2025-07-30

Kirigamine Fujimidai

If this scene speaks to you, prints and downloads are available:

Panoramic Views from Kirigamine Fujimidai Observatory Point
霧ヶ峰 富士見台 展望台から望む大パノラマ


Located at an elevation of 1,717 meters (5,633 ft), the Kirigamine Fujimidai roadside observatory offers sweeping views of the Kirigamine Plateau to the southwest. Just behind me stood the peak of Kirigamine itself, rising modestly to 1,924 meters (6,312 ft).

Although not a particularly tall mountain, the name of Kirigamine literally translates to “fog” (霧) “peak/ridge” (峰), which is likely due to the frequent fog that blankets the plateau. When the fog lifts, however, the scenery transforms into something almost dreamlike, with rolling grasslands, dwarf bamboo, and in mid-summer, vast fields of blooming day lilies. The area is also celebrated as the birthplace of hang gliding in Japan, adding to its growing attraction among youthful visitors.

This plateau is regarded as one of the most beautiful vantage points along the scenic Venus Line, a winding mountain road that links together a series of highland landscapes (see my previous posts).

When I visited in late July, I had just missed the peak season of the day lilies, which normally cover the grasslands in a carpet of vivid yellow. I’ll have to plan more carefully next time, as the timing of blossoms, rainy seasons, and even the length of summer itself has shifted dramatically compared to my earlier visits in the 1980s, 1990s, and early 2000s.

Location: Kirigamine Fujimidai Tenbō-Dai, Nagano, Japan
Timestamp: 2025-07-30・10:33
Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
58 mm ISO 100 for 1/125 sec. at ƒ/11


If this scene speaks to you, prints and downloads are available:

Location: Kirigamine Fujimidai Tenbō-Dai, Nagano, Japan
Timestamp: 2025-07-30・10:34
Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
28 mm ISO 100 for 1/125 sec. at ƒ/11

Links to sources and Google Maps:

If this scene speaks to you, prints and downloads are available:

Sunlit Woodland in Tateshina・立科の木漏れ日の森


Sunlit forest floor with lush summer greenery, featuring coniferous and deciduous trees in roadside woodland of Tateshina, Nagano Prefecture, Japan.

  • Location: Tateshina, Nagano, Japan
  • Timestamp: 2025-07-30・11:00
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 58 mm ISO 400 for 1/250 sec. at ƒ/11

References:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Mt. Mitsumine

If this scene speaks to you, prints and downloads are available:

Chasing Light on the Slopes of Mt. Mitsumine・丘に溶け込む一本の木・三峰山での風景


Located at an elevation of 1,773 meters (5,816 ft), the slopes of Mt. Mitsumine (三峰山; Mitsumine-yama) rise as one of the taller peaks on the plateau of the Kirigamine Highlands (霧ヶ峰高原; Kirigamine-kōgen), about 210 km (130 mi) northwest of Tokyo. From Yokohama, it took me only three hours by expressway, thanks to leaving home at around 4:00 a.m., thus avoiding the morning rush hour.

Mt. Mitsumine is an extinct volcano formed during the Late Pliocene to early Pleistocene, roughly 1.5 to 0.75 million years ago. Unlike Mt. Fuji, it is not especially tall, which allows for the growth of lush vegetation. Still, tall trees struggle here, as the volcanic soil of these highlands makes it difficult for them to thrive.

This particular shot was a challenge. With the late-morning sun directly overhead, it was almost impossible to create separation between the small tree in the mid-ground and the rolling hills beyond. 

I couldn’t help but wonder: had I arrived at golden hour, would the low morning light from the right have cast shadows across the left side of the tree, adding the depth and contrast I was looking for? 

One day, I’d like to come back when the light shifts or the seasons turn to see if I can make this tree stand out from its camouflage in the hills.

  • Location: Mt. Mitsumine, Nagano, Japan
  • Timestamp: 2025-07-30・08:14
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 58 mm ISO 100 for 1/250 sec. at ƒ/5.6

Links to sources and Google Maps:


If this scene speaks to you, prints and downloads are available:

Dale-chan’s Break Among Bamboo Leaves

デールちゃん、涼しい高原でひと休み


Dale-chan, my loyal border collie, turned 12 this year. These days, even though she needs a little more time when we take on mountain trails, her spirit is as strong as ever.

The hike to the peak of Mt. Mitsumine was fortunately a gentle slope, and the cool summer air made it easier for her to stride ahead and show me the way.

