2025-09-02

Kinomata River

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Finding Stillness in the Waters of the Kinomata River

木の俣川の流れの中で感じたひとときの静寂


The Kinomata River (木の俣川; Kinomata-gawa) flows south from the steep southern slope of Mt. Megadake (女鹿岳; Mega-dake), dropping from roughly 1,700 m (5,577 ft) down to about 500 m (1,640 ft). This 1,200 m (3,937 ft) elevation loss over a short distance of only 17 km (10 mi) gives the river a surprisingly dynamic character, not unlike rivers such as the Little White Salmon in Washington State, the Highwood River in Alberta, or the Afon Glaslyn in Wales.

Despite its energy upstream, the Kinomata River is also known for its crystal-clear water and remarkably cold temperatures, even at the height of summer. The river falls under the jurisdiction of Nasushiobara City, which has invested heavily in preserving the area while keeping it accessible. Low-cost parking, clean lavatory facilities, and well-maintained trails and bridges make the river approachable for a wide range of visitors from elderly couples strolling under the shade of broadleaf trees to young families seeking a cool, nature-filled escape.

For visitors from the Tokyo area, its relative proximity is another advantage: just 132 km (82 mi) north of the metropolis, it takes about 2.5 hours by car when leaving before sunrise, as I did from my home in Yokohama. The river’s gem-blue color is also a major draw. This striking hue comes from the purity of the water and the way tiny mineral particles scatter the sunlight, producing a luminous turquoise glow. These pristine conditions also support healthy populations of ayu sweetfish (Plecoglossus altivelis), which thrive in clean, well-oxygenated streams like this one.

Near the Kyogan Suspension Pedestrian Bridge, the flow of the river slows noticeably compared to the faster currents upstream. This creates several natural swimming holes where adults can wade shoulder-deep into calm water. I also saw sections where parents felt comfortable letting small children splash around in shallow, gentle currents. These calmer conditions gave me enough confidence to stand midstream with my camera, something I rarely get the chance to do, while my border collie, Dale-chan, happily played in the cool water beside me.

What lingered with me most was not any single feature of the Kinomata River, but the quiet rhythm of the flowing water and rustling leaves. The cool air was a welcome break after weeks of summer heat, and the deep greens of the forest seemed to absorb whatever noise I carried in my head.

A quick note of appreciation to FE Sorensen, who helped me curate this set of photos and offered a few fun observations along the way. She pointed out that the large moss-covered boulder with a tuft of grass on its edge almost resembles a fish, which to my mind’s eye, is a mix between a white catfish and a black rockfish; now that I see it, I can no longer unsee it.

Standing in the cold water with my camera while Dale-chan waded nearby, I felt a kind of stillness that’s hard to find in my day-to-day life in Yokohama. The slower-moving water near the swimming holes, the soft light under the forest canopy, and the subtle shifts in the river’s turquoise color gave me a brief but much-needed sense of reset.

Postscript:

For anyone considering a visit, parking is available from 07:00 to 18:00. The fee is ¥1,000 between April 1 and September 30, and free between October 1 and March 31. Weekends tend to be crowded, and the parking lot fills up quickly. I went on a weekday in midsummer, and even then most of the spaces were taken up mostly by local visitors.

Links to Google Maps and sources for a deeper dive:

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Finding Stillness in the Waters of the Kinomata River・木の俣川の流れの中で感じたひとときの静寂


A quiet section of the Kinomata River in Tochigi, Japan, where clear freshwater flows gently through lush mountain forest. I photographed this scene while standing in the cool river on a summer weekday, surrounded by deep green foliage and the soft sounds of moving water and rustling leaves. The calm atmosphere and shifting turquoise tones of the river offered a brief but welcome escape from the heat and noise of daily life.

  • Location: Nasushiobara, Tochigi Pref., Japan
  • Timestamp: 2025/09/02・14:14
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 53 mm ISO 100 for 0.4 sec. at ƒ/9
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Cooling Off with My Border Collie in the Kinomata River
愛犬と一緒に、木の俣川の清流でクールダウン


The Kinomata River (木の俣川; Kinomata-gawa), its waters icy cold even in midsummer, flows south from the steep southern slope of Mt. Megadake (女鹿岳; Mega-dake) in Tochigi Prefecture, Japan. For Dale-chan, it was a fun escape from the summer heat of our urban home in Yokohama, offering the perfect combination of cold mountain water and wide-open forest scenery.

