

The Ita rapeseed field is a charming local attraction designed to be enjoyed from the Sparkling Hill Lookout (Kirameki-no-Oka, 煌めきの丘), located along Prefectural Highway No. 17 in Shizuoka Prefecture, Japan. The lookout gets its poetic name from the way sunlight reflects off the tips of the waves in Suruga Bay, making the sea sparkle like diamonds at certain times of the day under the right conditions.

From the lookout point, a set of stairs leads down to the field (about a 10-minute walk), where you can explore more local treasures. Nearby, you'll find a well-preserved historical tomb and a museum displaying excavated artifacts from the area. Another highlight is the picturesque Myojin Pond, a naturally formed freshwater pond created over millennia by sandbar currents. Fed by a natural spring, the pond is home to carp, crucian carp, goldfish, and eels.

Between late January and mid-February, the bright yellow rapeseed blossoms bloom in a unique formation — spelling out the kanji characters for Ita (井田) against the backdrop of rich brown soil and green winter foliage. This striking contrast is best appreciated from above, where the vivid yellow field is framed by the deep blue waters of Suruga Bay, steep cliffs, and — on a clear day — a breathtaking view of Mt. Fuji to the north.

Since 1982, local villagers, many of whom operate guesthouses and small businesses, have been planting rapeseed flowers in fallow rice paddies after the harvest. Their goal: to create a seasonal attraction that draws visitors beyond the busy summer beachgoers season.

Despite challenges of an aging and dwindling population, seven dedicated locals continue this labor of love, maintaining a display that spans approximately 30,000 square meters (322,917 sq. ft.).

A member of the Ita Promotion Committee, quoted in a local newspaper, shared his story: born in Ita, he moved away for college and work, only to return later in life after his children were grown. Now, he works to preserve the natural beauty of the village — the same landscape and seascape his ancestors cherished — so future generations can enjoy the view he knew as a child.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・09:00 and 09:01
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 105 mm ISO 400 for 1/400 sec. at ƒ/9
• 28 mm ISO 100 for 1/250 sec. at ƒ/8

References:

1. Google Maps: Ita Flower Character Field・井田の花文字
2. Google Maps:: Sparkling Hill・煌めきの丘 (Kirameki-no-Oka)
3. Google Maps: Myoji Pond・明神池
4. Numazu Economic Newspaper: Ita Rape Blossoms Bloom (Japanese)
5. Heda Tourism Association: Deep Heda (Japanese)
6. AVA Travel: Myojin Pond (English)

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Cape Mihama

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Cape Mihama — A Hidden Coastal Gem of the Izu Peninsula

御浜岬：駿河湾沿いの戸田の村と漁港を守る入江

Cape Mihama, located on the western coast of the Izu Peninsula facing Suruga Bay, lies in Shizuoka Prefecture, approximately 150 kilometers (93 miles) southwest of Tokyo.

The small beach within the cove draws young families to its tropical waters each summer, while occasional festivals hosted by the Shinto shrine nestled at the tip of the cape maintain the cultural richness of the local fishing village. The lush forest surrounding the shrine helps protect the cape from erosion and shields the fishing port from strong winds and waves.

Suruga Bay, Japan’s deepest bay at 2,500 meters (8,202 feet), is home to over 1,000 species of fish and shellfish. Fishermen from nearby harbors come here to catch sardines, horse mackerel, mackerel, Japanese butterfish, bluefish, and flounder. Heda Port, located within the cove formed by Cape Mihama, is also home to a handful of fishing families who have harvested freshwater prawn and spider crab for generations to supply local restaurants and resort hotels.

In the shallow turquoise waters of the cove, small fish can be seen from the surface — especially by the young and old who snorkel here during summer break. While Mt. Fuji often hides behind haze and humidity in summer, on clear days, it’s possible to snorkel while enjoying a stunning view of the iconic peak rising beyond the mouth of the cove across the bay.

The emerald blue sea with a vermilion torii gate and the possibility of capturing Mt. Fuji in the distance were what first drew me to this location. Although storm clouds blocked my view of the mountain this time, the rugged coastline, the quaint fishing village, the hidden shrine within the forest, and the thrill of crashing waves earlier in the morning more than satisfied my desire to photograph dramatic seascapes and to simply enjoy the moment with my border collie.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・08:24
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 88 mm ISO 100 for 1/160 sec. at ƒ/6.3

References:

1. Google Maps: Cape Deai・出逢い岬
2. Google Maps: Mihama Beach・御浜海水浴場
3. Google Maps: Moroguchi Shrine・諸口神社
4. Numazu City: Mihama Beach (Japanese)
5. Wikipedia: Cape Mihama (Japanese)
6. Ministry of Land, Infrastructure, Transport and Tourism: Numazu Port (English)
7. Izu Peninsula Geopark: Cape Mihama (English)
8. Explore Shizuoka: Numazu (English)
9. Toppan: Heda, Numazu (English)
10. Johannes Schonherr (Japan Experience): Numazu, Shizuoka Prefecture (English)

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Cape Deai

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Sunlight Breaking Through Storm Clouds
出逢い岬の陽だまり

On my way back to the car, the sun briefly broke through the storm clouds, casting a warm, golden light across a patch of woodland on the southern slope of Cape Deai.