Every so often she pauses to rest, and I’m always grateful for those quiet breaks together on the trail.

  • Location: Mt. Mitsumine, Nagano, Japan
  • Timestamp: 2025-07-30・08:16
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 95 mm ISO 100 for 1/250 sec. at ƒ/5.6

If this scene speaks to you, prints and downloads are available:

From Mt. Mitsumine to the Utsukushigahara Highlands

三峰山から広がる、美しが原高原の眺め


From the peak of Mt. Mitsumine (三峰山; Mitsumine-yama), looking north, you can spot the highest point of the Utsukushigahara Highlands (美しが丘高原; Utsukushigahara-Kogen). At 2,034 meters (6,673 ft), its summit is crowned with numerous antennas that serve as relay towers for digital TV broadcasting, radio stations, and cellular networks across the region.

I previously visited the Utsukushigahara Highlands in August 2022, where I shared both photos and video from that trip. Standing here on Mt. Mitsumine and seeing those familiar peaks from a new perspective is a reminder of how interconnected these mountains are and how each visit reveals something different, depending on where you’re standing.

  • Location: Mt. Mitsumine, Nagano, Japan
  • Timestamp: 2025-07-30・08:17
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 105 mm ISO 100 for 1/250 sec. at ƒ/5.6

If this scene speaks to you, prints and downloads are available:

Where Green Slopes Meet White Birch・三峰山の緑の斜面と白樺との出会い


Climbing down from the peak of Mt. Mitsumine, my eye caught a small grove of Japanese white birch (Betula platyphylla) clustered in a gully along the slope. Their pale trunks slightly stood out against the vivid green hillside, and I imagined how striking this view must become in autumn, when golden leaves contrast even more sharply with the surrounding greenery.

Japanese white birch (白樺; shirakaba) thrive across the Kirigamine Highlands of Nagano, flourishing at elevations around 1,500 meters. For some older Japanese, these trees evoke memories of highland recreation. After World War II, as outdoor leisure gained popularity, birch-lined resorts became symbols of sophistication and escape for urban dwellers. Nowadays, some birch forests promote themselves as ideal date spots, or a forest bathing destination.

Today, the highlands remain just as inviting, though far more accessible. Well-maintained roads, free parking, and modern attractions including museums, cafés, restaurants, hotels, and ski slopes make it easy for anyone to experience both the natural beauty of these highland landscapes.

  • Location: Mt. Mitsumine, Nagano, Japan
  • Timestamp: 2025-07-30・08:25
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 68 mm ISO 200 for 1/400 sec. at ƒ/4.5

References:

If this scene speaks to you, prints and downloads are available:

Layers of Green: Mt. Mitsumine and Highlands of Nagano
長野県三峰山と霧ヶ峰高原の変わりゆく風景


In the foreground, the slopes of Mt. Mitsumine are blanketed with dwarf bamboo (Sasa kurilensis). Native to Japan, these hardy plants thrive in the cool-temperate forests of alpine elevations, particularly where winter fronts sweep in from the Sea of Japan, which is only about 98 km (61 miles) away due northwest.

However, in the context of the Kirigamine Highlands, which includes Mt. Mitsumine, dwarf bamboo tells a different story. After World War II, when grazing pastures for dairy cattle were abandoned, bamboo spread unchecked across the highlands, crowding out native grasses and wildflowers. Today, volunteers regularly cut back the bamboo to slow its expansion and encourage the recovery of native species.

In the background, the densely wooded slopes are dominated by sugi (Japanese cedar). Once prized as a key building material during Japan’s postwar reconstruction, sugi plantations now pose a different challenge. With cheaper lumber imported from overseas, many cedar forests are no longer economically viable. Left unmanaged, these monocultures limit biodiversity and make it harder for native plants, trees, birds, and wildlife to thrive in what would otherwise be a richly varied ecosystem.

Yet despite these environmental struggles, I still find this landscape deeply beautiful. The vivid greens of summer, the rolling contours of the slopes, and the stillness of the highlands offer me a kind of spiritual and physical relief from the relentless pace of urban life in Yokohama.