This stretch of the river includes walking trails on both sides of the shoreline and is a popular destination for locals, especially young families and groups of students enjoying their summer break. On weekends, the riverbank fills with the sounds of children splashing, couples picnicking beneath the trees, and hikers making their way down from the surrounding foothills.

Near the Kyogan Suspension Pedestrian Bridge, which is located about 520 meters (1,700 feet) downstream from the Kinomata-Enchi Kyogan-Tsuribashi Parking Lot, the flow of the river slows noticeably. Here, a series of natural swimming holes have formed: calm, shoulder-deep pools for adults and broad shallows where parents play with toddlers in gentle, ankle-high currents. The water is clear enough to see every stone on the riverbed, softened by the shade of dense summer greenery.

Although the first step into the water was enough to make me gasp, the chill quickly becomes refreshing. I stood midstream with my camera, letting the cold run around my calves while I worked on a few landscape and pet portraits. Dale-chan waited patiently beside me with her ears perked, dripping wet, and periodically seemed to beg me to splash her with more water. 

Moments like these are what make photographing Japan’s mountain rivers so rewarding: a blend of natural beauty, quiet forest air, and the simple joy of sharing the scene with my loyal companion.

  • Location: Nasushiobara, Tochigi Pref., Japan
  • Timestamp: 2025/09/02・13:56
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 105 mm ISO 1600 for 1/200 sec. at ƒ/5.6




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Unauthorized use for AI training is strictly prohibited.
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Aoki Villa

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Aoki Villa: A German-Inspired Meiji-Era Retreat in Tochigi, Japan
西洋建築が彩る明治期の別邸「旧青木家那須別邸」を訪ねて

The Aoki Villa (旧青木家那須別邸; Kyū-Aokike Nasu Bettei) is located approximately 182 km (112 mi) north of Tokyo in Tochigi Prefecture. Leaving Yokohama before sunrise to avoid morning rush-hour traffic, it took me just 2 hours and 50 minutes via the Tomei and Tohoku Expressways.

Situated in the northern part of the prefecture, the villa sits in the Nasu Highlands, which is known for its imperial villa, cool summer climate, expansive pastures, and thriving dairy industry. Today, the region remains one of Japan’s premier highland resort destinations.

The original structure was built in 1888 during the Meiji Era. Two wings were later added to the left and right of the main building in 1909. In 1989, the Aoki family donated the property to Tochigi Prefecture, which restored and renovated the villa before opening it to the public as a designated historic landmark.

The villa is now one of the most popular sightseeing spots in the Nasu region thanks to its elegant scenery and photogenic architecture. It is also a favorite location for wedding and coming-of-age portraits. During my own visit, a young bride posed in her flowing white gown on the picturesque grounds.

Construction of the villa was commissioned by Shūzō Aoki (青木周蔵; 1844–1914), a former samurai who was granted the title of viscount after the Meiji government abolished the feudal class system during Japan’s modernization.

As a viscount, Aoki was sent to Germany in 1868 to study Western medicine, politics, military science, and economics. After returning to Japan in 1873, he joined the Ministry of Foreign Affairs and later served as Japan’s ambassador to the United Kingdom in 1888 and to the United States in 1906.

Aoki used the Nasu property as a summer retreat and hired his friend from his student days in Germany, architect Matsugasaki Tsumunaga, to design the villa. Matsugasaki incorporated construction techniques he had studied in Europe, including a mansard roof, dormer windows, and other features commonly found in Western wooden buildings.

In 1877, Aoki married Baroness Elizabeth von Rade, the daughter of a Prussian aristocrat. From that point on, his lifestyle became increasingly Westernized, and it was said that German was the most commonly spoken language in his home. This background likely influenced his decision to commission a German-trained architect to design a villa in a distinctly European style.