This headland rises steeply above the restless waters of Suruga Bay, along the rugged western coastline of the Izu Peninsula—about 150 kilometers southwest of Tokyo, Japan.

I managed to capture just one frame before the moment slipped away. As I repositioned myself on the seawall to try for a better angle, the clouds quickly returned, plunging the forested hillside back into shadow.

I hope to revisit Cape Mihama in the summer, when the vegetation is more vibrant, and if I am lucky, when the skies are clear. If the timing is right, I might even catch a glimpse of Mt. Fuji rising on the far side of the bay — something I’d love to capture in a future frame.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・7:53
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 80 mm ISO 400 for 1/1000 sec. at ƒ/9

References:

1. Google Maps: Cape Mihama・御浜岬
2. Google Maps: Cape Deai・出逢い岬
3. Wikipedia: Cape Mihama (Japanese)
4. Ministry of Land, Infrastructure, Transport and Tourism: Numazu Port (English)
5. Izu Peninsula Geopark: Cape Mihama (English)
6. Explore Shizuoka: Numazu (English)

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Suruga Bay

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Cape Mihama, Built by the Currents of Suruga Bay — Along the Shores of Nishi-Izu
駿河湾の流れが築いた御浜崎 — 西伊豆の岸辺で

Heading back to the parking lot, I took a short detour and climbed down off the seawall to get closer to the waves crashing against the hazardous shoreline of boulders that have smoothed over time by the relentless weathering of waves rolling in from the deep, formidable waters of Suruga Bay, the deepest bay in Japan at 2,500 meters (8,202 ft).

I managed to capture three shots I liked, though none felt particularly extraordinary. I had fully expected to get drenched by ocean spray, which is exactly what happened. I was a bit worried about whether my trusty old DSLR could handle it, but after a thorough wipe down and some careful cleaning, it seems to have emerged unfazed.

While I’m in no position to fully understand the life of a fisherman, I can’t help but imagine the courage it must take to head out from nearby Heda Port into these rough, bountiful waters. Over the past 40 years of visiting various shores along Suruga Bay, I’ve yet to see a day when the sea has been calm and relaxing. It makes me think that this bay is always in motion, always challenging.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・7:40
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 53 mm ISO 400 for 1/800 sec. at ƒ/4.5

References:

1. Google Maps: Cape Mihama・御浜岬
2. Wikipedia: Cape Mihama (Japanese)
3. Ministry of Land, Infrastructure, Transport and Tourism: Numazu Port (English)
4. Izu Peninsula Geopark: Cape Mihama (English)
5. Explore Shizuoka: Numazu (English)

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Moroguchi Shrine

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Moroguchi Shrine: Home to Moroki-hime—Guardian of the Sea
諸口神社の「もろき姫」—海の安全と豊漁を祈る場所

Moroguchi-jinja (諸口神社) is an ancient Shinto shrine nestled deep among majestic Japanese matsu (pine) trees, just a short walk from the torii gate that overlooks Heda Port in the small fishing town of Numazu, located in Shizuoka Prefecture—about 150 km (93 mi) southwest of Tokyo.

The first photo features the roofed purification fountain, where visitors cleanse their hands and rinse their mouths in a ritual called temizuya before approaching the main shrine. Located at the tip of Mihama Cape facing Heda Port, Moroguchi-jinja is dedicated to the guardian deity of sailors and fishermen.

Although the shrine’s exact origins have been lost to history, it is believed to date back to Japan’s medieval period. The shrine likely takes its name from the deity Moroki-hime (もろき姫), who is enshrined here. Supporting this theory, historical records compiled in 927 reference even older texts from the Middle Ages that mention a shrine in the Izu Province dedicated to Moroki-hime.

In 1879, the Meiji Government officially recognized Moroguchi-jinja as a village shrine during a nationwide effort to catalog and designate Shinto shrines.

The current structure was rebuilt in 1953. Most recently, on April 4th, local ship owners, members of the fishing cooperative, and their families gathered here for a small festival to pray for safe voyages and bountiful harvests at sea.