  • Location: Mt. Mitsumine, Nagano, Japan
  • Timestamp: 2025-07-30・08:30
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 68 mm ISO 200 for 1/400 sec. at ƒ/4.5

Links to sources and Google Maps:


Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Kirigamine Highlands

If this scene speaks to you, prints and downloads are available:

Summer Escape to the Kirigamine Highlands・夏の霧ヶ峰高原で涼を求めて


Located at an elevation of 1,550 meters (5,085 ft), the Odoriba Marsh (踊場湿原), which is known locally as Ike-no-Kurumi (池のくるみ), is one of three large marshes on the plateau of the Kirigamine Highlands, about 210 km (130 mi) northwest of Tokyo. From Yokohama, it took just three hours by expressway, thanks to a 4:00 a.m. departure that avoided the worst of the traffic.

The Odoriba Marsh consists of a bog with a peat deposit more than 2.5 meters (8 ft) deep, built up over the course of some 3,000 years. Because of this fragile landscape, it is essential that visitors stay on marked trails. Venturing off-trail can not only damage the ecosystem but also put hikers in potentially dangerous situations.

The marshes of Kirigamine are home to rare sub-alpine plants, including hygrophytes and three species of protected flowers. Until the 1950s, the surrounding grasslands were used for hay fields, leaving the habitat vulnerable to chemical fertilizers and mechanized farming. Fortunately, the highlands were designated as a quasi-national park in 1964, and the three marshes were later recognized as natural monuments.

Today, the plateau is a popular tourist destination with accessible hiking trails and sweeping views. On a clear day, visitors can see not only the rolling grasslands and moors but also Mt. Fuji and the surrounding Japanese Alps.

Since 2008, conservation concerns have grown due to woodland expansion and deer feeding on rare flowers. In response, the local community has stepped up efforts to protect the marshes. Fences now line certain trails to prevent accidental trampling of fragile plants, and deer tracking with transmitters helps determine where tall, discreetly placed fences can be installed to protect the ecosystem from deer and preserve natural views for visitors.

For me and my border collie, though, the appeal of the Kirigamine Highland was much simpler: escaping the sweltering heat and humidity of Yokohama. After weeks of slogging through sticky commutes, the cool breezes and lower humidity of the highlands felt like a refreshing breath of summer freedom!
  • Location: Kirigamine Highland, Nagano, Japan
  • Timestamp: 2025-07-30・07:04
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 45 mm ISO 100 for 1/400 sec. at ƒ/9
Links to sources and Google Maps:

If this scene speaks to you, prints and downloads are available:

  • Location: Kirigamine Highland, Nagano, Japan
  • Timestamp: 2025-07-30・07:03
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 53 mm ISO 100 for 1/250 sec. at ƒ/5


Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



2025-07-16

Takanawa Gateway Station Part 2

If this scene speaks to you, prints and downloads are available:

Timestamp: 2025/07/16・17:34
Fujifilm X100V with 5% diffusion filter
ISO 1000 for 1/250 sec. at ƒ/2
Velvia/Vivid film simulation

100 Colors at Takanawa Gateway
エマニュエル・ムホーが描く「100色の道」


Just outside Takanawa Gateway Station in Tokyo’s Minato Ward, French-born, Tokyo-based artist and architect Emmanuelle Moureaux’s 「100 Colors No. 53」 bursts into view the moment you step out of the South Exit.

This installation features vertical slats painted in 100 distinct hues, each engraved with a year from 2025 to 2125 covering 100 years of 100 hues of the rainbow.

Moureaux’s choice of layered slats echoes a point she made in a Japan Times interview earlier this year, where she explained how Tokyo’s urban landscape inspires her work:

“Moureaux uses the term ‘layers’ to describe the way Tokyo is built, where various different elements are layered one on top of the other in any given space. She says she draws inspiration from this abundance of colors and layers.”
--Ran Kawai, Japan Times, January 31, 2025

Before visiting Takanawa Gateway Station and exploring the emerging Takanawa Gateway City development, I knew nothing about this artwork nor the artist herself. So it was a pleasant surprise to come upon this installment, and learning about Moureaux.

I often travel to cities from Aichi Prefecture to Nagano Prefecture, but almost always for work, either accompanying a client or photographing a property for real estate listings. 

This time was different, as I left the pro gear, suit, and tie at home and set out with no agenda other than to explore. Wandering familiar streets with a fresh perspective is always rewarding.

Inevitably, I stumble upon something new: a tiny Shinto shrine, a Buddhist temple tucked between two high-rise condos, a new public artwork, or perhaps a cozy coffee shop run by a couple in their 80s.