Whenever I visit preserved architecture from the Meiji Era, I’m reminded of scenes from books and films that depict Japan’s rapid transformation during that time. For ordinary people of the period, who had only recently lived under a military government ruled by samurai and shoguns, the sight of a grand Western-style mansion, tree-lined avenues, horse-drawn carriages, and noblemen in foreign suits must have been astonishing. The Aoki Villa stands today as a remarkable testament to that era of cultural and architectural change.
  • Location: Nasushiobara, Tochigi Pref., Japan
  • Timestamp: 2025/09/02・12:31
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 34 mm ISO 100 for 1/100 sec. at ƒ/8
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  • Location: Nasushiobara, Tochigi Pref., Japan
  • Timestamp: 2025/09/02・12:35
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 28 mm ISO 100 for 1/100 sec. at ƒ/8
If this scene speaks to you, prints and downloads are available:
  • Location: Nasushiobara, Tochigi Pref., Japan
  • Timestamp: 2025/09/02・12:54
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 28 mm ISO 100 for 1/160 sec. at ƒ/8

If this scene speaks to you, prints and downloads are available:
  • Location: Nasushiobara, Tochigi Pref., Japan
  • Timestamp: 2025/09/02・13:02
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 105 mm ISO 400 for 1/200 sec. at ƒ/10

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Unauthorized use for AI training is strictly prohibited.
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2025-08-27

Shōwa Vintage

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Traces of the Shōwa Era in Everyday Life

ふだんの暮らしが語る昭和の面影


While visiting the “Flowers for Lena” florist in Hokuto, Yamanashi Prefecture, I wandered around the shop’s grounds and came across these old items dating back to pre-war Japan during the early Shōwa Period (1926–1989).

The indigo item on the left is an old burlap sack once used as packaging for a type of fertilizer called S-san Fertilizer (エスサン肥料・Esusan hiryō). The vertical characters on the far left read the name of the manufacturer, Ajinomoto Co., Ltd. (味の素株式会社・Ajinomoto Kabushikigaisha), which is the same international conglomerate known today for its frozen food products, seasonings, and sports nutrition items. Ajinomoto developed S-san Fertilizer as a byproduct of its amino acid production process and began selling it to rice farmers in 1936.

In the center stands a weathered, light-blue, insulated wooden box that once held popsicles sold during summer months at beach stalls and festivals from around 1948 onward.

The red characters on the upper left read “eisei” (衞生・“hygienic”), while those on the upper right read “bimi” (美味・“delicious”). Across the center is written “aisu kyandī” (アイスキャンディー・“popsicle”). Unfortunately, I couldn’t determine the origin of the company logo printed at the top center.

For context, adding “eisei” (healthy or hygenic) and “bimi” (delicious or tasty) on the exterior of the box can be roughly translated as “Safe and Delicious Popsicles,” a promotional slogan for the popsicles--a refreshing treat that first started being sold in Japan during the early Showa period before the war.

Together, the phrases “eisei” and “bimi” roughly translate to “Safe and Delicious Popsicles”, likely serving as a promotional slogan. The inclusion of the word “hygienic” reflects the historical context of postwar Japan, when food safety and hygiene standards were still developing. This emphasis on cleanliness may have been a reaction to a tragic 1936 incident in which 25 people, including many children, died after eating salmonella-contaminated popsicles.

When it comes to vintage daily goods, I’m somewhat relieved that I don’t have the spare funds to collect them as much as I’d like. Otherwise, I’m sure I’d fall victim to a hoarder’s instinct and soon need to rent storage space for all the fascinating “junk” I’d bring home. For now, a photograph and a bit of research will have to satisfy my curiosity.

For this shot, I used Fujifilm’s Classic Negative film simulation, modeled after Fujicolor Superia 100 from the 1980s. Its subtly muted tones evoke a nostalgic, vintage feel that complements the earthy colors of the ground and the woven baskets, which is perfect for these relics from 60 to 70 years ago.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・15:25
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 160 for 1/280 sec. at ƒ/2.2
  • Classic Negative film simulation

Links to sources for a deeper dive and Google Maps:


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© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
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Zinnia elegans

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Zinnia Blooms at Flowers for Lena: A Florist’s Handcrafted Beauty in Hokuto, Yamanashi
山梨県北杜市「フラワーズ・フォー・レナ」に咲くジニアの花々


Flowers for Lena, a florist located at the southern foot of the Yatsugatake Mountains in Hokuto, Yamanashi Prefecture, Japan, stands out for selling both fresh and dried flowers that are 100% cultivated by the owners from planting and nurturing to harvesting and sales.