The scent of pine needles, damp earth, and salty sea breeze filled the shrine grounds, carried on strong coastal winds that rustled through the trees. Just beyond the surrounding woodlands, the rhythmic crash of waves along the nearby shoreline echoed softly through the stillness.

For the local sailors and their families, I imagine this shrine holds a far deeper meaning than it does for a visitor like myself. The sea is not only their livelihood—it is also a source of uncertainty and danger. Here, beneath the ancient pines and the care of Moroki-hime, they come to seek protection, give thanks, and show reverence to the forces of the sea.

• Timestamp: 2025/03/19・6:29
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 73 mm ISO 100 for 2.5 sec. at ƒ/11

• Timestamp: 2025/03/19・6:39
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 100 for 2.0 sec. at ƒ/9

References:

1. Google Maps: Cape Mihama・御浜岬
2. Numazu City: Moroguchi Shrine (Japanese)
3. Wikipedia: Moroguchi Shrine (Japanese)
4. Shizuoka Newspaper & Broadcasting: Moroguchi Shrine Festival (Japanese)

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Cape Mihama Torii

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A Quiet Moment at Cape Mihama: Torii by the Sea
神域への朱き門：諸口神社の鳥居

Tucked away on the edge of Cape Mihama, just where the trees meet the sea, stands a vivid vermilion torii gate that immediately catches your eye. It's perched at the very edge of a narrow sandy beach, gazing out over the calm, turquoise waters of Heda Port. There's something serene yet powerful about its presence—like it is standing guard over both land and sea.

This gate marks the entrance to Moroguchi Shrine, which lies hidden deeper in the quiet forest just beyond. Like most torii, it serves as a symbolic threshold—crossing it means leaving behind the everyday world and stepping into a sacred space.

What I find especially interesting is the specific design of this torii. It’s known as a myōjin torii (明神鳥居), a style that’s been around since the 9th century. You can recognize it by the way the top lintels curve gracefully upward at the ends—it gives the whole structure a kind of buoyant elegance. Unlike the simpler shinmei torii (神明鳥居) style, this one also has a secondary lintel beneath the main one, and a central support strut hidden behind a framed plaque that bears the shrine’s name.

Traditionally, these gates were made of wood, but nowadays it’s common to see concrete versions like this one, built to last longer, especially in coastal environments where the elements can be tough. The vibrant vermilion paint isn’t just for show either—it’s believed to ward off evil spirits. On a more practical level, it’s made from cinnabar (mercuric sulfide), which has natural preservative qualities that protect the gate from insects and decay. A perfect blend of spirituality and science.

Standing here, with the sea breeze on my face and the sound of the water lapping gently at the shore, it felt like time slowed down. There’s something really special about this quiet meeting point between land, water, and spirit.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・6:27
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 2500 for 1/250 sec. at ƒ/5.0

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・6:34
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 1600 for 1/500 sec. at ƒ/6.3

References:

1. Google Maps: Cape Mihama・御浜岬
2. Google Maps: Moroguchi Shrine・諸口神社
3. Google Maps: Torii to Moroguchi Shrine・諸口神社の鳥居
4. JAANUS: Myoujin Torii・明神鳥居 (English)
5. Japan National Tourism Organization: Types of Torii
6. JAANUS: Vermilion・朱 (English)
7. JAANUS: Shinmei Torii・神明鳥居  (English)

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Waning Gibbous

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Cape Mihama at Dawn: A Windy Morning Under a Fading Moon
下弦の月に照らされる御浜岬と駿河湾の夜明け

Looking southwest across Suruga Bay at dawn, I caught a fleeting glimpse of a waning gibbous moon rising over the wind-strewn, choppy waves off the western coast of the Izu Peninsula, approximately 150 km (93 mi) southwest of Tokyo. The sky was painted in delicate hues, and the moon, though faint, added a quiet, lunar presence to the restless seascape.

Capturing this image was no easy feat. The dim pre-dawn light demanded a slower shutter speed, yet the relentless wind—howling through the early morning silence—battered me and my tripod. Each adjustment required patience, as I fought against nature’s elements to steady the shot.