Sources for a deeper dive:
If this scene speaks to you, prints and downloads are available:
Timestamp: 2025/07/16・17:45
Fujifilm X100V with 5% diffusion filter
ISO 250 for 1/250 sec. at ƒ/2
Velvia/Vivid film simulation

If this scene speaks to you, prints and downloads are available:
Timestamp: 2025/07/16・17:47
Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/40 sec. at ƒ/8
Velvia/Vivid film simulation

If this scene speaks to you, prints and downloads are available:
Timestamp: 2025/07/16・17:47
Fujifilm X100V with 5% diffusion filter
ISO 3200 for 1/60 sec. at ƒ/8
Velvia/Vivid film simulation

If this scene speaks to you, prints and downloads are available:
Timestamp: 2025/07/16・18:38
Fujifilm X100V with 5% diffusion filter
ISO 250 for 1/250 sec. at ƒ/2
Velvia/Vivid film simulation



Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Takanawa Gateway Station - Part 1

If this scene speaks to you, prints and downloads are available:
  • “100 Colors No. 53” art installation just outside the South Exit of Takanawa Gateway Station in Tokyo, Japan
    • Timestamp: 2025/07/16・17:33
    • Fujifilm X100V with 5% diffusion filter
    • ISO 3200 for 1/210 sec. at ƒ/9
    • Velvia/Vivid film simulation

A Century in 100 Colors: Emmanuelle Moureaux’s Takanawa Gateway Installation
エマニュエル・ムホーによる高輪ゲートウェイのアート作品「100色の道」で描く100年の時の流れ


The French artist and architect Emmanuelle Moureaux created this vibrant rainbow installation, 100 Colors No. 53, just outside the North Exit of Takanawa Gateway Station on Tokyo’s Yamanote and Keihin-Tohoku Lines, which is just one stop north of Shinagawa Station.

Moureaux, who has lived in Tokyo since 1996, based the 100 Colors Series on a concept called shikiri (色切), which means "dividing and creating space through colors." This piece, displayed in Gateway Park, is the 53rd work in the series. Previous installations have appeared in locations worldwide, including São Paulo (Brazil, 2021), Downtown Dubai (UAE, 2018), Brussels (Belgium, 2017), and Carnegie Mellon University in Pittsburgh (US, 2015), as well as sites across Japan.

True to its name, each piece in the series incorporates 100  colors. For No. 53, each vertical slat is engraved with a year from 2025 to 2125, symbolizing “the passage of time in 100 colors.”

This area was once home to the Tamachi Depot. Old satellite images from November 2014 show the depot in its final days before the massive Takanawa Gateway City redevelopment began. The project is transforming the rail yard into a modern urban district with a new train station, four high-rise towers, office and retail space, luxury residences, schools, and entertainment facilities.

When I visited, my plan was simply to check out the new station, explore the high-rises, and maybe capture a few street shots. I hadn’t expected to find this striking artwork at the base of two gleaming steel-and-glass towers, so stumbling upon it was a welcome surprise.

There’s something refreshing about visiting Tokyo as a tourist with my small, lightweight camera, rather than as a my normal salaryman carrying a briefcase and wearing a necktie. It changes the pace, the perspective, and the way I see the city.

Links to Google Maps and sources for a deeper dive:

If this scene speaks to you, prints and downloads are available:
  • Lone salaryman passing by the “100 Colors No. 53” art installation at Takanawa Gateway Station in Tokyo, Japan
    • Timestamp: 2025/07/16・17:54
    • Fujifilm X100V with 5% diffusion filter
    • ISO 160 for 1/150 sec. at ƒ/2.8
    • Velvia/Vivid film simulation

If this scene speaks to you, prints and downloads are available:
  • Local office worker enjoying the splash pad at Takanawa Gateway Station in Tokyo, Japan
    • Timestamp: 2025/07/16・18:37
    • Fujifilm X100V with 5% diffusion filter
    • ISO 400 for 1/250 sec. at ƒ/2
    • Velvia/Vivid film simulation

If this scene speaks to you, prints and downloads are available:
  • Student walking past the splash pad at Takanawa Gateway Station in Tokyo, Japan
    • Timestamp: 2025/07/16・18:38
    • Fujifilm X100V with 5% diffusion filter
    • ISO 320 for 1/250 sec. at ƒ/2
    • Velvia/Vivid film simulation




Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Skies Above Takanawa Gateway

If this scene speaks to you, prints and downloads are available:

If this scene speaks to you, prints and downloads are available:


When Airplanes Meet Architecture: Watching the Skies Above Takanawa Gateway
羽田空港に向かう飛行機とリンクピラー・ワン北棟の新しい都市景観


After taking in the vivid “100 Colors” artwork outside the recently opened Takanawa Gateway Station, the steady hum of airliners overhead quickly caught my attention.