The staff I spoke with explained that the shop takes special care to avoid chemical fertilizers and minimize the use of pesticides. Around forty varieties of flowers are grown each year in open-air fields from June to October, without relying on greenhouses, which in Japan are typically aluminum frames wrapped in layers of lots of ugly plastic.

Flowers that make it all the way to harvest are displayed at the storefront, even in the summer months. This is possible thanks to the region’s cooler highland climate, unlike in urban centers where fresh flowers must be refrigerated to prevent wilting.

When I visited, the florist had recently opened a new building beside the old shop. The new space features a black wood stove that reminded me of the one my family had when I was a boy. It also houses a gift shop selling goods and clothing primarily for  gardening with simple, down-to-earth designs, like straw hats, woven carry bags, cotton scarves, and aprons for both the kitchen and the garden.

The new building also includes a café and restaurant, which I unfortunately didn’t have time to visit. A quick glance at the menu showed sweets and drinks made from locally sourced ingredients. I’m always happy to see small proprietors collaborating with other local businesses rather than depending too heavily on imported materials. It’s a wonderful way to keep money circulating within the community so that neighbors can thrive together.

I learned that “Flowers for Lena” began operating in 1984, which was just one year before I arrived in Japan. I was pleasantly surprised to discover that they’ve managed to flourish in such a remote area for more than forty years.

For this shot of zinnia flowers (Zinnia elegans), I chose the Classic Negative film simulation, based on Fujifilm’s Fujicolor Superia 100 from the 1980s. I love the vintage film vibe, which  pairs beautifully with the earthy tones of the flowers. The simulation adds a smooth contrast between deep shadows and gently muted colors, creating a nostalgic yet natural look.

Even in a changing world, places like this shop remind me that the most enduring creations often come from steady hands and a genuine love for the land.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・15:24
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 640 for 1/250 sec. at ƒ/2
  • Classic Negative film simulation

Links to sources for a deeper dive and Google Maps:


Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



Doryu Falls

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Capturing Doryū Falls: A Dragon’s Flow in the Yatsugatake Highlands
八ヶ岳の秘境、川俣川に流れる「吐竜の滝」を訪ねて


The Kawamata River (川俣川・Kawamata-gawa) flows eastward from near the peak of Mt. Gongen (権現岳・Gongen-dake) before turning south, covering a total length of about 14 km (8.7 mi).

The river winds through the lush Kawamata Gorge, where, about halfway along its course, you can find the beautiful Doryū Falls (吐竜の滝・Doryū-no-Taki) cascading into the river.

The name “Doryū” (吐竜) combines the characters 吐 (to exhale or drool) and 竜 (dragon). Literally translated, it means “Dragon’s Drool Falls.” The name comes from the sight of thin, silky streams of water flowing gracefully over moss-covered rocks, evoking the image of a dragon’s breath or drool as abundant underground water from the Yatsugatake Mountains emerges from the rocks and feeds into the river.

While “dragon drool” might sound a bit unsettling in English, the opposite is true in Japanese mythology. Dragons are benevolent water deities strongly associated with rain, rivers, lakes, and oceans.

This symbolism is often seen at Shinto shrines, where the spouts of purification fountains (手水舎・temizuya) are shaped like dragon heads. Many Shinto shrines near bodies of water even enshrine dragons as their main deity.

In Buddhism as well, dragons are regarded as protectors of the Buddha and guardians of Buddhist law. This association is reflected in the frequent use of the old character for dragon (龍; ryū—the predecessor of 竜) in the names of many Buddhist temples throughout Japan.

Although I’m overall satisfied with how my photos turned out (especially considering they were shot handheld), I’d love to revisit Doryū Falls again before sunrise to capture the scene in warmer light. Next time, I plan to use my tripod, and maybe an ND filter, for longer exposures to achieve a silkier flow of the water.

It would also be rewarding to visit after a rainfall to photograph the increased water volume, or in autumn when the surrounding foliage transforms into brilliant shades of yellow and orange.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・14:47
  • Pentax K-1 II + DFA 28-105mm F3.5-5.6 + CP
  • 105 mm ISO 400 for 1/500 sec. at ƒ/5.6

Links to sources for a deeper dive and Google Maps:

Succulent Rosettes

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Red-Tipped Houseleeks at Moegi Village of Kiyosato Highlands

「萌木の村」に咲く赤い縁取りの「クモの巣万年草」


Moegi Village (萌木の村・Moegi-no-Mura) is a charming tourist destination in Hokuto, Yamanashi Prefecture. Nestled on the Kiyosato Highlands at an altitude of about 1,200 meters (3,937 ft), the area enjoys a refreshing alpine climate on the southeastern slopes of the Yatsugatake Mountains.