Despite the challenge, I found raw beauty in the moment—a reminder of how nature rarely waits for perfect conditions. Still, I can’t help but hope of returning here on a calmer morning, watching the moon sink closer to the horizon, undisturbed by the wind, and capturing the tranquility I could only imagine on this particular morning.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・6:18
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 40 mm ISO 320 for 1/250 sec. at ƒ/8

References:

1. Google Maps: Cape Mihama・御浜岬
2. Wikipedia: Cape Mihama (Japanese)
3. NASA: Moon Phases (English)

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Heda Lighthouse

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Border Collie & Heda Lighthouse
ボーダーコリーと戸田灯台

We arrived at Heda Lighthouse on the western coast of the Izu Peninsula, facing the deep, dark waters of Suruga Bay. Just a three-hour drive southwest of Tokyo (approximately 145 km/90 mi via expressways), we pulled into the nearby parking lot at 5:30 a.m., greeted by the crisp morning air and the distant sound of waves crashing against the shore.

The lighthouse, originally built in 1952 and renovated in 1984, received an upgrade in 2012, increasing its luminosity to reach as far as 12.5 nautical miles. Standing against the coastal winds, it continues to guide vessels navigating these waters.

Capturing a shot in these conditions was no easy task. The early morning darkness, combined with fierce gusts, threatened to topple my tripod and camera off the seawall. Despite the challenge, I managed to frame two special moments—one showcasing the lighthouse standing resilient against the wind, and another of my dog sitting patiently at its base, seemingly unfazed by the elements.

On a clear day, Mt. Fuji rises majestically behind the lighthouse, creating a breathtaking backdrop. Though luck wasn’t on my side this time, I hope to return again—perhaps at sunrise—when the first golden light kisses the iconic peak of Japan’s most famous landmark.

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・6:13
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 28 mm ISO 1250 for 1/250 sec. at ƒ/10

• Location: Numazu, Shizuoka, Japan
• Timestamp: 2025/03/19・6:11
• Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
• 105 mm ISO 800 for 1/250 sec. at ƒ/5.6

References:

1. Google Maps: Heda Lighthouse・戸田灯台
2. Takashi Hoshi: Heda Lighthouse (Japanese)
3. Lighthouse Japan: Heda Lighthouse (Japanese)
4. Japan Coast Guard: Shimizu Coastal Lighthouses (Japanese)

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Ryuge-ji Temple

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The Green Patina of Time: Ryūge-ji Temple’s Roof・龍華寺の銅板葺屋根：時が刻む緑青の美

The main hall at Ryūge-ji Temple in Kanazawa Ward, Yokohama, Japan, is a historic site founded in 1189 in the Mutsuura mountains. After the original structure burned in 1499, it merged with two neighboring temples, forming the present-day complex. This tranquil Buddhist sanctuary has endured for over 830 years, blending spiritual heritage with the surrounding urban landscape.

One of the most striking features is the kawara-yane (瓦屋根), a traditional curved roof made of fired clay tiles. Introduced to Japan from Korea in the 6th century alongside Buddhism, this roofing style was originally reserved for temples and government buildings. By the 14th century, it had expanded to include shrines, imperial palaces, and feudal castles.

During the Edo Period (1603–1868), kawara-yane became even more widespread, especially in Edo (modern-day Tokyo). Its fire resistance made it a preferred choice over thatch or cypress bark, which were highly flammable and required replacement every 20–30 years, while clay tiles lasted around 75 years.

Ryūge-ji Temple’s roof, however, has been refurbished with copper sheeting (銅板葺, dōbanbuki), which maintains the original curved shape of tiled roofing. Over time, the copper developed a greenish patina due to oxidation and weathering. Given the light green color of Ryūge-ji’s roof, I estimate that the current copper sheeting was installed at least 25 years ago.

Though Ryūge-ji Temple is not a well-known landmark, its history and quiet beauty left a lasting impression on me. Nestled in a local neighborhood, it stands as a reminder that Japan’s cultural heritage isn’t confined to famous sites—it’s woven into everyday places, waiting to be noticed.

Stumbling upon this centuries-old temple during a business trip felt like uncovering a hidden treasure. The aged copper roof, the sculpted trees, the tall stone lanterns—each detail told a story of endurance and tradition. In a fast-paced world, moments like these remind me to pause, observe, and appreciate the quiet legacies that surround us.

• Location: Kanazawa Ward, Yokohama, Japan
• Timestamp: 2025/01/09 17:26
• Fujifilm X100V with 5% diffusion filter
• ISO 320 for 1/400 sec. at ƒ/2.5
• Classic Negative film simulation

References:

1. Google Maps: Ryugeji Temple・龍華寺
2. Ryugeji Temple Website (Japanese)
3. JAANUS: Roofing Tiles (English)
4. JAANUS: Tile Roofs (English)
5. Sotozen: Hondo Main Hall (English)
6. Nippon Kichi: Kawara Roofing Tile (English)
7. Shahar Lilia: Kawara (English)
8. Chibasei Corporation: Copper Roof (English)
9. Impact Roofing:  Copper Roof Patina Over Time (English)

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