I’m not an aviation enthusiast by any stretch, but I’m always drawn to aircraft in the sky above my neighborhood when out walking the dog, whether it be a U.S. Navy jet from NAF Atsugi, an army helicopter from Camp Zama, a commercial flight to and from Haneda Airport, or even the Fujifilm blimp that once drifted along the Shonan coastline (maybe it still does?).

Perhaps the most striking aerial “show” I’ve witnessed in recent years was the formation of five or six helicopters buzzing above the Imperial Palace during one of the rare occasions when the public is allowed inside the grounds for the Emperor’s New Year greeting.

Watching another jet approach Haneda from Minato Ward, framed against Tokyo’s new Link Pillar One North Tower beside Takanawa Gateway Station, made me wonder if the local residents here eventually tune out the constant sound of planes overhead, or does it remain an unavoidable part of daily life in the city that they just have to deal with?

Photo 2.
  • Timestamp: 2025/07/16・17:46
  • Fujifilm X100V with 5% diffusion filter
  • ISO 320 for 1/250 sec. at ƒ/8 (moderate crop)
  • Velvia/Vivid film simulation
Photo 1.
  • Timestamp: 2025/07/16・17:58
  • Fujifilm X100V with 5% diffusion filter
  • ISO 160 for 1/320 sec. at ƒ/4.5 (heavy crop)
  • Velvia/Vivid film simulation

Links to sources and Google Maps:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Shinagawa Intercity

If this scene speaks to you, prints and downloads are available:

Glass and Steel Landmark from the ‘90s: Tower A of the Shinagawa Intercity Complex・楕円形の品川ランドマーク「品川インターシティA棟」


The oval-shaped glass exterior of this high-rise caught my eye as I headed back to Shinagawa Station.

Tower A is the tallest of the three towers in the Shinagawa Intercity high-rise office complex. Rising 32 stories to 145 meters (474 feet), it has stood as a landmark on the Shinagawa skyline since 1998.

When it was completed, Tower A was considered one of Tokyo’s most distinctive skyscrapers and a symbol of modern business in Japan. Equipped with state-of-the-art building systems and advanced communication infrastructure, it seemed designed to attract international tech startups and forward-looking companies.

Although it was among Tokyo’s tallest buildings at the time, today Tower A is overshadowed by much taller skyscrapers such as the 65-story Mori JP Tower, which soars to 327 meters (1,073 feet).

While I am impressed by the feats of engineering that allow such tall structures to exist in a land of typhoons, volcanoes, and powerful earthquakes, I find myself more deeply drawn to smaller-scale architecture. The stone and wood craftsmanship of older buildings from the Meiji, Taisho, and early Showa eras still captivates me in a way that even the most imposing glass towers cannot.

  • Location: Minato Ward, Tokyo, Japan
  • Timestamp: 2025/07/16・15:05
  • Fujifilm X100V with 5% diffusion filter
  • ISO 400 for 1/250 sec. at ƒ/2
  • Velvia/Vivid film simulation

Links to sources and Google Maps:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



2025-05-28

Nippon Maru

If this scene speaks to you, prints and downloads are available:

The Swan of the Pacific: Yokohama’s Nippon Maru

太平洋の白鳥「日本丸」


Although I usually prefer to photograph Nippon Maru at night, when she’s beautifully illuminated, I decided this time to make an attempt to compose a few shots in the harsh afternoon light.

Nippon Maru is now a permanently docked museum ship at the former Yokohama Dock No. 1, just a four-minute walk from Sakuragicho Station in Yokohama’s Naka Ward, within the Minatomirai waterfront district.

Built in Kobe and launched in January 1930, Nippon Maru was designed to train officers for Japan’s merchant marine. During World War II, her masts and rigging were removed so she could serve as a transport vessel, which was possible thanks to her two 600-horsepower diesel engines.

Her training mission resumed in 1952 after her rigging was reinstalled, and she continued sailing until 1984. Over her 54-year career, Nippon Maru trained 11,500 cadets and covered 1.83 million kilometers; an equivalent to circling the globe 45.5 times.