Located roughly three hours west of Tokyo by car or train, the village features a delightful mix of restaurants, cafes, a hotel, a brewery, and even a merry-go-round beside a music box museum. What’s more, scattered among blossoming flower gardens are gift shops, garden supply stores, and an art and craft studio for a total of 26 shops adding to the quaint, leisurely atmosphere.

After lunch, my border collie and I took a slow, relaxed walk through the village. Along the way, I came across a cluster of succulents (Sempervivum pittonii), also known as houseleeks (according to The Royal Horticultural Society). They were growing atop a stone wall separating the village grounds from a nearby cemetery. The overcast sky provided gentle, diffused light, which is ideal for photography where you normally want to avoid harsh highlights and deep shadows.

Seeing these plants stirred an old memory. I vaguely recall my mother growing similar ones in our backyard when I was just a wee lad. Although I cannot remember if we called them houseleeks, too.

In this shot, I was drawn to the red-tipped green rosettes of the flowers, which inspired me to use Fujifilm’s Velvia film simulation. This particular film was known for its vivid saturation and rich tones, especially in reds and greens. Velvia perfectly captured the vibrancy that first caught my eye.

As I recently started editing the photo, I couldn’t help but smile when realizing how a small mountain village and a humble cluster of houseleeks could so effortlessly bridge my past and present through a single frame.

  • Location: Hokuto, Yamanashi Pref., Japan
  • Timestamp: 2025/08/27・14:47
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 160 for 1/950 sec. at ƒ/2
  • Velvia/Vivid film simulation

Links to sources for a deeper dive and Google Maps:

Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.



2025-08-26

Take-Akari

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Bamboo Lanterns of Japan・竹灯りの灯す夜


Bamboo lights (竹灯り・take-akari) or bamboo lanterns (竹灯籠・take-chōchin) have been used as lighting since ancient times in Japan to illuminate footpaths and routes leading to castle keeps, Buddhist temples, Shinto shrines, and public spaces during festivals.

In earlier times, candles placed inside carved and decorated bamboo shafts served as the primary source of light. Today, modern interpretations often use battery-powered LED lights to reduce the risk of fire. It’s even possible to purchase commercially manufactured bamboo lanterns with protective coatings for long-term preservation and built-in lighting systems that plug into wall outlets that are ideal for interior lighting and décor.

Over the past two decades, several towns and smaller cities, especially those with historical ties to castles, have begun sponsoring large-scale bamboo light festivals. These events aim to attract visitors and revitalize local economies through the warmth and artistry of bamboo illuminations.

Some castle towns, temples, and shrines also host workshops where participants can design and create their own bamboo lanterns by drilling patterns into pre-cut bamboo shafts. The finished pieces can be taken home as souvenirs or presented as gifts. Many of these workshops use bamboo harvested from overgrown groves that need thinning for ecological health, thus turning what might otherwise be waste into art that connects people with nature and tradition.

Among the many festivals I’ve come across, two that stand out are the Taketa Bamboo Lantern Festival in Oita Prefecture and the Mizuakari Bamboo Lantern Festival in Kumamoto Prefecture, both held in historic castle towns that glow with thousands of softly lit bamboo lights each autumn.

As I captured photos of the gentle glow of the bamboo lanterns flickering against the dark background, I was thankful that someone took the time to combine simple materials and ancient traditions to illuminate the local urbanscape adding a touch of quiet beauty and warmth.

  • Location: Tsuzuki Ward, Yokohama, Japan
  • Timestamp: 2025-08-26・21:13
  • Fujifilm X100V with 5% diffusion filter
  • 23 mm ISO 640 for 1/250 sec. at ƒ/2
  • Astia Soft film simulation

Links to maps and sources for a deeper dive: 


Copyright Notice for All Images:
© 2011-2025 Pix4Japan. All rights reserved.
Unauthorized use for AI training is strictly prohibited.
Visit www.pix4japan.com to learn more.