The reason for building such a large training ship dates back to a tragedy in March 1927, when all 53 crew and cadets aboard the smaller training vessel Kirishima Maru were lost at sea. Authorities recognized the need for larger, safer ships, resulting in the construction of two vessels: Nippon Maru and Kaiwo Maru (the latter now also preserved as a museum ship in Toyama Prefecture).

Nippon Maru is a four-masted barque (also known as a jackass bark), with her tallest mast rising 46 meters (161 feet) above the waterline.

Twelve times a year, volunteers help unfurl her 32 sails, which span a total area of 2,397 square meters (25,800 square feet). I hope to return on one of those days to witness the ship in full sail -- a sight I assume that likely inspired her nickname, the Swan of the Pacific.

  • Location: Minatomirai, Yokohama, Japan
  • Timestamp: 2025/05/28・15:12
  • Fujifilm with 5% diffusion filter
  • ISO 1000 for 1/125 sec. at ƒ/10
  • Pro Negative High film simulation

Google Maps links and sources for a deeper dive: 


Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Timber Wharf

If this scene speaks to you, prints and downloads are available:

Yokohama Timber Wharf: A New Landmark in Sustainable Design

サステナブル建築の新拠点、「横浜ティンバー・ワーフ」


Set to open in October 2025, Yokohama Timber Wharf features distinctive truss columns made from a hybrid of laminated wood and steel. This combination brings together the warmth and aesthetic appeal of timber with the strength and fire resistance of steel, ensuring both safety and long-term durability.

Designed by TJ Design & Architecture, the building presents a bold, forward-thinking vision grounded in environmental responsibility. The project aims to become a symbol of sustainable urban development, which demonstrates to future architects and developers the immense potential of wood as a primary material in modern city building.

From what I can gather, the facility will house a bakery and café on the ground floor, a restaurant suitable for weddings and events on the second floor, and a lounge, changing rooms,  baggage storage, and other amenities designed for runners, walkers, and outdoor enthusiasts. These features align well with local lifestyle habits, especially along the scenic waterfront promenade that stretches from Rinko Park to Yamashita Park.

I am encouraged to see more architectural projects in Yokohama embracing wood in their designs. Another notable example is Port Plus, completed in 2023. This high-rise training and education facility, also located in Naka Ward, uses advanced timber technologies to push the limits of what’s possible in vertical wood construction.

Projects like Port Plus and Yokohama Timber Wharf reflect a growing shift in Yokohama and Tokyo away from carbon-intensive construction materials, which have long been favored for cost-efficiency, earthquake resilience, and fire resistance, towards mass timber solutions. These new technologies make it possible to meet fire codes and seismic requirements while reconnecting with Japan’s deep-rooted tradition of wooden architecture seen in shrines, temples, and homes.

  • Location: Rinko Parak, Yokohama, Japan
  • Timestamp: 2025/05/28・14:09
  • Fujifilm with 5% diffusion filter
  • ISO 160 for 1/400 sec. at ƒ/2
  • Astia/Soft film simulation

Google Maps and references for a deeper dive:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



King Tower

If this scene speaks to you, prints and downloads are available:

The King of Yokohama: A Glimpse into the City’s Art Deco Legacy
横浜三塔「キング」の歴史とアール・デコ建築の魅力

The Art Deco Kanagawa Prefectural Government Building is a striking symbol of Yokohama’s modern history. Seen from Port Opening Square (開港波止場) along historic Nihon-Odori Street, visitors can enjoy views of the harbor and attend open-air events in this cultural hub.

Completed in 1928, the building was designed in the image of a five-story pagoda and is designated a National Important Cultural Property. Its Japanese-style roof, known as Teikan-Yoshiki (Imperial Crown Style), blends traditional Japanese forms with symmetrical Western architecture making it one of the first examples of this hybrid design in Japan.

Geometric patterns in brown tile and marble appear throughout the building, reflecting the influence of Frank Lloyd Wright and the bold lines of the Art Deco movement. The structure is illuminated each night until 10 p.m., making it a dramatic backdrop for various Japanese TV dramas.

Affectionately known as “King’s Tower,” the building is part of the famous Yokohama Three Towers (横浜三塔):

・The King – Kanagawa Prefectural Office
・The Queen – Yokohama Customs Building
・The Jack – Yokohama Port Opening Memorial Hall

Legend has it that foreign sailors arriving in Yokohama first spotted these towers as they entered the port in the early 20th century, when no other tall buildings dotted the skyline. Before departing, many made a wish to return safely in hopes of one day seeing the three towers again.

A more modern version of the legend promises that if you visit all three towers, or stand at one of four designated spots in Yokohama where all three are visible at once, your wish will be granted. Three of these spots are marked by circular metal plaques embedded in the sidewalks and one painted on the roof of Osanbashi Pier.

Over the past four decades, I’ve watched as Yokohama’s skyline has grown ever taller. One day, these beloved towers may disappear behind walls of glass and steel, lost in the shadow of the very progress they once stood for.

  • Location: Kaiko Hatoba, Yokohama, Japan
  • Timestamp: 2025/05/28・13:23
  • Fujifilm with 5% diffusion filter
  • ISO 160 for 1/30 sec. at ƒ/8
  • Provia film simulation

Google Maps and sources for a deeper dive:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Mosaic Tiles

If this scene speaks to you, prints and downloads are available:

A Gift of Gratitude: Yokohama’s Indian Memorial Fountain
横浜・山下公園の「インド水塔」:関東大震災に感謝を込めた記念碑


Yokohama began exchanging goods and culture with India in the 19th century, and Indian immigrants played a key role in the local silk trade. The Great Kantō Earthquake of 1923—one of the most devastating natural disasters in Japanese history—claimed over 100,000 lives across the Tokyo and Yokohama regions. Yokohama, a major port city, suffered extensive damage. Among the victims were 28 Indian merchants who had settled in the Yamashita district.

In response, the city provided relief to affected Indian residents, including the construction of emergency housing.

In 1930, Yokohama transformed a former earthquake debris dumping ground into what would become one of its most iconic tourist destinations: Yamashita Park.

To express their gratitude to the Japanese people who assisted them after the disaster—and to honor those who perished—the Indian community built the Indian Memorial Water Fountain in Yamashita Park. The memorial was donated to the city in 1939.

Constructed from reinforced concrete and topped with a copper dome, the fountain reflects architectural influences from the Mughal period (1526–1857), blending Indian, Islamic, and Japanese design elements.

A closer look at the fountain’s ceiling reveals a striking bronze lamp casing framed by a vivid mosaic of floral tiles. The intricate design exemplifies the fusion of Mughal and Japanese aesthetics, with its symmetrical patterns and vibrant colors.

In March 2023, the memorial underwent its first major renovation in 84 years. The restoration addressed typhoon-related damage and included seismic retrofitting to protect the structure against future earthquakes.

  • Location: Yamashita Park, Yokohama, Japan
  • Timestamp: 2025/05/28・13:10
  • Fujifilm X100V with 5% diffusion filter
  • ISO 160 for 1/125 sec. at ƒ/2
  • Velvia/Vivid film simulation

Google Maps and sources for a deeper dive:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Hikawa Maru

If this scene speaks to you, prints and downloads are available:

Yamashita Park and the Queen of the Pacific: A Glimpse into Maritime History
山下公園と「太平洋の女王」


Yamashita Park offers one of the most picturesque views of the Port of Yokohama, which is highlighted by the presence of the Yokohama Marine Tower, Yokohama Bay Bridge, and the iconic NYK Hikawa Maru, a retired Japanese ocean liner permanently moored alongside the park.

The Hikawa Maru sailed from 1930 to 1960, primarily as a trans-Pacific liner connecting Yokohama with Vancouver and Seattle. In her prime, she was considered the most luxurious way to cross the Pacific, attracting select passengers including members of the Japanese imperial family, Charlie Chaplin, and Babe Ruth.

Designed to carry 331 passengers with 76 of them enjoying First Class accommodations, she was manned by a crew of 147. First Class travelers were treated to exquisite cuisine prepared by chefs trained in European kitchens, and surrounded by elegant Art Deco interiors. So beloved was the vessel that she earned the nickname “Queen of the Pacific.”

During World War II, the Hikawa Maru was repurposed as a hospital ship and a repatriation vessel for Japanese citizens and soldiers. Remarkably, she survived three mine strikes without sinking, thanks to her thick steel hull.

The ship also played a lesser-known but vital humanitarian role during the war, carrying Jewish refugees escaping Nazi persecution to safety in North America. After the war, from 1945 to 1947, she transported U.S. military personnel between Japan and the United States. In 1953, following a retrofit, she resumed service as a cargo-passenger liner until her retirement in 1960.

Since 1961, the Hikawa Maru has been anchored at Yamashita Park, where she has served as a floating museum, hotel, and restaurant. I first explored her beautifully preserved decks and Art Deco interiors in the mid-1980s.

Now, nearly four decades later, I hope to board her again not only to relive those memories, but to experience her timeless charm with the eye of a slightly more seasoned photographer with the companionship of nostalgia. Dogs are not allowed onboard, so I will have to visit when I’m able to leave my border collie at home.

  • Location: Yamashita Park, Yokohama, Japan
  • Timestamp: 2025/05/28・12:53
  • Fujifilm X100V with 5% diffusion filter
  • ISO 160 for 1/30 sec. at ƒ/8
  • Classic Chrome film simulation

Google Maps and sources for a deeper dive:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Marine Tower

If this scene speaks to you, prints and downloads are available:

A Waterfront Landmark Enjoyed with Spring Flowers
春の花とともに楽しむ港のランドマーク


The Port of Yokohama built this tower in 1961 to commemorate its centennial, making it the tallest lighthouse in the world at the time, standing at 106 meters (348 feet). It held this title until 2008.

I first visited the top of the tower in 1984, when it featured an aviary just below the lantern room. Exotic birds flew freely inside, creating a surprisingly serene atmosphere high above the city. In 2009, the tower underwent major renovations in celebration of the port’s 150th anniversary.

The aviary was replaced with an observation deck, now enhanced by light shows in the evenings. The first through fourth floors house restaurants, gift shops, and even a wedding hall. The tower’s iconic red-and-white stripes were repainted in a sleek silver finish, giving it a more contemporary look. It’s also fitted with LED strips and floodlights capable of illuminating the tower in a palette of 12 colors.

The upper observation deck is roughly equivalent to the 30th floor of a high-rise, offering panoramic views of Yamashita Park, the historic Hikawa Maru ocean liner, and the Minatomirai waterfront district. On clear days, you can even see Mount Fuji’s silhouette about 125 kilometers (76 miles) to the west.

In this shot, I was struck by the visual contrast between the lush flowers in full bloom against the steel and glass of modern Yokohama. Spring is an especially rewarding time to visit Yamashita Park, when the city hosts its annual “Garden Necklace Yokohama” festival. During this event, seasonal flowers bloom across small and large parks throughout the city, making it a paradise for garden lovers and photographers alike.

  • Location: Yamashita Park, Yokohama, Japan
  • Timestamp: 2025/05/28・12:25
  • Fujifilm X100V with 5% diffusion filter
  • ISO 160 for 1/40 sec. at ƒ/11
  • Classic Chrome film simulation

Google Maps and sources for a deeper dive:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Giant Leek

If this scene speaks to you, prints and downloads are available:

Spring Spheres: Capturing a Giant Leek Amid Yokohama’s Garden Necklace
春のガーデンネックレス横浜:アリウム・ギガンチウムの球状の花の風景


The giant leek (Allium giganteum), a member of the onion family (Alliaceae), is native to central and southwestern Asia but has been cultivated widely around the world as a striking ornamental plant.

In the eastern section of Yokohama’s Yamashita Park, within the “Rose Garden of the Future” (未来のバラ園・Mirai-no-Baraen), these giant leeks are planted among a vast assortment of rose cultivars. Their spherical purple blooms provide a beautiful contrast to the softer, often layered textures and warmer hues of the surrounding roses, which offers variety in both color and form.

In this shot, I aimed to frame one of the leeks with the historic ocean liner Hikawa Maru, which is permanently docked nearby, in the background. However, I opened the aperture too wide, resulting in the ship becoming almost invisible in the bokeh. A smaller aperture somewhere between ƒ/4 and ƒ/8 would have provided better depth of field making the ship more recognizable while keeping the leek as the main focal point.

Every year from mid-March to mid-June, the city of Yokohama hosts Garden Necklace Yokohama, an annual event that celebrates the beauty of spring. A wide variety of flowers including tulips, roses, cherry blossoms, and more that bloom in succession across parks and flower beds throughout the city, connecting Yokohama’s 18 wards, its people, and the unfolding rhythm of spring.

  • Location: Yamashita Park, Yokohama, Japan
  • Timestamp: 2025/05/28・12:17
  • Fujifilm X100V with 5% diffusion filter
  • ISO 160 for 1/240 sec. at ƒ/2
  • Astia/Soft film simulation

References:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.